Synopses & Reviews
Driving home at dusk, Claire Andrews, an art history professor at a prestigious New England university, accidentally strikes and kills a boy who darts into the path of her car. She is immediately cleared of blame but is nonetheless left psychologically devastated. Haunted by the accident's consequences, Claire also wrestles with her study of one of Vincent van Gogh's final paintings, Crows over the Wheatfield
, and its mysterious relationship to the great artist's untimely death.
Claire has been writing the definitive book on the connection between the artist's late paintings and his deteriorating mental condition before his suicide. She has uncovered evidence that the painter's death may not have been as it seems and that someone close to van Gogh may have pushed the fragile painter to take his own life. Meanwhile, Claire, too, begins to feel that she is being broken by despair. And when the boy's family files a high-profile lawsuit against Claire, even her work may not be able to pull her out of the darkness that has begun to envelop her.
On the advice of her lawyers and her husband, Richard, from whom she has recently separated but who has been caring for her, Claire sets off on a research trip to Auvers, France, where van Gogh spent his last days, determined to answer her questions about the artist and his masterpiece. While in Auvers, worrisome parallels between her life and that of the troubled painter begin to emerge, and Claire realizes that she must reconcile herself to her past in order to reunite the forces that make her whole.
Adam Braver, one of our finest young novelists, beautifully juxtaposes past and present in this remarkable story of art, tragedy, and redemption.
"Van Gogh scholar Claire Andrews strikes a young boy while driving home and kills him instantly. Though she could do little to prevent the accident, Claire faces intense guilt, as well as a high-publicity, slanderous lawsuit pushed by the boy's grandfather, former city attorney Fletcher Kennealy. Claire's estranged husband, Richard, moves in to help her through the ordeal, as Claire struggles to complete a career-crucial monograph on Crows over the Wheat Field and its connection to Van Gogh's suicide. Claire quickly goes on sabbatical to Auvers-sur-Oise, the Mediterranean town where Van Gogh ended his life. There, she uncovers surprising new insights into Van Gogh and his already well-studied friendship with Dr. Paul-Ferdinand Gachet, physician, art collector, and amateur painter (and, natch, discovers parallels between Van Gogh's life and her own). Over-the-top prose ('Claire felt the dramatic irony of hope, looking into those pure eyes, knowing that heartbreak, disappointment, and affected and unaffected tragedy lie just beyond the door'), a plodding pace and a too-fast denouement can't quite kill this second novel from Braver (Divine Sarah), who gets Claire's feelings right and offers up a nice look at Van Gogh's last years to boot. (June)" Publishers Weekly (Copyright Reed Business Information, Inc.)
“[A] brilliant exploration of the nature of art, accident, and truth.” Sigrid Nunez, author of < i=""> The Last of Her Kind <>
“An intricate and suspenseful narrative of love and art. . . . A remarkably absorbing and intelligent novel. Margot Livesey
About the Author
Adam Braver is the author of Divine Sarah and Mr. Lincoln's Wars. His work has appeared in Daedalus, Cimarron Review, Post Road, and Pittsburgh Quarterly. He teaches creative writing at Roger Williams University in Bristol, Rhode Island.