MAKEDONIJA
I was born just twenty years after we got rid of the Turks. 1898. So yes, this makes me seventy-one. And yes, Im grumpy. Im mean. I smell like all old men do. I am a walking pain, hips, shoulders, knees and elbows. I lie awake at night. I call my daughter by my grandsons name and I remember the day I met my wife much better than yesterday, or today. August 2, I think. 1969. Last night I pissed my bed and who knows what joy tonight will bring? I am in no way original or new. Although I might be jealous of a man whos sixty years dead.
I found his letters to my wife, from long before she knew me, when she was still sixteen. It was a silly find, one that belongs in romance novels, not in real life and old age. I dropped her box of jewelry. The lid flew to the side and the door of a secret compartment popped loose at the bottom. Inside lay a small booklet, a diary in letters.
I cant imagine ever writing the kind of letters a woman would preserve for sixty years. I wish it was not that man but I whod known Nora, back when she was closer to a beginning than an end. Such is the simple truth—were ending. And I dont want to end. I want to live forever. Reborn in a young mans body and with a young mans mind. But not my body and not my mind. I want to live again as someone who holds no memory of me. I want to be that other man.
* * *
For eight years now weve lived in this nursing home, a few kilometers away from Sofia, at the foot of the Vitosha Mountains. The view is nice, the air is fresh. Its not so much that I dont like it here. Its more that I really hate it. The view and the air, the food, the water, the way they treat us like were all dying. The fact that we are all dying. But I suppose, if Im honest to myself, which I rarely am, I should be glad were where we are. It was hard to take care of Nora on my own, after her stroke. We left the apartment to our daughter, recently married, already pregnant, packed up and settled down in prison.
Since then each day is like the one before. Six thirty we wake up for medication. We eat breakfast in the cafeteria—thin slices of buttered bread with three black olives, a sliver of yellow cheese, some linden tea. Dear God, I remember eating better during the Balkan War. I sit amidst a sea of trembling chins and shaking fingers and listen to the knocking of olive pits on metal plates. I talk to no one and no one talks to me. Ive managed to earn this much. Then, after breakfast, I wheel Nora up to the gym. I watch her struggle to make a fist, to hold a rubber ball. I watch the nurses massage her withered arm and leg. I watch their supple arms and legs.
The second stroke left half of Nora paralyzed, and all of her mute. Most nurses—some doctors, even—regard her as mentally challenged. Shes far from that. Im sure that in her mind all words ring clear, but they roll out disjoined, like baby talk. Sometimes I wish shed keep the jabber to herself. Sometimes I am embarrassed by the way the nurses look at her, or me. Its obvious by now she wont miraculously learn to speak again. That part of her brain is ruined, the fuse has blown. So why cant she keep quiet? She manages to say my name and Buryanas, and if I do my best to vex her, sometimes she manages a curse. The rest is babble.
She babbles as I roll her back to our room or, if the day allows it, out in the garden, where we walk in circles. I like the garden only when the flowers bloom. All other times the earth is damp and black, and I cannot resist the ugly thoughts. When were tired we sit down on a bench and fall asleep, shoulder against shoulder, with the sun upon our faces, and to anyone looking, Im sure we are a lovely sight.
Then lunch. Then the siesta. Our daughter comes to visit once a week, and sometimes she brings our grandson along. But lately, with all the trouble shes had at home, she visits daily. She is awful company, my daughter. We leave little Pavel with his grandma, so she wont get upset, and in the garden Buryana talks of how her husband is chasing after another woman. Dear Buryana, I, too, might get upset. But here I sit on the bench and listen, because I am your father. I have no way of helping, no word of sensible advice. Hang in there, fighter. Youll be all right. Words mean so little, and Im too worn out for deeds.
* * *
I am asleep and disconnected from what has been or is. Then Im awake. It seems that someone has dropped a tray outside. The wind rattles the gutters, the trees creak and Nora breathes too loudly. I close my eyes. But what if someone drops another tray? What if Nora coughs or snores? I lie, anticipating sounds that might never sound, yet all the same keep me awake. It thunders over the mountain.
I put on my robe and sit by the window in Noras wheelchair. I switch on the small radio. Quiet music pours out of the speaker, and I listen in the blue of the night, until a voice comes up to read the late-night news. The Communist Party is great again, more jobs for the people, less poverty. Our magnificent Bulgarian wrestlers have earned us more gold. Good night, comrades, be safe in your sleep.
