Synopses & Reviews
The American Slave Coast offers a provocative vision of US history from earliest colonial times through emancipation that presents even the most familiar events and figures in a revealing new light.
Authors Ned and Constance Sublette tell the brutal story of how the slavery industry made the reproductive labor of the people it referred to as “breeding women” essential to the young country’s expansion. Captive African Americans in the slave nation were not only laborers, but merchandise and collateral all at once. In a land without silver, gold, or trustworthy paper money, their children and their children’s children into perpetuity were used as human savings accounts that functioned as the basis of money and credit in a market premised on the continual expansion of slavery. Slaveowners collected interest in the form of newborns, who had a cash value at birth and whose mothers had no legal right to say no to forced mating.
This gripping narrative is driven by the power struggle between the elites of Virginia, the slave-raising “mother of slavery,” and South Carolina, the massive importer of Africans—a conflict that was central to American politics from the making of the Constitution through the debacle of the Confederacy.
Virginia slaveowners won a major victory when Thomas Jefferson’s 1808 prohibition of the African slave trade protected the domestic slave markets for slave-breeding. The interstate slave trade exploded in Mississippi during the presidency of Andrew Jackson, drove the US expansion into Texas, and powered attempts to take over Cuba and other parts of Latin America, until a disaffected South Carolina spearheaded the drive to secession and war, forcing the Virginians to secede or lose their slave-breeding industry.
Filled with surprising facts, fascinating incidents, and startling portraits of the people who made, endured, and resisted the slave-breeding industry, The American Slave Coast culminates in the revolutionary Emancipation Proclamation, which at last decommissioned the capitalized womb and armed the formerly enslaved to fight for their freedom.
Review
"As enthralling as it is comprehensive, [Sublette's] book breathes life and fire into the whole history of Cuban music." Bonnie Raitt
Review
“This articulate and intensely researched history provides not only an impressive look at its subject but also should serve as a model for any future works on great American cities. Cultural studies and history do not get much better than this, a must read for anyone who wonders why this city must be saved.” —Booklist on The World that Made New Orleans
Review
“A powerful, heartfelt, and sometimes angry take on a great American city.” —Kirkus Reviews on The Year Before the Flood
Review
“Sublette is a musical archeologist at heart. . . . Part memoir, part history lesson, it’s a scrapbook of the bustling port city at its most joyful, boisterous and deadly.” —Los Angeles Times on The Year Before the Flood
Review
“Planters said that slavery was a peculiar domestic institution, a way of life. Abolitionists answered that it was the ugliest of businesses. For too long historians tried to split the difference but really took a side by calling it ‘the South,’ a society or a culture. Drawing on the most recent scholarship, Ned and Constance Sublette get it right: it was an industry, a particular market-tested brand with varieties adapted to its changing times and places. And like all industries it had a politics, too, that affected producers, consumers, and the workers who, in this peculiar case, were not only labor but also capital and, in the bodies of their children, product. The three-hundred-year story has rarely, if ever, been told so fully or so well.” —David Waldstreicher, The Graduate Center, City University of New York, author of Slavery's Constitution: From Revolution to Ratification
Review
“The American story cannot be told without a knowledge of its complete history. In
The American Slave Coast, the Sublettes have painstakingly provided readers with both a compelling narrative and a well-documented and factual rendering. In addition, to its many other applications,
The American Slave Coast will be extremely useful as an exemplar in the contemplated National Slavery Museum in Virginia.” —
L. Douglas Wilder, Former Governor of Virginia and author of Son of Virginia: A Life in America's Political ArenaReview
“A massive story of impressive research…” —Kirkus Reviews
Review
"[A] magnificent history of Cuban music....Well produced, well edited, well indexed, and a bargain besides. I do have one suggestion for the publishers: the book would be so much more fun to read if one could listen to musical examples alongside the text." Stephen Brown, the Times Literary Supplement (read the entire Times Literary Supplement review)
Synopsis
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdés, Arsenio Rodríguez, Benny Moré, and Pérez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the claves appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucía, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santería, Palo, Abakuá, and Vodú; and much more.
Synopsis
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making a case for Cuba as fundamental to the evolution of music in the New World. Revealed are how the music of black slaves transformed 16th-century Europe, how the claves appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, Vodu, and much more.
Synopsis
A wide-ranging, powerful, alternative vision of the history of the United States and how the slave-breeding industry shaped it
The American Slave Coast tells the horrific story of how the slavery business in the United States made the reproductive labor of “breeding women” essential to the expansion of the nation. The book shows how slaves’ children, and their children’s children, were human savings accounts that were the basis of money and credit. This was so deeply embedded in the economy of the slave states that it could only be decommissioned by Emancipation, achieved through the bloodiest war in the history of the United States. The American Slave Coast is an alternative history of the United States that presents the slavery business, as well as familiar historical figures and events, in a revealing new light.
About the Author
Ned Sublette is the author of Cuba and Its Music, The World that Made New Orleans, and The Year Before the Flood. Constance Sublette has published, as Constance Ash, the novels The Horsegirl, The Stalking Horse, and The Stallion Queen, and has edited the anthology Not of Woman Born.