Synopses & Reviews
This was Allen Ginsberg,” Gordon Ball declared after recounting intimate moments with the cultural icon and beloved Beat Generation poet on East Hill Farm, outside Cherry Valley, New York.
During the late 1960s, when peace, drugs, and free love were direct challenges to conventional society, Allen Ginsberg, treasurer of the Committee on Poetry, Inc., funded what he hoped was a haven for comrades in distress” in rural upstate New York. First described as an uninspiring, dilapidated four-bedroom house with acres of untended land, including the graves of its first residents, East Hill Farm became home to those who sought pastoral enlightenment in the presence of Ginsbergs brilliance and generosity.
A self-declared member of a ragtag group of urban castoffs,” including Gregory Corso, Peter Orlovsky, Herbert Huncke, and the mythic Barbara Rubin, farm manager Ball tended to a non-stop flurry of guests, chores, and emotional outbursts while also making time to sit quietly with Ginsberg and discuss poetry, Kerouac, sex, and America's war in Vietnam.
In honest and vivid prose, Ball offers a rare intimate glimpse of the poetic pillar of the Beat Generation as a striving and accessible human being at home on the farm and in the world.
About the Author
For twenty-eight years Gordon Ball took informal photographs of poet Allen Ginsberg and the Beat Generation. As well as being exhibited at five conferences on Ginsberg and the Beat Generation, at one-man shows at the Southeastern Center for Contemporary Art and other venues, Ball's photos have appeared in many publications. Ball is the author of 66 Frames: A Memoir and a volume of prose poems, Dark Music. He lives in Lexington, Virginia, and teaches at VMI.