Synopses & Reviews
DREADS. JATTA. NDIAGNE.
Palu. Natty, knotted, ropelike locks. Curly knobs, tiny plaits, intricate weaves. Dreads are a modern phenomena with roots that reach as far back as the fifth century. According to ancient Hindu beliefs, dreadlocks signified a singleminded pursuit of the spiritual. Devotion to God displaced vanity, and hair was left to its own devices. In the West, locks are a relatively recent fashion, born of the Black Power movement of the sixties and the infiltration of reggae into popular music.
"Trust the universe and respect your hair." — Bob Marley
In Dreads, photographers Francesco Mastalia and Alfonse Pagano capture the rebels of this natural hair revolution in all their beautiful, subversive glory. More than one hundred duotone portraits present dread-heads from all walks of life: a Brooklyn postal worker, a Japanese farmer, an Indian sadhu, a Jamaican drummer. Interviewed on location by the photographers, jatta-wearers from around the world wax philosophic about the integrity of their hair, and every stunning image confirms their choice. In her introduction, Alice Walker offers lyrical ruminations about her decision to let her own mane mat.
"A man who cuts his hair is like a tree without leaves."
— Rastafarian Proverb
Today, trendsetters in Tokyo pay thousands of yen to have their poker-straight hair literally drilled into locks. The fact that the young and hip now go to such extremes to imitate what was originally a statement against artificiality proves the growing popularity of dreads. From a nappy-topped newborn to a Rastafarian elder with hair roped around his waist, Dreads rejoices in the essence of the individual, set free by an organic explosion of hair.
"And he put forth the form of a hand, and took me by a lock of my head; and the Spirit lifted me up between the earth and heaven."
— Ezekiel 8:3
Review
"There is always the question of whether you grow locks or your locks grow you. This book shows dreadlocks that are funky, elegant, sexy, dramatic, spiritual — and always beautiful. It makes me very happy to be nappy."
— Veronica Chambers, author of Mama's Girl
Review
"Beautiful book, beautiful hair, beautiful people, beautiful exhilarating spirituality. I loved it and love my (our) hair."
— Anne Lamott author of Traveling Mercies
Review
"
Dreads is an exquisite artistic testament to the individuality of the men and women who make dreads not only a look but a way of life. These cross-cultural images demonstrate that the human visage is the first artistic canvas we have access to."
—Farai Chideya author of The Color of Our Future
Synopsis
Magnificent portraits of dread-heads, with interviews.
Synopsis
Dreadlocks are a modern phenomenon with roots reaching as far back as the fifth century. According to ancient Hindu beliefs, dreads signified a singleminded pursuit of the spiritual. Devotion to God displaced vanity, and hair was left to its own devices.
Dreads captures this organic explosion of hair in all its beautiful, subversive glory. One hundred duotone portraits present dread-heads from around the world, in all walks of life. Interviewed on location by the photographers, jatta-wearers wax philosophic about the integrity of their hair, and every stunning image confirms their choice. Alice Walker puts words to pictures, offering lyrical ruminations about her decision to let her own mane mat.
Synopsis
"I couldn't imagine those black ropes on their heads were hair...natural hair to which nothing was added, not even a brushing...I wondered what such hair felt like, smelled like. What a person dreamed about at night, with hair like that spreading across the pillow..."
— from the introduction by Alice Walker
"Beautiful book, beautiful hair, beautiful people, beautiful exhilarating spirituality. I loved it and love my (our) hair."
— Anne Lamott author of Traveling Mercies
"Dreadsis an exquisite artistic testament to the individuality of the men and women who make dreads not only a look but a way of life. These cross-cultural images demonstrate that the human visage is the first artistic canvas we have access to."
— Farai Chideya author of The Color of Our Future
"There is always the question of whether you grow locks or your locks grow you. This book shows dreadlocks that are funky, elegant, sexy, dramatic, spiritual — and always beautiful. It makes me very happy to be nappy."
— Veronica Chambers, author of Mama's Girl
Photographed on location in Jamaica, Japan, New Zealand, Kenya, Namibia, Ethiopia, Angola, Senegal, India, and the United States
Synopsis
I couldn't imagine those black ropes on their heads were hair...natural hair to which nothing was added, not even a brushing...I wondered what such hair felt like, smelled like. What a person dreamed about at night, with hair like that spreading across the pillow...
—from the introduction by Alice Walker
"Beautiful book, beautiful hair, beautiful people, beautiful exhilarating spirituality. I loved it and love my (our) hair." —Anne Lamott author of Traveling Mercies
"Dreads is an exquisite artistic testament to the individuality of the men and women who make dreads not only a look but a way of life. These cross-cultural images demonstrate that the human visage is the first artistic canvas we have access to."—Farai Chideya author of The Color of Our Future
"There is always the question of whether you grow locks or your locks grow you. This book shows dreadlocks that are funky, elegant, sexy, dramatic, spiritual—and always beautiful. It makes me very happy to be nappy."—Veronica Chambers author of Mama's Girl
Photographed on location in Jamaica, Japan, New Zealand, Kenya, Namibia, Ethiopia, Angola, Senegal, India, and the United States
Synopsis
Dreads. Jatta. Ndiagne. Palu. Natty, knotted, ropelike locks. Curly knobs, tiny plaits, intricate weaves. Dreads are a modern phenomena with roots that reach as far back as the fifth century. According to ancient Hindu beliefs, dreadlocks signified a singleminded pursuit of the spiritual. Devotion to God displaced vanity, and hair was left to its own devices. In the West, locks are a relatively recent fashion, born of the Black Power movement of the sixties and the infiltration of reggae into popular music.
In Dreads, photographers Francesco Mastalia and Alfonse Pagano capture the rebels of this natural hair revolution in all their beautiful, subversive glory. One hundred duotone portraits present dread-heads from all walks of life: a Brooklyn postal worker, a Japanese farmer, an Indian sadhu, a Jamaican drummer. Interviewed on location by the photographers, jatta-wearers from around the world wax philosophic about the integrity of their hair, and every stunning image confirms their choice. In her introduction, Alice Walker offers lyrical ruminations about her decision to let her own mane mat.
Today, trendsetters in Tokyo pay thousands of yen to have their poker-straight hair literally drilled into locks. The fact that the young and hip now go to such extremes to imitate what was originally a statement against artificiality proves the growing popularity of dreads. From a nappy-topped newborn to a Rastafarian elder with hair roped around his waist, Dreads rejoices in the essence of the individual, set free by an organic explosion of hair.
About the Author
Francesco Mastalia has spent the last twenty-five years mastering the art of the black-and-white photography. Advertising and corporate assignments dominate his career as a portrait photographer, while his commitment to documentary photography has taken him around the world. A native of Italy, he is now based in New York.Alfonse Pagano turned to photography as an art form in 1994, after a distinguished career as a painter, during which his mixed media and oil works were exhibited in such venues as the Carnegie Museum of Art and the Laguna Gloria Museum of Art. He is the recipient of New York Foundation for the Arts and Change, Inc., grants. Pagano lives in New York.Alice Walker is a poet and novelist whose work includes The Temple of My Familiar, Possessing the Secret of Joy, and The Color Purple, which was awarded the Pulitzer Prize in 1983. A longtime advocate of dreadlocks, she did not comb her hair for more than ten years.
Table of Contents
Dreads by Alice Walker
Sacred Rites of the Natural Hair Revolution
Portraits
List of Plates
Acknowledgments
Index