Synopses & Reviews
As Donna Leonas many fans have come to expect, beloved Commissario Guido Brunetti once again finds himself pursuing a puzzling case his fellow policemen would rather leave closed. After a wealthy elderly woman is found brutally murdered in her apartment, the authorities suspect her maid. But when the maid meets an untimely end trying to escape from border police, and it appears that the money she carried may not have been stolen, Commissario Guido Brunetti decidesaunofficiallyato take the case on himself. Filled with Leonas signature plot twists, Doctored Evidence is a terrific novel of suspense that is sure to delight loyal fans as well as attract new ones.
Beloved Commissario Guido Brunetti once again finds himself pursuing a puzzling case his fellow policemen would rather leave closed. What appears to be a cut-and-dried murder case pinpoints an elderly lady's maid as her killer. However, Brunetti comes to a different conclusion and decides--unofficially--to take on the case himself.
About the Author
A New Yorker of Irish/Spanish descent, Donna Leon first went to Italy in 1965, returning regularly over the next decade or so while pursuing a career as an academic in the States and then later in Iran, China and finally Saudi Arabia. It was after a period in Saudi Arabia, which she found ‘damaging physically and spiritually’ that Donna decided to move to Venice, where she has now lived for over twenty years.
Her debut as a crime fiction writer began as a joke: talking in a dressing room in Venice’s opera-house La Fenice after a performance, Donna and a singer friend were vilifying a particular German conductor. From the thought ‘why don’t we kill him?’ and discussion of when, where and how, the idea for Death at La Fenice took shape, and was completed over the next four months.
Donna Leon is the crime reviewer for the London Sunday Times and is an opera expert. She has written the libretto for a comic opera, entitled Dona Gallina. Set in a chicken coop, and making use of existing baroque music, Donna Gallina was premiered in Innsbruck. Brigitte Fassbaender, one of the great mezzo-sopranos of our time, and now head of the Landestheater in Innsbruck, agreed to come out of retirement both to direct the opera and to play the part of the witch Azuneris (whose name combines the names of the two great Verdi villainesses Azucena and Amneris).