Synopses & Reviews
Natasha O'Hear considers seven different visualisations of all or part of the Book of Revelation across a range of different media, from illuminated manuscripts, to tapestries, to altarpieces to paintings woodcut prints. Artists featured include the Van Eycks, Memling, Botticelli, Durer and Cranach the Elder. This study is a contribution to the history of interpretation of the Book of Revelation in the Late Medieval and Early Modern period in the form of seven visual case studies ranging from 1250-1522.
It is also is an attempt to understand the different ways in which images exhibit hermeneutical strategies akin to what is found in textual exegesis, but with the peculiar properties of synchronicity of both subject-matter and effect that distinguish them from reading a text. The book explores the multi-faceted scope of visual exegesis as a way of exploring the content and the character of a biblical text such as The Book of Revelation, as well as the complementary relationship between textual and visual exegesis.
About the Author
Natasha O'Hear currently teaches English at an inner city school in North London. Prior to this she was Junior Research Fellowship at Worcester College, Oxford and a Lecturer in Theology at the University of Oxford.
Table of Contents
1. The Lambeth Apocalypse: The Thirteenth Century
2. The Angers Apocalypse Tapestry: The Fourteenth Century
3. The Ghent Altarpiece and the St John Altarpiece: The Fifteenth Century
4. The Mystic Nativity: Botticelli and the Book of Revelation
5. A Time of Transition: Late Medieval and Early Modern Germany
6. Hermeneutical Reflections and Visual Exegesis