Synopses & Reviews
Victorian painter Edwin Landseer (1802-73) was the foremost animal painter of his day, not to mention Queen Victoriaand#8217;s favorite. He made his name with
The Monarch of the Glen, a stunning portrait of a majestic stag that remains beloved today, as does his other best-known creation: the bronze lions that keep watch at the foot of Nelsonand#8217;s Column in Trafalgar Square.
But Landseer had a more private side as well, and this book offers contemporary readers an unprecedented look at that little-known aspect of his genius. Presenting one hundred and fifty full-color images of Landseerand#8217;s and#8220;off-dutyand#8221; drawings, the book offers a surprising and intriguing counterpoint to the grandeur of the artist's familiar masterpieces. Working in pen and wash, Landseer sketched these playful, even subversive pieces in his off hours, while staying at the homes of his patrons or on extended holidays in the Scottish Highlands. The resulting artworks reflect that holiday air of freedom from responsibility. Brought together in this beautiful new collection, they will charm art lovers, while substantially broadening our image of Landseer and his achievement.
Synopsis
Sir Edwin Landseer RA was the foremost animal painter of his day and Queen Victoriaand#8217;s favourite, who became well-known to the public for the portrait of a majestic stag, The Monarch of the Glen, and the bronze lions at the foot of Nelsonand#8217;s Column in Trafalgar Square. But another more private side to Landseerand#8217;s creative genius which deserves greater recognition is revealed in his and#8216;off-dutyand#8217; drawings in pen and wash, sketched when he stayed in the homes of his aristocratic patrons, or as a member of their group of family and friends on extended holidays in the Highlands of Scotland, where he took part in their pastimes and sporting activities.
About the Author
Richard Ormond is an independent art historian.