Dear God, I wont be safe. There is no sleep. And Im so very tired of the comrades, their all-encompassing belief in bright future days that somehow Ive started to suspect might never come. I turn the dial until I find the muffled sound of a foreign station. Romanian, it seems. Then Greek. Then British. The voices crackle and buzz, because the Party is distorting the transmissions, but at least at night the voices are strong enough to hear. I listen to the English and all the words sound like a single long word to me, a word devoid of history and meaning, completely free. At night, the air is thicker, and one foreign sound drags after itself another and they converge into a river, which flows freely from land to land.
I travel with this river. But even so, how can I resist the current of my worries? I think of Buryana. How will she pay the bills, divorced and with a little child? How will Pavel grow up a man without a father? And then my eyes seek Nora, who snores lightly on her back. I watch her face, her wrinkled skin, her crooked lips, and I cant help but think that she is pretty, still. A man ought to be able to undress his wife from all the years until she lies before him naked in youth again. Which makes me wonder if she ever lay naked for that other man, the one who wrote the letters. If he cupped her left breast in his palm. But it is Noras breast, and wasnt he a man? Of course he cupped it.
I reach for the jewelry box and pry the bottom open. I take the little notebook and weigh it in my palm. Someone has scribbled on the cover—Dear Miss Nora, Mr. Peyo Spasov, in his last hour, asked us to mail this book to you. This is as far as I can read now. Mr. Peyo Spasov. Its hard to think of a more ordinary name. He must have been a peasant, uneducated, ignorant and simple-minded. He must have earned his bread by plowing fields, by chopping wood and herding sheep. Most likely he spoke with a lisp, or stuttered. Most likely he walked hunched over from all the work.
It suddenly strikes me Ive just described myself. Of course, I hate this other man, but what if he was not a peasant like me? What if he was a doctors son? I turn to the first letter and read.
February 5, 1905
My dearest darling Nora. Im freezing and my fingers hurt, but I dont want to think of such things. Im writing you a letter. Were crossing the Pirin Mountains and tomorrow, if God decides, we will be in Macedonia. The Turks …
My dearest darling. I shove the notebook in the box and hurry back to bed. Under the blankets I shiver and listen to imaginary sounds. I cant afford to read about this man. There is a chance, however slim, that he isnt what I need him to be.
* * *
“So shes kept a few old letters, big deal.” Buryana takes off her sunglasses. Her eyes are red and puffy and she blinks while they adjust to the afternoon sun. We sit out in the garden, on a bench farthest from all other benches, but not far enough from the sound of the cripples who drag their feet and canes and walkers across the pebbly lanes.
“‘Big deal?” I say.
“Big deal,” she says again, and Im terrified by how calcified she has become, consumed by her failing marriage.
“You ought to read those letters,” she says. “They might help the boredom go away. And read them to Mother. Why not? Itll bring her at least some joy.”
Some joy! And so I say, “I wont take love advice from you.” I mean it as a joke, of course, but Buryana is in no mood for joking. And soon I wish Id kept my mouth shut, because from that point on its all about her husband and that other woman, a colleague of his from school, like him a literature teacher.
She says, “Yesterday, I followed him out of the apartment. He met her in a café and bought her a garash cake. He got himself some water, obviously he had no money for more, and while she ate her cake, he talked and talked for an hour.”
“You think he talked of you?” I say. She starts to cry.
“The worst part is,” she says sobbing, “this other woman isnt even pretty. Why would he leave me for a woman less pretty than me? So what if I think that a grown man writing poetry is stupid? So what if I dont like to read? That doesnt make me a bad wife, does it?”
I put my arm around her shoulder and let her have her cry.
“This is a valid question,” I say. A valid question. Whats wrong with me? And while she sobs my thoughts drift and I imagine little Pavel, upstairs with Nora. They must be laughing, happy, both unsuspecting.
“You ought to talk to him,” I say, and gather her hair in my palm, away from the wetness of her face. “You cant keep spying on him like this. It isnt right.”
She straightens up. “I wont take love advice from you,” she says.
* * *
Its night again. It could be yesterdays, or tomorrows. A night four years back. Theyre all the same. I sit in Noras wheelchair and listen to the world. I see beyond the walls, not with my eyes, but with my ears. I see the nurses, in their office, boiling coffee. The water bubbles. I hear needles clicking; someone is knitting socks. I hear the benches, the trees, the mountain. Each thing possesses a noise unique, and, like a bat, I drink the noise of all things, dead and living alike. My palate has grown a taste for sound.
