Synopses & Reviews
Through machinations in England and abroad, Lymond is dispatched to Malta, to assist the Knights Hospitallers in the island's defense against Turkish corsairs. But he shortly discovers that the greatest threat to the knights lies within their own ranks. One of them is a traitor.
In a narrative that sweeps from the besieged fortress of Tripoli to the steps of Edinburgh's St. Giles Cathedral, Lymond matches wits and swords against an elusive villain who can pervert faith, loyalty, and even kinship into instruments of evil.
The third volume in The Lymond Chronicles, the highly renowned series of historical novels by Dorothy Dunnett, Disorderly Knights takes place in 1551, when Francis Crawford of Lymond is dispatched to embattled Malta, to assist the Knights of Hospitallers in defending the island against the Turks. But shortly the swordsman and scholar discovers that the greatest threat to the Knights lies within their own ranks, where various factions vie secretly for master.
This third volume in The Lymond Chronicles, the highly renowned series of historical novelstakes place in 1551, when Francis Crawford of Lymond is dispatched to embattled Malta, to assist the Knights of Hospitallers in defending the island against the Turks. But shortly the swordsman and scholar discovers that the greatest threat to the Knights lies within their own ranks, where various factions vie secretly for master."
About the Author
Dorothy Dunnett was born in 1923 in Dunfermline, Fife, Scotland. Her time at Gillespie's High School for Girls overlapped with that of the novelist Muriel Spark. From 1940-1955, she worked for the Civil Service as a press officer. In 1946, she married Alastair Dunnett, later editor of The Scotsman
Dunnett started writing in the late 1950s. Her first novel, The Game of Kings, was published in the United States in 1961, and in the United Kingdom the year after. She published 22 books in total, including the six-part Lymond Chronicles and the eight-part Niccolo Series, and co-authored another volume with her husband. Also an accomplished professional portrait painter, Dunnett exhibited at the Royal Scottish Academy on many occasions and had portraits commissioned by a number of prominent public figures in Scotland.
She also led a busy life in public service, as a member of the Board of Trustees of the National Library of Scotland, a Trustee of the Scottish National War Memorial, and Director of the Edinburgh Book Festival. She served on numerous cultural committees, and was a Fellow of the Royal Society of Arts. In 1992 she was awarded the Office of the British Empire for services to literature. She died on November 9, 2001, at the age of 78.
Reading Group Guide
1. For discussion of The Disorderly Knights
The Disorderly Knights is filled with clever, excitingly staged, and exquisitely detailed battle scenes in half a dozen countries. Beneath this action and adventure is a serious running commentary on the clan battles of Scotland and the conflict between the crusader Knights of St John and the forces of Islam. How are these two conflicts compared in the novel? What is Lymond's critique of both? Is he successful in developing an alternative to the politics of war?
2. Joleta Malett and Philippa Somerville are a deliberate study in contrasts--physical, psychological, national, and moral. What element do they add to the story? How does each of these girls fit the character of "heroine"? Philippa comments that "love often begins with a show of hate, doesn't it!" What is she trying to say?
3. All during this novel, indeed since the last scenes of the previous novel, two "creations" of Francis Crawford have been conceived, born, and are maturing. One is the conscious expression of his military, practical, and professional intelligence; what is the other? What sides of the hero do these creations reflect? Are they tools or pawns--or both? What is the role Graham Malett in both of these strands of the plot? How do they reflect his knightly name, Gabriel?
For discussion of the Lymond Chronicles
1. The hero of a long series of historical novels, like the hero of a crime or detective series, lives properly in a milieu of struggle and physical violence and is likely to be the object of this violence over and over. Yet, of course, he must survive it if the series is to continue: "Popular resurrections are a tedious pastime of Francis'," says Lady Lennox in Queens' Play, trying to recover from yet another reappearance by the handsome nemesis she had thought was dead. What are the most interesting or important examples of the deaths and resurrections of Francis Crawford in the series? How and for what purpose do such scenes play with the feelings of the reader?
2. In its various travels and stories, the Lymond Chronicles encompass several religious systems--Roman Catholic, Protestant, and Russian Orthodox Christianity, as well as several forms of the Islamism of the Ottoman Empire. What is the series' attitude toward religion, religious institutions, and authentic spirituality? What do figures like the Dame de Doubtance, John Dee, and Michel de Nostradamus--astrologers and scientists, mystics and psychologists--represent in this respect?
3. Over the length of the Lymond Chronicles the protagonist must withstand the attacks of three powerful antagonists--Margaret Lennox, Graham Malett, and Leonard Bailey. How do these figures of evil differ in their reasons for wanting to possess or destroy Francis Crawford? Does the manner of their deaths or downfalls seem particularly appropriate to their characters?
4. As the secrets of the Crawford family structure surface one by one, through the very last few pages of the last novel, the questions raised in the first novel about Francis Crawford's relationship with his father, his brother, and his sister acquire disconcerting new dimensions. What new father, brother, sister does he need to integrate into his understanding of his family? One thing never changes, however--the centrality of his relationship to his mother for his psyche, his sexuality, even his politics. What by the end do we think of Sybilla Semple Crawford?
5. The essence of a good historical novel is its capacity to create colorful scenes for pure entertainment value, while also offering shrewd characterization, complex plot evolution, and acute political and social insight. Is the comedy of a scene like the feast and fight at the Ostrich Inn in Part II of The Game of Kings, for instance, a good balance for the pure thrill of the swordfight and chase into Hexham in Part IV? How do these scenes illuminate character, plot, and relationships?
The questions, discussion topics, book descriptions, and author biography are designed to enhance your group's reading and discussion of Dorothy Dunnett's six bestselling novels in the Lymond Chronicles. We hope they will enrich your experience of these imaginative and adventuresome works of historical fiction.
First set in sixteenth-century Scotland following a disastrous war with England, the Lymond novels have as their hero Francis Crawford of Lymond, a nobleman and soldier of fortune possessed of a scholar's erudition, an elastic sense of morals, and the tongue of a poet. The six novels take this compellingly charismatic figure on a perilous and colorful tour through the glittering courts and power centers of sixteenth-century Europe.
To these novels, Dorothy Dunnett brings an effortless narrative mastery, in-depth human portraiture, and an uncanny ability to reanimate the past. The Lymond novels are works of marvelous intelligence and pure enchantment, adventures for both the heart and mind.