Synopses & Reviews
Emma McCunes passion for Africa, her unstinting commitment to the children of Sudan, and her youthful beauty and glamour set her apart from other relief workers from the moment she arrived in southern Sudan. But no one was prepared for her decision to marry a local warlorda man who seemed to embody everything she was working againstand to throw herself into his violent quest to take over southern Sudans rebel movement.
With precision and insight, Deborah Scrogginswho met McCune in Sudancharts the process by which McCunes romantic delusions led to her descent into the hell of Africas longest-running civil war. Emmas War is at once a disturbing love story and an up-close look at Sudan: a world where international aid fuels armies as well as the starving population, and where the northern-based Islamic governmentbacked by Osama bin Ladenis locked in a war with the Christian and pagan south over religion, oil, and slaves.
A timely, revelatory account of the nature of relief work, of the men and women who choose to carry it out, and of one womans sacrifice to its ideals.
[A] brilliantly penetrating portrait...McCune, who came to Sudan in 1987 as a 23-year-old British aid worker and married a Sudanese rebel commander, is only among the latest in a long line of adventuring moralists. In her, Scroggins has found a feckless, captivating subject, as insufferable as the white mans insatiable need for redemption in Africa...Scroggins uses McCunes story to illuminate much more than her subjects erotic and humanitarian escapades...After reading this powerful book, I find her fury contagious. Lorraine Adams, Washington Post Book World
"Solid background, cinematic descriptions, and the author's own intimate knowledge of the Sudan and the international aid community in Africa enhance this profile of a woman who gave herself fully to her ideals, and to her fate."
"This is an important book....What I admired above all is Scroggins's ability to both think and write, superbly well, about not only the deep complexities of Sudan and its neighbors, but also about the eternal ethnic and religious disputes that have now landed right on our doorstep
. Carolyn Slaughter, author of Before the Knife
"Deborah Scroggins has done her homework, and it shows. Emma's War is a fascinating journey through hell, on levels both macro and micro, its many threads woven into a fine tapestry."
Deborah Copaken Kogan, author of Shutterbabe
"In Africa, hideous conditions mix with magical settings. Thus western humanitarianism there has combined true bravery with romantic delusion. Deborah Scroggins illuminates this concept through a love story filled with thrilling, unforgettable characters.... Robert D. Kaplan, author of The Ends of the Earth and The Coming Anarchy
"Deborah Scroggins weaves a tale that is heart-wrenching and oddly inspiring, and in the process carries us deep into the heart of Africa. Emma's War is wonderfully written, meticulously researched: a haunting journey that is as memorable as Emma was remarkable."
David Lamb, author of The Africans
"This is a wrenching journey through one of Africa's most cruel civil wars with, at its center, a reckless, romantic heroine no novelist could invent."
Kati Marton, author of Hidden Power
"Scroggins writes beautifully, and she casts and impressively wide net. She was there and she takes the reader there, too. The quality of her reporting and the depth of her research are superb.
It is a solid addition to the scant literature on the Sudan."
Alex Shoumatoff, author of African Madness
it teaches all khawajas a big lesson about how difficult it is to be a white person in love with Africa, how careful one must be not to mistake one's love for blindness, and how to keep one's identity and one's ideals of justice in the midst of such horrors."
Francesca Marciano, author of Rules of the Wild
Deborah Scroggins has won six national journalism awards for her reporting from Sudan and the Middle East. A former correspondent for the Atlanta Journal-Constitution, she has published articles in Granta, The Independent, Playboy, and elsewhere. She lives in Atlanta.
Reading Group Guide
“Scroggins brings Sudan’s agony to vivid life; at the same time, she gives us a lyrical, suspenseful, psychologically acute study in idealism and self-delusion.” —George Packer, The New York Times Book Review
The introduction, discussion questions,* suggested reading list, and author biography that follow are intended to enhance your group’s reading of Emma’s War—the remarkable true story of a woman whose tragically short life epitomized the clash of ideals with reality, and the struggles of war-torn Sudan.
1. Emma McCune came from an ex-colonial family who could not adjust to life in England after their return from India. Eventually her parents divorced and her father committed suicide. How do you think Emma’s childhood influenced her later decision to move to Africa? How does the author show the past shaping the present, both in Emma’s life and in the larger tragedy of Sudan?