I hear my grandson sleeping in his bed, my daughter talking to her husband. I hear my wifes dreams, sweet to her, but tasting of wormwood to me. No doubt she dreams of Mr. Peyo Spasov. And so it strikes me as only fair that I too should be allowed to sample the noise hes left behind. I take the notebook and read his messy writing.
February 5, 1905
My dearest darling Nora. Im freezing and my fingers hurt, but I dont want to think of such things. Im writing you a letter. Were crossing the Pirin Mountains and tomorrow, if God decides, we will be in Macedonia. The Turks have all the main passages guarded, so we had to find a new way through. Two of my friends slipped on ice, and were lost. The first one, Mityu, was leading the donkey with the supplies, and the donkey slipped and dragged him off the cliffs. So now were hungry, spending the night sheltered between some rocks. The snow has begun to fall. Dearest Nora, I miss you. I wish I was by your side now. But you know how things are—a man cant stay put, knowing that in Macedonia the Turks are slaughtering our brothers, trying to keep them under the fez. I told you then and I tell you now—if men like me dont go to liberate the brothers, no one will. The Russians helped us be free. Its now our turn to help. I love you, Nora, but there are things before which even love must bow. I know with time youll understand and forgive. Draw the knife, cock the pistol. Thats what our captain, the Voivode, says. I wish you could meet him. He has only one eye, but a hungrier eye youve never seen. He lost the other in the Liberation war. He fought on the Shipka Pass, 1877, the Voivode. Can you believe that? He says the Turks were vicious then, but now, he says, we can take them. Of course it wont be easy. The Voivode says I have no father, I have no mother. My father is the mountain, my mother is the shotgun. All those back home you loved, he says, bid them farewell. Its for your brothers blood we spill our own. But I cant say farewell, dearest Nora. And I cant hold the pencil any more. Im cold. And please forgive. Love, Peyo.
Love, Peyo … Why did I read these words? I vow not to envy or fear this man. Instead, I kiss my wifes good hand and kiss her lips, as if to mark her. Shes mine now and has been for a lifetime, and that is that. I listen to the nurses down the hall, I listen to the benches and the trees. But in the moonlight my pillow is a rock, and so I lie beside this rock and so the snow begins to fall. I hear the rustle of every flake on my face, the chill spreads through my traitor knees and elbows. The Voivode lost an eye in the Liberation war. My God, what an awful thing to put in a love letter. Ive seen men with their eyes gouged out. Men close to me, barefooted, with wrists tied together behind their backs. Hanged on the village square for everyone to see. As I lie in bed, eyes shut tightly, I still hear the rope creaking when the bodies sway, and I can hear the sound the bodies make swaying.
* * *
I was born a year after my brother. When I was twelve Mother bore another boy, but it died a baby. Two years after that she had twin girls. We lived in my grandfathers house and worked his land. Our grandpa was a lazy man, the laziest Ive known, but had his reasons. He sat out on the threshold from dusk till after dawn and smoked hashish. Hed let me sit beside him and told me stories of the Turkish times. All through his youth hed served a Turkish bey, and that bey had broken his back with work enough for seven lifetimes. So now, in freedom, Grandpa refused to do as much as wipe his ass. Thats what hed say. “I have your father to wipe my ass,” hed say, and hit the smoke. He drew maps of Bulgaria in the dust, enormous as it had been more than five centuries ago, before the Turks had taken over our land. Hed draw a circle around the North and say “This is called Moesia. This is where we live, free at last, thanks to the Russian brothers.” Then hed circle the South. “This is Thrace. It stayed part of the Turkish empire for seven years after the North was freed, but now we are one, united. And this,” hed say and circle farther south, “is Macedonia. Home to Bulgarians, but still under the fez.” Hed brush fingers along the lines and watch the circles for a long time, put arrows where he thought the Russians should invade and crosses where battles should be waged. Then hed spit in the dust and draw the rest of Europe and circle it, and circle Africa and Asia. “One day, siné, all these continents will be Bulgarian again. And maybe the seas.” Again hed hit the smoke and sometimes hed let me take a drag, too, because a little herb, hed say, never hurt a child.
