Synopses & Reviews
Review
andquot;Sherrie Tucker has given us a meticulously researched and beautifully written evocation of the Hollywood Canteen. This original and highly creative work is a model of cultural history by a scholar of exemplary insight, intelligence, and sensitivity. Tucker brilliantly reads the dance floor to reveal meanings created, challenged, and negotiated by the dancers. Dance Floor Democracy insists upon a complex and multidimensional portrait of a period and a place too often viewed through the lens of nostalgia.andquot;
Review
andquot;The publication of
Dance Floor Democracy elevates cultural studies scholarship to new levels of sophistication and significance. Sherrie Tuckerand#39;s impressive skills as an oral historian, musicologist, and gender studies specialist coupled with her focused attention on the particularities of place and time have enabled her to craft an exemplary book. A book that is at one and the same time, a social history of the U.S. home front during World War II, a magnificent demonstration of how commercial culture functions as a historical force, and a generative exploration into the tensions between appeals to hierarchy and appeals to equality that lie at the heart of U.S. political culture.andquot;
and#160;
Review
andldquo;Dance Floor Democracy is a model for what we might call embodied social and cultural history: works that takes the body (including that of the researcher herself) as a site of knowledge. andhellip; Dance Floor Democracy reveals scholarly practice as its own kind of dancing.andrdquo;
Synopsis
Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home-front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. The storied dance floor remains the subject of much U.S. national nostalgia for the andquot;Good Warandquot; and the andquot;Greatest Generation.andquot; By drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker complicates the history of the Hollywood Canteen.
Synopsis
Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the "Greatest Generation." Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the "Good War" in popular culture narratives. For Tucker, swing dancing's torque--bodies sharing weight, velocity, and turning power without guaranteed outcomes--is an apt metaphor for the jostling narratives, different perspectives, unsteady memories, and quotidian acts that comprise social history.
About the Author
Sherrie Tucker is Professor of American Studies at the University of Kansas. She is the author of
Swing Shift: andquot;All-Girlandquot; Bands of the 1940s and coeditor of
Big Ears: Listening for Gender in Jazz Studies, both also published by Duke University Press.
Table of Contents
Acknowledgments vii
Prologue. Dance Floor Democracy? xiii
Introduction. Writing on a Crowded Dance Floor 1
Part I. On Location: Situating the Hollywood Canteen (and Swing Culture as National Memory) in Wartime Los Angeles
1. Wrestling Hollywood to the Map 25
2. Cruising the Cahuenga Pass(t) 51
3. Operating from the Curbstone 76
Part II. Patriotic Jitterbugs: Tracing the Footsteps of the Soldier-Hostess Dyad
4. Dyad Democracy 107
5. Injured Parties 146
6. Torquing Back 179
Part III. Women in Uniforms, Men in Aprons: Dancing outside the Soldier-Hostess Dyad
7. The Dyad from Without 199
8. The View from the Mezzanine 212
9. Men Serving Men 226
Part IV. Swing Between the Nation and the State
10. (Un)American Patrol: Following the State on the Dance Floor of the Nation 243
11. The Making(s) of National Memory: Hollywood Canteen (the Movie) 281
Notes 321
Bibliography 351
Index 365