Synopses & Reviews
By 1920 one of the most recognised faces on the planet belonged to Charlie Chaplin, confirming the influence of a powerful new medium. Today's film fans turn to Facebook and Twitter to follow their heroes. While the ubiquitous smart phone enmeshes consumers in nets of connectivity, interactivity requires that actors are also ensnared: thirty-two cameras simultaneously scrutinizing the face of the actor enables performance to blend with game logic. However, this book denies that new technology constitutes a hiatus. Instead the author argues that interaction with smart phones and tablet computers is part of a complex, historic continuum. The moving image represents a leap forward, proving that technology extends into (and out of) the mind as well as the body. Exploring research into mobile phone use as props to subjective identity, and employing concepts from Michelle Foucault, Gilles Deleuze and actor network theory, the author employs Sunset Boulevard (1950) as a key text. Discussing the affect of mechanisms of make-believe and celebrity that extend from an early victim of emerging celebrity culture (in 1915), to the avatar-obsessed game player of digital culture, this book makes visible previously ignored relations with machinic assemblages of desire.
Synopsis
Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.
About the Author
NORMAN TAYLOR has taught in schools, colleges and universities for over thirty years. A lecturer in literature, media, film and cultural studies, he is a co-founder of Bristol Silents film society. He has authored film programmes for Bristol University, UWE and the Open College Network, and published articles in journals including Screen.
Table of Contents
AcknowledgementsContentsForewordIntroductionPART I APPROACHES TO DIGITAL CULTUREA Conceptual History Mobile AffectAffective Networks PART II CINEMATIC PERSPECTIVESClassical Hollywood's Mature TechnologyStars and Avatars Film and HybridityPART III CONSORTING WITH THE MACHINEMachines of CelebrityMachines of Legal SubjectivityMachines of the Networked AssemblageMachines to Consort WithNotesBibliographyIndex