And now, in bed, I suddenly long to fill up my lungs with all that burning so that my head gets light and empty. Instead, I fill up with memories of things long gone the way a gourd fills up with water from rain.
Our father was a bitter man, having to kiss his in-laws hand before each meal. Father beat us plenty with his chestnut stick and I remember him happy on a single day in 1905, when we celebrated twenty years since the North had been united with the South. He sat me down with my brother, poured each a mortar of red wine and made us drink to the bottom, like men. He told us that when next we got our Macedonia back hed fill the mortars up with rakia.
Father was lost in the Balkan war, seven years after. Id like to think he fell near Edirne, a heroic death, but I wont blame him if he just chose not to return. I hope he rests in peace. When Grandpa died, it fell to me and Brother to care for the women. We worked the fields of others, cut hay, herded the village sheep. And everyone spoke of a new war, bigger than the Balkan, and that war, too, at last, reached our village. Men with guns set up camp on the square, recruiting soldiers. They said all boys of such and such age had to enlist. They said if we helped Germany win, the Germans would let us take back the land that Serbs, and Greeks, and Romanians had stolen from us after the Balkan wars. The Germans would even let us take Macedonia back from the Turks and be complete once and for all. Our mother wept and kissed my hands and then my brothers. She said, “I cant lose both my sons in this war. But I cant let you hide and shame our blood.” She sent the twins to milk two sheep, then put a copper of milk before me and one before my brother. Whoever drank his copper first would get to stay home and run the house. The other would go to war. I drank as though Id never drink again. I chugged. I quaffed. I inhaled that milk. When I was done, I saw my brother had barely touched lips to his.
Dear God. Why now? Have I no other worries? I lie and I remember and listen to the falling snow from this old and foolish letter. I feel the cold of the mountain and see my brother holding that copper still full of liquid snow. For heavens sake, Brother. Drink.
* * *
After breakfast I help Nora put on her robe—the limp arm first, then the good one. I comb her hair and I talk to her like this: Did you sleep well, my dear? Did you have good dreams? Did you dream of me? I dreamed of crossing mountains and fighting Turks.
She looks confused. I help her to her feet. She smiles. Is this a loving smile? Or is she simply grateful for the help? We start slowly down the hallway, two cripples who use one another as crutches. We make a circle in the yard and then sit on a bench.
I say, “I never was a tactful man,” and pull the little book of letters from my woolen jacket. I lay it on her knees. “I know about all this,” I say. “I know that he loved you and that you loved him, too. This was before my time, of course, but God, Nora, I wish youd told me. Why did you never tell me? At seventy-one, Im not supposed to envy the dead.”
I try to smile, but Noras eyes are on the letters. She brushes the cover with a finger and it just now occurs to me that since her first stroke she hasnt held this book; that most likely, shed reconciled with the thought of never reading his words again.
Why not? I turn the pages and clear my throat. Let this dead lover of my wifes come to existence once more, for her sake, if only for a day. Let me, her husband, lend him my living lips.
February 6, 1905
My dear, lovely Nora. Today as we waded through knee-deep snow along the Bulgarian ridge of the Pirin Mountains we saw smoke rising from behind a boulder. We drew out our pistols, ready to spill some Turkish blood, but instead found a man and his woman, huddled by a tiny flame. Theyd torn the mans shirt and burned strips of it to get warm. His nose was broken and the blood had turned black from the cold. The womans face had been cut by a knife. I took my cloak and gave it to her for a while. Please forgive. The Voivode had us build a proper fire and boil some tea and while we waited for the water the man told us their story. They came from the other side of the border, these two, from some village in Macedonia. They had a small house there, a little boy of five. Two days ago a band of komiti, Bulgarians like us whod gone to fight for Macedonias freedom, passed through the village. Maybe afraid to anger the komiti, maybe out of kindness, these good people sheltered them in their house. The komiti slept, ate, drank (maybe a little too much), gathered strength and were ready to go on their way when, out of nowhere, a poterya, a pursuit party, arrived in the village. No doubt some local coward had betrayed our brothers. There was much shooting and much blood, Nora, thats what the man told us. When the Turks were finished, they dragged the komiti out in the yard, already dead, mind you, and chopped their heads off just for show. Impaled them on sticks for everyone to see. Then they took these two peoples boy and promised to turn him Turk, so when he grew up hed come back for the heads of his own folk.
