Synopses & Reviews
Grant Ginder's second novel, “a sensitively observed story about storytelling” (The New Yorker), takes readers on a twenty-first century road trip that "should appeal to fans of Junot Diaz and Michael Chabon" (Booklist).He’s a big man, my granddad, not necessarily in size or proportion, but in other ways, like the manner in which he lives. The trouble in which he finds himself. The magic that he conjures and the spectacular things he believes.
When he was a younger man, Alistair McPhee was fond of escaping in his ’56 Chevy Bel Air, Lucy, named for the cherished wife who died and left him and their nine-year-old son Colin behind. Yearning for a way to connect to his itinerant father, Colin turned to writing screenplays inspired by the classic films they used to watch together, while Colin’s own son, Finn, grew up listening to his grandfather spin tales of danger, heartbreak, and redemption on the road.
Now, at the end of his life and wishing to feel the wind in his hair one last time, Alistair charges his grandson with an important task: bring Lucy to him in San Francisco from New York, where a man named Yip has been keeping her safe. The long road west will lead Finn through the very cities that supposedly bore witness to Alistair’s greatest adventures, offering an unlikely lesson in the differences between facts and truth, between boys and men.
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“Ginder’s writing is colorful, direct, and imaginative . . . At times, it is also achingly poignant . . . Driver’s Education is a stirring, memorable trip.”
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“Magical realism with a dose of Middle American grit . . . What’s most special here are the novel’s freewheeling style and its willingness to engage big questions: How family stories originate, how they’re warped over time, and what they tell us about ourselves and our heritage.”
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“[Ginder] manages to wrap unselfconscious quirkiness up in some very fine writing indeed, without ever sacrificing the story or the characters. A rare feat, in my reading experience, making it one of those—also rare—books I want to read aloud just for the joy of hearing precisely how the words have been strung together.”
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"Every once in a while, you read a book that you just can't shut up about.
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“A sentimental story of fathers and sons, the power of imagination, and a hilarious road trip from New York to the West Coast. . . . [Ginder] is a master storyteller.”
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“Lively, funny, gritty, and achingly real, Ginder’s sophomore effort should appeal to fans of Junot Diaz and Michael Chabon.”
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"Part fairy tale, part picaresque, part coming-of-age tale, Driver's Education blends reality and the imagined in a sentimental brew about the stories that bind generations."
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“An absorbing look at family history and the stories through which it is told.”
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“Driver’s Education is the kind of book that will make other young writers crumple their manuscripts and unplug their computers. With a sniper's eye, Grant Ginder takes the whole of American Life in his crosshairs. A meticulously-observed family story; a social fiction that involves everything from reality TV to truth-telling in the Internet age; funny and sad, smart and exciting, Driver’s Education is a great book.”
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"Ginder, author of the novel This Is How It Starts, conjures an exciting cross-country journey, and an even more exciting journey across the lives and memories of a family."
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“Drivers Education takes us on a sharply observed, hilarious romp across the country (in a rusty yellow Bel Air named Lucy, copiloted by a three-legged consumptive cat named Mrs. Dalloway) managing all the while to tell a tender, heartfelt story about fathers and sons and storytelling itself. There are lies we tell ourselves while we're out looking for the truth, and Ginder reveals them in all their craggy, impossible complexity. Beautiful.”
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“Call them con artists, storytellers, lunatics, or heroes, the characters that fill Ginder’s vast and imaginative world will stay with you long after you’ve put the book down. They’re funny and sad and poignant and true—perfect reflections of our imperfect selves.”
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“This sweet ride tours the wild and wobbly nature of fiction with the inspired guidance of three generations of the tenderest tale spinners who ever tweaked the facts. It’s funny, warm and smart.”
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"A sensitively observed story about storytelling."
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“Every once in a while, you read a book that you just can’t shut up about. Driver’s Education is that kind of book.”
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“With Driver's Education, Grant Ginder has come home with more than just the great pleasures—the sites, stops, journeys and stories—of an ideal road trip. He's also given us an exquisite portrait of the mysteries, accusations, and bonds that link every father and son. And he's also given us another sort of education: it's a novel that reminds you how beautiful and moving a story, when told by an expert, can be. The novel gives all the pleasures and reminds us of the real highway we spend our lives on, that wherever we travel begins and ends at the same destination. It's an extraordinary book.”
Synopsis
Grant Ginder's second novel, "a sensitively observed story about storytelling" (The New Yorker), takes readers on a twenty-first century road trip that "should appeal to fans of Junot Diaz and Michael Chabon" (Booklist).He's a big man, my granddad, not necessarily in size or proportion, but in other ways, like the manner in which he lives. The trouble in which he finds himself. The magic that he conjures and the spectacular things he believes.
When he was a younger man, Alistair McPhee was fond of escaping in his '56 Chevy Bel Air, Lucy, named for the cherished wife who died and left him and their nine-year-old son Colin behind. Yearning for a way to connect to his itinerant father, Colin turned to writing screenplays inspired by the classic films they used to watch together, while Colin's own son, Finn, grew up listening to his grandfather spin tales of danger, heartbreak, and redemption on the road.
Now, at the end of his life and wishing to feel the wind in his hair one last time, Alistair charges his grandson with an important task: bring Lucy to him in San Francisco from New York, where a man named Yip has been keeping her safe. The long road west will lead Finn through the very cities that supposedly bore witness to Alistair's greatest adventures, offering an unlikely lesson in the differences between facts and truth, between boys and men.
Synopsis
FINN McPHEE EDITS A REALITY TV SHOW. His father, Colin, is a screenwriter. Both are adept at spinning fictions, a skill passed down to them by McPhee patriarch Alistair, whose wild yarns never failed to capture Finn’s youthful imagination—even as they cast a fragile veil over a past marked by devastating loss, unbearable love, and an incessant longing for a life whose heroic proportions could measure up to the breathtakingly vivid color of Alistair’s dreams. As Finn embarks on a road trip across America with his best friend, Randal, and a three-legged cat named Mrs. Dalloway in a last-chance bid to make his grandfather’s dreams come true, he will finally learn that the truth, though not always stranger than fiction, can sometimes make the best story of all.
About the Author
Grant Ginder is the author of This Is How It Starts. He received his MFA from NYU and lives in New York City.