Synopses & Reviews
Tens of thousands of readers have benefited from Michael Rabiger's classic text on documentary filmmaking, now updated to reflect the revolutionary switch to digital video equipment and software. You will learn how to research and focus a documentary film or video idea, develop a crew, direct the crew, maintain control during shooting, and oversee postproduction. Practical work is emphasized, with dozens of exercises and questionnaires to help focus your ideas and give you hands-on practice. The documentary is treated as an important genre in its own right, as well as a useful prelude to directing feature films.
The fourth edition is a significant update. The book's emphasis has always been on concrete steps you can take to become a documentary filmmaker, and there are loads of new projects to help, along with assessment tables that allow you to gauge your progress. In addition, there is new material on location sound, the reality TV trend, top documentaries to see, and more.
*The definitive guide to making a documentary
*A hands-on approach with dozens of exercises
*A fully updated 4th edition of the classic textbook
Review
joy a place of prominence in the library of every documentary videomaker.'
- Videomaker magazine
"Great directing is equally a matter of heart and soul as much as technical knowledge. This idea is prevalent throughout Rabiger's book." -- Ray Zone, International Documentary Magazine
Review
The previous edition has sold 21,000 copies!
Review
'What makes this book so valuable is that the author consistently searches for the philosophical underpinnings of his art and never gets lost in the technical processes of filmmaking.'
- Jonathan Luskin, Flying Moose Pictures, San Francisco
'The book's greatest strength is the emphasis on documentary filmmaking as a creative, storytelling process....It supplies more in the way of an ethical foundation for the young filmmaker than any other title on the market.'
- Phil Hopper, Director, Theatre and Media Arts Program, Marymount College of Fordham University
'Intelligent and artfully written, Directing the Documentary should enjoy a place of prominence in the library of every documentary videomaker.'
- Videomaker magazine
"Great directing is equally a matter of heart and soul as much as technical knowledge. This idea is prevalent throughout Rabiger's book." -- Ray Zone, International Documentary Magazine
About the Author
Michael Rabiger has directed or edited over 35 films, founded the Documentary Center at Columbia College, Chicago, and was Chair of its Film/Video Department. Now Professor Emeritus, Rabiger has also been presented with the Preservation and Scholarship Award by the International Documentary Association. He has given workshops in many countries, led a multinational European documentary workshop for CILECT, the international association of film schools. As Visiting Professor at New York University's Tisch School of the Arts, he taught idea development, directing, and advanced production. When he retired 2001 to write full-time, Columbia renamed its documentary center “The Michael Rabiger Center for Documentary.” In 2002 he was made Honorary Professor at the University of Buenos Aires, Argentina; in 2003 awarded the 2003 Preservation and Scholarship Award by the International Documentary Association in Los Angeles; in 2005 the Genius Career Achievement Award by the Chicago International Documentary Festival, and also in 2005 was made Professor Emeritus by Columbia College Chicago. He is the author of the enormously successful,
Directing: Film Techniques and Aesthetics (Focal Press), now in its fourth edition, and
Directing the Documentary (Focal Press), now in its fifth edition. He is also the author of
Developing Story Ideas (Focal Press), currently in its second edition. He is currently writing a biography of Thomas Hardy.
Professor emeritus at Columbia College, founder of the Michael Rabiger Center for Documentary Film at Columbia College, recipient of the Preservation and Scholarship Award from the International Documentary Association
Table of Contents
Part 1: Introduction, History and Future
Part 2: Pre-Production
Part 3: Projects: Learning to See With A Moviemaker's Eye
Part 4 Technical Basics Before Shooting
Part 5: Projects: Learning Basic Shooting Techniques
Part 6: Production
Part 7: Projects: Developing Skills as a Director
Part 8: Postproduction
Part 9: Projects: Developing Skills as an Editor
Part 10: Aesthetics and Authorship
Part 11: Career Track
Part 12: Appendices, Glossary, and Annotated Bibliography
Index