Do you see now, Nora, why Ive left you? Why, instead of your breast, its stones and frozen mud and that cur the mountain that my head has to rest on? I curse the Turks, and the traitors, and all the cowards back home who choose their women before their brothers.
And with them I curse myself, Nora. I wish I, too, was a coward.
Its hard for me to finish the letter, and then, after Im done, we sit in silence. Id really like to see Noras reaction, but all the same I find no strength to look her in the eye. Ive always been good at looking away.
* * *
Our daughter comes to visit in the afternoon. Pavel is trotting behind her. He hangs on my neck and gives me a kiss. “Dyadka, how goes it?”
“Dont call your Grandpa ‘dyadka,” Buryana scolds him. “Its disrespectful.”
He runs to kiss his grandma.
“Dyadka,” I call him back to my side. “Come show me those muscles of yours.” Proudly he flexes his tiny arm. “Like steel,” he says. And then he tells me to flex my arm. “Like jelly!” He jumps on my bed, shoes still on, and bounces off the squeaking springs.
Nora, like me, is smiling. But Buryana tells Pavel to go tell his grandma a fairy tale hes learned and drops beside me on the bed. She brushes the blanket and smooths it down. She nods at her mother. “You think we can talk?”
“As deaf as a grouse, that one,” I say, “while I myself … Im the ears of this world.”
“Please, Father. Im not in the mood.”
Thats a surprise, I think. And hush now. I, too, want to hear the fairy tale. But she goes on.
“I followed your advice and spoke with him,” she says. She keeps on talking softly, and for once my mind gives up on sound. I suddenly remember how, as a little girl, she loved to ride her bike along the narrow sidewalk curb, despite my word against it. Id make her promise me she wouldnt perform such risky stunts and she would say, “I promise, taté!” and only then Id let her take out the bike. One day she stood at the doorway with a bloodied chin. She looked at me, fighting the tears as hard as she could. “Im fine, you see,” she tried to say. “No big deal, that fall.” I held her, kissed her, and only then did she give in to them.
She is like this now, telling me about her husband. So many years later, my mouth fills up once more with that taste—Buryanas blood and tears.
“What did I tell you, just now?” she suddenly says. “Are you listening at all?”
“Of course I am. You spoke with your husband. He said he needed time to think.”
“To think!” she says. “So Ive decided were staying here tonight. And maybe tomorrow.”
I take a moment to think it over. This is such a little room, and even Noras breathing floods it to the brim with noise at night. And now—two more people breathing, and tossing, and those creaking springs. This means no sleep, I know. Which means remembering the past. But whats an old dyadka like me supposed to do? And so I call the nurse and after a little fussing she brings two extra cots.
* * *
Dinner is done, the sun is setting, and while our daughter readies Nora for bed, I grab Pavel by the hand and lead him outside. A few old men are still nesting on the benches and I say, “Pavka, am I like them? Dried up and ugly.”
“You are like them,” he says, “except not ugly.”
“I wish I was a kid again. But I dont suppose you understand.”
“I wish I was an old man.” He takes a silent breath. “Ive noticed, dyadka, that when old men speak, the young ones listen. And no one listens to a kid. But if I was old, Id talk to my dad.”
We come by a tree whose branches are heavy with sparrows.
“I hate these things,” I say. “So loud with their chirping.”
We gather some pebbles and throw them, one by one, at the birds. They rise above us black and noisy. But once Im out of breath, the birds return to their branches.
“Lets throw more stones,” I say.
“Its pointless, dyadka. Theyll come back as soon as were gone.”
I pick up some pebbles and pile them in his palms. “Come on,” I say.
* * *
Its time to sleep and in his cot Pavel starts singing. Im surprised he hasnt lost this habit of lulling himself to sleep. His voice is soft and thin and clear. I roll over and smile at my wife. She smiles back.
“Dyado, I cant sleep. Tell me a story.”
Of course you cant, my child. My blood is yours and blood is ageless.
Buryana is trying to hush him, but I sit up in bed and flip the night lamp on. I take out the booklet of letters and say, “This is the story of a komita. He died fighting the Turks.”
“All right! A rebel story.”
Nora doesnt try to stop me. Buryana turns in her cot to hear better. I read and they listen. I cant know what each of them is thinking, but were connected through the dusty words. “And then?” Pavel says every time I stop to catch some air. “What happens after that? And then?” But halfway through the story, his breathing evens out and hes asleep.
