Synopses & Reviews
Unavailable for more than fifty years, finally returns. While sometimes termed a "novel," it is better described as a novelistic travelogue, the diary of a trip to Russia in the 1930s during the rise of the Stalinist government. Despite some contempt for what he witnesses, Cummings's narrator has an effective, occasionally hilarious way of evoking feelings of accord and understanding. As Ezra Pound wrote, Cummings's Soviet Union is laid "out there pellucidly on the page in all its Slavic unfinishedness, in all of its Dostoievskian slobberyness....Does any man wish to know about Russia? 'EIMI'!"
A stylistic tour de force, EIMI is a melange of styles and tones, the prose containing many abbreviations, grammatical and syntactical shifts, typographical devices, compounds, and word coinages. This is Cummings's invigorating and unique voice at its finest, and EIMI is without question one of his most substantial accomplishments.
A reissue of E. E. Cummings's long-unavailable, yet pointed and moving story of a journey through Soviet Russia.
About the Author
E. E. Cummings (1894-1962) was among the most influential, widely read, and revered modernist poets. His many awards included an Academy of American Poets Fellowship, two Guggenheim Fellowships, and the Bollingen Prize. Among his many volumes are The Enormous Room and Tulips & Chimneys.Norman Friedman is an emeritus professor of English at Queens College.Madison Smartt Bell is the author of twelve novels, his most recent being The Stone That the Builder Refused. He teaches at Goucher College and lives in Baltimore, Maryland.