Synopses & Reviews
Combining a bent lyric perception with a fragmentation redolent of French cubism, Coletti portrays contemporary urban experience, from power relations and personal loss to nights among city dwellers recording their convivial distress, glad and dissolute at once. Part teddy bear fleeing the cultish outlines of the American northwest, part Apollinaire in Brooklyn, Coletti culls his materials from the ether and assembles them into resonant structures at once intensely personal and strangely universala little outrageousboth confusingly lovely and apt in their ungainliness. Lines like "I'm nearly home is what everyone says" and "triceratops and the bad glue / that made us good friends," only begin to demonstrate the astute linguistic eye and deft line break sense of John Coletti.
Praise for Deep Code:
"A sonic surrealist typewriter clacks in rhythm across Colletti's brow. Read it in his sweet-eye glance: poetry grams of tender touch. Tuff cookie meat! and mystery. Shit is electric wire awesome stuff."Thurston Moore
"In Deep Code, we walk hand-in-hand with a street smart and tenderhearted city boy who, wanting ALLLLLLL the experience”, is immersed and so immerses the reader in contemporary cacophonies where things collide” at a pace both expansive and measured. John Coletti expertly props our ears to whats striking and dare I say beautiful in the terrifying realities of this world. This book is at ease / with not being at ease” and that, for me, is a guidepost. Reading Deep Code is like eating some kind of perfected pop rocksall the colorful action, and just as true, but without the saccharine hangover."Alli Warren
Deep code is a theory of expressive subterfuge performed as piecemeal continuities. Its poems are distressed and fine like all the chances we forget were free to make for one another, edged to mellow like the contours of a party felt in general and intimate perception."Dana Ward
Review
"A sonic surrealist typewriter clacks in rhythm across Colletti's brow. Read it in his sweet-eye glance: poetry grams of tender touch. Tuff cookie meat! and mystery. Shit is electric wire awesome stuff."Thurston Moore
Review
"Disjunction and parataxis are at a premium here, each line its own thing, sometimes even each word
Or rather, almost its own thing, because after all there remains a wisp of a rhythm that orients each line to the others, however loosely—a last hint of innate sensibility
It would take something like the physics that describes the path of a stone skipping across the surface of a pond to calculate the pattern formed by the points this sensation touches before sinking away, lost. And that is where what we usually call meaning occurs, in Colettis poems: totally submerged, only its ripples still visible.”—Barry Schwabsky,
HyperallergicDeep Code is like the skyhook of poetry. The poems are quick, tight, surprising, and unstoppable. The poems are beautiful to watch as they move across the pagethis is a book of poems that is certainly built to last, all encompassing and omni-relevant in their portraiture.”Erika Kaufman, Poetry Project Newsletter
"Deep Code finds Coletti at the height of his artistic project, in full commandor embraceof the unruliness of language."American Poets
"The poems in Deep Code continue to challenge my expectations and enlarge the parameters of my reading
I trust Coletti in areas where my own comfort is absent in part because of my reading of a poet like [Frank] OHara over the years. One classic New Yorker has led me to embrace the extravagances of another New Yorker from out my own generation
On a couch in eternity, OHara and Coletti will hopefully one day meet.”Patrick James Dunagan, Entropy
"A sonic surrealist typewriter clacks in rhythm across Colletti's brow. Read it in his sweet-eye glance: poetry grams of tender touch. Tuff cookie meat! and mystery. Shit is electric wire awesome stuff."Thurston Moore
"In Deep Code, we walk hand-in-hand with a street smart and tenderhearted city boy who, wanting ALLLLLLL the experience”, is immersed and so immerses the reader in contemporary cacophonies where things collide” at a pace both expansive and measured. John Coletti expertly props our ears to whats striking and dare I say beautiful in the terrifying realities of this world. This book is at ease / with not being at ease” and that, for me, is a guidepost. Reading Deep Code is like eating some kind of perfected pop rocksall the colorful action, and just as true, but without the saccharine hangover."Alli Warren
Deep Code is a theory of expressive subterfuge performed as piecemeal continuities. Its poems are distressed and fine like all the chances we forget were free to make for one another, edged to mellow like the contours of a party felt in general and intimate perception."Dana Ward
Synopsis
Deep Code explores side language,” as a subset of other languages, whether slang or metaphor, to both communicate and obfuscate.
Synopsis
In Deep Code, John Coletti explores "side language," as a subset of other languages, whether slang or metaphor, to communicate and obfuscate. With a fragmentation more cubist than language poetry, Coletti portrays urban experience, from power relations and personal loss to nights of serious drinking, fashioning language into something both recognizable and mysterious.
John Coletti is the author of the book Mum Halo (2010) and co-author, with Anselm Berrigan, of Skasers (2012). At Columbia University, he studied poetry with Kenneth Koch and Ron Padgett. He has served as editor of The Poetry Project Newsletter and co-edits Open 24 Hours Press.
About the Author
John Coletti is the author of the book Mum Halo (2010) and the chapbooks Same Enemy Rainbow (2008) and Physical Kind (2005). With Anselm Berrigan, he is the author of the limited edition Skasers (2012). As an undergraduate at Columbia University, he studied poetry with Kenneth Koch and Ron Padgett. He has served as editor of The Poetry Project Newsletter and co-edits Open 24 Hours Press with poet Greg Fuchs. Other projects include a collaborative print with artist Kiki Smith, a chapbook collaboration with Shana Moulton, and a libretto for Excelsior (Caught: The Wide Open), an opera composed by Caleb Burhans commissioned by Chicagos Fifth House Ensemble and premiering in 2013.