My wifes lover, Mr. Peyo Spasov, has finally made it to Macedonia. Crossing the mountain pass, they have lost another friend to an avalanche. Peyo has barely survived himself, digging his fellows out of the snow. Now, when thekomiti reach a village, nobody offers them shelter. With knives and guns they persuade the people, for whose sake they have come to die, to take them in. The komiti spend the night in a small hut, by the fire. Their goal is to join a larger group of revolutionaries next day and take part in a massive uprising against the Turks which will ignite at once all over Macedonia. The land will be free at last. They dont know if the other komiti are waiting, or even alive.
Outside, the dogs begin to bark. The men sneak up to the window, and in the moonlight, they see a peasant pointing in their direction. Soon Turkish soldiers gather outside the hedge. The Turks light up torches, toss them to set the thatched roof aflame. The komiti open fire. The Turks return it. While the flames are spreading, with the butts of their guns the men inside hammer their way through the back wall, built from mud, straw and cow dung, and manage to sink into the dark unseen. They run up the slope, then find shelter by a heap of rocks. Theyre cold and it starts to snow again. Down below them the dogs are barking. Torches flicker and fly one roof to another, and one after the other, the thatched roofs burn. The komiti listen to women crying, afraid to make the slightest noise. They find no strength, the cowards, to go down and meet the Turks in battle. When the torches drown in night, like rats the komiti flee.
I set the little book aside and flip the lamp to darkness. They are asleep, quietly, softly. Its wrong to envy your own grandchild. But still I do. I envy Nora, too. No one has ever written to me like this. But I no longer envy that other man. Because, like me, he proved himself a coward, and though I know its wrong, this gives me peace.
I go to check on Pavel. Hes pushed the blanket away, and I tuck him in. Then I tuck in my daughter, my wife. I sit by the window. At seventy-one you cant expect to hear a story, any story, and take it as it is. At my age a story stirs up a vortex that sucks into its eye more stories, and spits out still more. I must remember what I must.
* * *
My brother came back from the war without a scratch. We never spoke of what hed seen or done. I was ashamed to ask, and he was ashamed to say. Wed lost the war, of course, like all other recent wars, which was regrettable, since we never really lost our battles; we just picked the wrong allies. Or rather, our soldiers never lost their battles. Because what did I know? I herded sheep. So Brother joined me, up on the hills. Wed round the sheep at night and lock them in the pen, boil milk in a cauldron, make hominy and eat in silence while around us the mountain grew restless with barking dogs, with bells ringing from other pens. Sometimes the quiet inside me would weigh me down so much, Id get up and yell at the top of my lungs. Eheeeeeee. And then my brother would yell the shepherd yell. Eheeeeeee. And from another hill wed hear another shepherd and then another, and we would yell, like children, in the night.
It was shearing time, I remember, the spring of 1923. Wed shorn half of the herd and were just laying the fleece under an awning. The dogs barked and down the slope we saw a group of men, tiny at first, and then we saw they carried rifles.
We called the dogs off and waited. The men stood before us, six or seven in shepherd cloaks, hoods over their heads. But these were no shepherds. I could feel it. They held us in their sights and told us to lift our arms. I did, of course. But Brother watched them and chewed a straw. He asked if they were lost. One said, “Weve come to take some lambs, some milk and cheese. We have a bunch of hungry comrades in the woods.” He waved his rifle at me. “Go choose the lambs.”
“We have no lambs for your comrades,” Brother said. A man stepped forward and with the stock of his rifle smacked him across the face. But when he spoke it was a womans voice we heard, and when the hood came down, a womans face we saw. She spat down on Brother, who lay in blood and straw. She asked him if he reckoned they did all this for pleasure. If they enjoyed living in dugouts, like dogs. She said they fought for the people, for brotherhood, equality and freedom … “Youre very pretty,” Brother said and coughed up some blood. “Ill make you my wife, I think.” The woman laughed. “Go get the lambs,” she told me. Her comrades tied Brother up. I boiled milk while they slaughtered a lamb and speared it over the fire. They stayed with us that night, talking of how it was the working people who ought to rule. They spoke of change. That September, they said, there would be an uprising. Thousands of comrades would join to overthrow the tsarist regime. The centuries-old wrath of the slave, they called it, would be unleashed at last. I suppose they werent bad people—just hungry and foolish. The woman sat down beside my brother and gave him milk to drink. I begged them to let him loose, but she said she liked him better, tied so.
