Synopses & Reviews
Digital Arts presents an introduction to new media art framed through current debates, and includes case studies derived from the most contemporary research in the field. The unique combination of writers brings depth to the volume - which begins with the historical context of digital arts, moves through to the flux of contemporary forms, and concludes with trends in distribution and archival processes. Starting from artists' imperative to adopt new technologies creatively, the chapters of the book progressively present a study of the impact of the digital upon creative methodologies and upon the exhibition, distribution and archiving of arts networks.
Integrating case studies to illustrate the various concepts discussed, the authors' engage the reader more closely and providing an opportunity for detail within the broad overview the book provides. In addition, boxed reflections and case studies will be employed to highlight important terms, concepts and cases. Consistent with the other volumes in the series, a bullet-point ‘summary' and ‘further reading' section will be provided for each chapter.
This text introduces students to the typologies of digital artincluding new media, electronic, computer, internet, behaviorist, telematic, and virtual art--in the context of democratization,globalization, and interdisciplinarity. Topics include key concepts and technological origins, images, dance, and music, as well asfinding, downloading, and distributing digital art, archiving and preservation, reality and hyperreality, and the future.Annotation ©2014 Ringgold, Inc., Portland, OR (protoview.com)
About the Author
Cat Hope is currently the head of composition and music technology at the Western Australian Academy of Performing Arts, Edith Cowan University, Western Australia . She has founded two publications Earwax (2000-2004) and Soundscripts (2005-present), and has convened three academic conferences around new music and art. She is an active composer and performer who also works in video art and installation with a keen interest in the relationship of sound and vision. Cat is currently involved in a new music digital archive research project.
John Charles Ryan is Post-Doctoral Research Fellow in the School of Communications and Arts, Edith Cowan University, Western Australia.
Table of Contents
Table of Contents
Chapter 1: Introduction
What Is Digitality?/ What Is Digital Art?/ Digital Art And Its Relatives: Understanding The Typologies/ New Media Art/ Electronic Art/ Computer Art/ Internet Art/ Post-Media Aesthetics/ Behaviourist Art/ Telematic Art/ Virtual Art/ Unstable Media Art/ Perspectives On Technology, Culture And The Digital Arts / Democratization/ Globalization / Interdisciplinarity/ An Outline Of The Following Chapters/ Summary
Chapter 2: Key Concepts, Artistic Influences And Technological Origins Of The Digital Arts
Interaction, Immersion And Interface: Key Ideas For The Digital Arts / The Digital Arts In Perspective: Influential Art-Historical Contexts / Old And New Media: Technological Contexts For The Digital Arts / Summary
Chapter 3: Dumb Visions And Fabulous Images: Photographic, Drawn And Moving Image
Key Concepts / Historical Precedents For Digital Images / The Challenges And Rewards Of Technological Change / What Is A Digital Photograph?/ Digital Imagery In All Its Dimensions/ The Moving Image: Video Art, Animation And Cinema / Video Art/ Animation/ Cinema/ Installation Art / Summary
Chapter 4:Dancing At The Speed Of Light: The Digital In Performance
Cyberpunks In Cyberspace/ Theoretical Terms/ Remediation/ Abjection/ Theoretical Considerations / History / Technology/ Case Studies / Dance And Choreography/ Theatre And Performance Art / Cyborgs, Robots And Bioartists/ Virtual Reality/ Summary
Chapter 5: From Scratchy To Glitchy: The Creation, Performance And Installation Of Digital Music
A Drastic Change For The Direction Of Music/ What Is A Digital Sound?/ The Tools Of Digital Music/ Composing And Performing With Digital Sounds / Digital As A Means: Collecting And Producing/ Consuming Digital Music/ The Future Unfolding: Interactivity And Liveness / The Fragmentation Of Music / Summary
Chapter 6: The Possibilities Of A Web: Internet Art
What Is Internet Art?/ Interactivity, Agency And Community: Theoretical Considerations / Performance, Chance And Innovation: A Brief History Of Internet Art / Browsing, Coding And Networking: The Technology Of Internet Art/ Summary
Chapter 7: I Want It Now: Finding, Downloading And Distributing Digital Art
Finding And File Sharing: Creative Culture In The Digital Era/ Downloading The Commons: The History Of Digital Arts Distribution/ Distributing The Digital: The Impact Of Key Technologies/ Summary
Chapter 8: Ways Of Belonging: Archiving, Preserving And Remembering Digital Art
The Idea Of Liveness: Preservation As Theory And Contingency/ Scoring The Work: Digital Arts Preservation Through Notation Systems/ Towards Archival Interoperability: Arts Preservation And Technology/ Summary
Chapter 9: Conclusion: Hyperreality And The Digital Art Of The Future
Reality And Hyperreality In Digital Art/ Hyperreality And Postdigital Art/ New Technological Frontiers And The Future Of Digital Art / Ubiquitous Computing And Wearable Technology/ Gaming And Networked Environments/ Social Media/ Mobile Telecommunications/ Open Source And Wiki Projects/ Back To Reality: Activism Through Digital Art/ Privacy And Surveillance/ Political And Social Equity/ Environment And Sustainability/ Moist Media And Living Interfaces/ Final Word: Digital Art Communities
Annotated Guide To Further Reading
Exercises And Questions