It poured that night. I took a brand from the fire, stepped over the sleeping comrades, and went out of the hut to see if the fleece was getting wet under the awning. My brother and that woman lay naked on the heap of wool, smoking. The rain seeped through the thatched roof and in the light from the brand their bodies glistened.
“Ill go with them now,” my brother told me in the morning.
And so he did. They gunned him down in August. I was back in our village then. Policemen banged on our gates and rounded up me and Mother, my sisters, the neighbors. The whole village was goaded on to the square.
Theyd set up a gallows and on the gallows hung men and women, together.
“These here are partisan rebels,” said the police. “Communists we shot in the woods. Some are, no doubt, from your village, your sons and daughters. Give us their names and we might let you bury them in peace.”
We formed a line and, one by one, walked by the corpses. It made no sense to hang people already shot. But it made for a terrible display.
“You know this one? And how about this one, you know her?”
And then it was my turn to stand before the gallows. I held my eyes shut as hard as I could and there was nothing in the world then besides the sound of creaking rope.
* * *
Its Saturday morning and Buryana begins to dress her mother.
“Let me do it,” I say. “I cant skip a day.”
For lunch we eat chicken with rice, and Buryana tells me to ease up on the salt. For eight years nobody has told me such a thing and it feels strange, but I obey. For dessert we get yogurt with sugar and Pavel eats my cup as well. His mother tells him to ease up on the sugar and we laugh. Its not really funny, but we laugh anyway. A nurse brings Pavel an apple and he thanks her, though I can see hes disappointed.
We let him do his homework in our room and walk a few slow circles in the yard. Buryana keeps quiet, and I, too, have no idea what to say. We find Pavel reading from the book of letters. “Grandma,” hes saying, “who did you love more? Grandpa or the komita?”
I catch myself waiting for her answer. It seems that Buryana, too, is waiting. Of course she loved the komita more—he must have been her sweetheart, her first big love. Most likely, Ive come to think, they were engaged. Most likely, they made plans together, imagined a little house, a pair of children. She wouldnt keep his diary for so many years otherwise. And then, with their love peaking, he was killed. I know that much without yet having read the end. At first she felt betrayed. Hed put some strange ideals, brotherhood and freedom, before his love for her. She hated him for that. But then one morning, almost a year after his death, the postman brought a package with foreign stamps. She read the diary, still hating him. She read it every day. She learned each letter by heart, and with the months her hatred thinned, and in the end his death turned their love ideal, doomed not to die. Yes, thats what Ive come to think now. Their love was foolish, childish, sugar-sweet, the kind of love that, if you are lucky to lose it, flares up like a thatched roof but burns as long as you live. While our love … I am her husband, she is my wife.
But then, as if to pull me out of my own mind, Nora takes my hand and holds it. I kiss her hand. “Lets read,” I say. I almost shout it, suddenly with a light and empty head. I take the little book.
The komiti reach their meeting destination, the village of Crni Brod. The sun is already setting behind the mountains. The village is very quiet. A man comes forward to meet them. The komiti ask him, “Are the Voivodes here?” “Yes, the captains are here, the man answers, theyre waiting in my house.” “And youre not lying?” the komiti ask. “I swear by my children,” the man says, and crosses himself three times. He leads them through the village. Black ropes of smoke unwind from the chimneys and the iced roofs blaze with dying sun. The snow crunches under their boots. Nothing stirs.
They arrive at the house. The man pushes the gates open and the Voivode along with two others follow inside. Then suddenly a shell hisses in the snow and Peyo falls, wounded in the thigh. Around him the komiti thrash about like fleas on a white sheet. Theyve been betrayed.
Somehow, without firing a single shot, Peyo limps away. His blood is gushing out. He collapses outside a house, conscious long enough to feel two hands pull him inside.
We sit. It seems that a long time passes without any sound. I go through my drawer until I find an old pack of Arda from the days when I still smoked. I push the window open and light a cigarette and once again no one protests. The taste is awful—stale and damp. When Im finished I light a second. I watch my wifes reflection in the glass. I wonder if I have brought up things that should be left buried. But I want to read the end. I know she wants to hear it.
The Turks have butchered all the komiti, some defiant peasants have sheltered Peyo, but his wound is going septic. I see him clearly now, in my own bed, writing hectically, trying to lock all these events onto paper while he still has some strength. His eyes are black, shiny with fever, and his lips glisten with the fat from the rooster soup the peasants have fed him. But no soup can help. He is kissing death in the mouth.
I turn the final page and read what appears to be a rebel song.
I got no father, I got no mother,
Father to scorn me,
Mother to mourn me,
My father—the mountain.
My mother—the shotgun.
“Thats it,” I say, “theres no more writing.”
Pavel jumps off his cot to grab his apple. He polishes it on his shirt and takes a bite. He offers some to his mother, to Nora, to me. But neither of us speaks.
Then a nurse knocks on the door. “You have a visitor,” she says.
* * *
Quiet, we sit, while out in the yard Buryana is talking to her husband, deciding their life. I cant see them from here—theyve moved away from the window, under the trees.
“Why cant I talk to father?” Pavel asks. He sets the half-eaten apple on the ledge and picks up the booklet. “Ill memorize this poem for school, then. Im bored.”
“Pavka, stay with your grandma. Ill be right back.”
I limp as fast as I can down the hallway and Im close to the exit when Buryana walks in. She wipes her cheeks. “Its finished,” she says. “Hes moved out of the apartment. Which is good news for you, I guess. Four in a room…” She fakes a laugh and I hold her in my arms, for the first time in many years. I kiss her forehead, eyes and nose.
“Go back to your child.”
Her husband is still sitting on a bench, face in his palms. I startle him, sitting down. Im old, I think to myself. Im ancient. When I speak, the young ones listen. But what do you say to a man whose love for a woman is stronger than the love for his own son, for his own blood? Nothing will make this man regret.
I lean back on the bench and cross my legs, regardless of how much pain this brings me. I smooth the creases of my pants.
“‘I got no father,” I say, “‘I got no mother. Father to scorn me, Mother to mourn me. My father—the mountain. My mother—the shotgun.” Hes puzzled, I can tell, biting his lip. Blood rushes to his face. These words make little sense to him, old rebel words of loyalty and courage, and yet they clasp his windpipe in a fist.
* * *
Once Buryana and Pavel are gone, I tell Nora all thats happened. I spare her nothing. There should be no secrets between us now.
“She is a strong woman,” I say, “our daughter. Shell be all right.” I dont know what else to say. I look at the little booklet on my desk, while with effort Nora pushes herself off the bed. Her hip gives a pop, the springs a creak. I rush to help her, but she shakes her head. No, no, she wants to say. I can do this myself. Let me, myself. She picks the booklet up, and in an instant it is alive. Its dusty body trembles from the touch. A sparrow, which shakes its feathers free of dew. A mans heart, which beats itself to life again. A hand she leads away, ungracious, horrible, horrific. I watch her drag her withered foot across the room and lay the booklet in its box. She lowers the box in a drawer and slides the drawer shut. Her face is calm. Farewell, old boy, it says, old love.
I wonder if the rebels grave is still there, in that Macedonian village. And if we went there, would we find it? An empty plan starts to take shape. What if I pulled some strings? There are one or two old comrades who can help us out. What if they loaned us a car, stamped our passports? Well take Buryana and Pavel with us.
I lower the half-eaten apple from the ledge and flip it in my hand. How calm your face, Nora, I want to say, how even your breaths. Teach me to breathe like you. To wave my palm and turn the raging surf to glass.
Instead I call her name. Slowly, she limps over and eases down beside me. “Ive never told you this,” I say. “We never buried Brother. That was a lie. We never took him off the rope. Id heard rumors, stories from people in our mountain, of how when mothers recognized their gunned-down children the tsarists pulled them aside and shot them on the spot. And so I told Mother, ‘I beseech you in your daughters blood, keep walking. Dont say a word. And Mother was so shocked then she stood before my brother and didnt even reach to touch his feet. We walked right past.”
I know that this will never be, but still I say, “Lets go to Macedonia. Lets find the grave. Ill borrow a car.” I want to say more, but I dont. She watches me. She takes my hand and now my hand, too, trembles with hers. I see in the apple the marks of Pavels teeth and, in the brown flesh, a tiny tooth. I show it to Nora and it takes her eyes a moment to recognize what it is they see. Or so I think.
But then she nods without surprise, as if this is just what she expected. Isnt it good to be so young, she wants to tell me, that you can lose a tooth and not even notice?
Copyright © 2011 by Miroslav Penkov