2. When Emma arrived in Khartoum for the first time, the city was celebrating the anniversary of the killing of Gen. Charles Gordon more than a hundred years before. What are the differences in the way the Sudanese and the British view Gordon and his campaign against slavery? Is Gordon’s story relevant to Emma’s? How does the author use their stories as metaphors for the Western experience in Africa?
3. Emma told a television correspondent, “Sudan has magic that takes hold of you for better or worse” [p. 42]. What attracted Emma to Sudan? What are the positive and negative aspects of such a place?
4. Emma found a job in southern Sudan helping the rebel Sudan People’s Liberation Army (SPLA) reopen schools in areas where they had been closed for up to six years. She quickly found herself in conflict with some of the rebel commanders. Why were schools such an important political issue? How did the Western relief workers’ ideas about childhood differ from those of the local people?
5. The author calls Sudan “a layered war” and she says you need a “map like one of those cellophane diagrams of the human body that used to be in encyclopedias” to understand it [p. 79]. What did you learn about the nature of war from the book?
6. Emma’s fellow aid workers accused her of breaking the rules of neutrality that are supposed to govern humanitarian operations by having affairs with SPLA officers. She contended that their criticism was actually, though perhaps unconsciously, motivated by sexism. Does her claim seem legitimate? Would their attitude have been different if Emma had been a man?
7. Scroggins writes, “It was not so much a political vision that animated Emma as an ideal of romantic love” [p. 233]. Do you agree with that statement? What do you think Emma saw in Riek Machar? What did he see in her?
8. Riek tells Emma that that the Nuer prophet Ngungdeng foretold that a unmarked, left-handed Nuer chief would marry a white woman. The Christian prophet Paul Kon Ajith tells the Dinka that the Nuer raids are punishment for their failure to forsake their old gods [p. 294]. Various characters refer to Biblical prophecy from the Book of Isaiah that Scroggins uses as the book’s epigraph [pp. 207-09]. What is the role of prophecy and religion in the story?
9. Riek’s attempted coup against SPLA leader John Garang divided the rebel movement in two and led to intertribal warfare that killed tens of thousands of southern Sudanese. Garang’s faction blamed Riek and Emma for the fighting. But the Nuer say Riek was merely going along with what the Nuer elders wanted. Do you think Riek was an evil person or just swept along by circumstances?
10. Emma married Riek even though he already had a Nuer wife and children living in England. In interviews, she defended polygamy: “You never have to worry that your husband is having an extramarital affair,” she said, “You will know all about it” [p. 237]. Nevertheless, she was shocked and hurt when she learned that Riek had slept with his first wife, Angelina, on a trip to London. What explains Emma’s conflicting feelings about polygamy? Did she truly believe her initial interpretation, or was it a way to validate or justify her situation?
11. Emma never lost her faith in education as a means to help the southern Sudanese improve their lives. Yet the Sudanese leaders tearing their country apart—the Islamic fundamentalist leader Hassan al-Turabi, the SPLA’s John Garang and Emma’s own husband Riek Machar all held doctorates from Western universities, leading one southerner to comment, “the ones who are making all these mistakes are the so-called Ph.D’s—poverty, hunger and disease” [p. 317]. After reading the book, what role do you think education or the lack of it has played in Sudan’s troubles?
12. Emma’s former colleagues were horrified to discover that she and Riek were eating food intended for the refugees at Nasir. Others pointed out that the aid workers themselves continued to eat catered meals even when the refugees went hungry. Scroggins describes eating a meal of gazelle in a famine camp full of starving people. What did you conclude from the book about the moral complexities of food aid in war? Has it changed the way you view international relief?
13. Some of Emma’s friends thought that toward the end of her life, she was becoming disenchanted with Riek’s double-dealing [p. 325]. Was that wishful thinking on their part or do you think she would have left him if she had lived? What about her death? Do you agree with Scroggins that it was probably an accident or do you think she may have been murdered?
14. In addition to relating Emma McCune’s story, the book also tells the story of Deborah Scroggins’ deepening involvement and disillusionment with Sudan as a reporter. What were the differences between the two women? The similarities?
15. Scroggins writes that after the US debacle in Somalia, she felt that the West should get out of Africa. But in the end, she seems to conclude that the West has no choice but “to tend to the world’s festering sores” [p. 351]. Is this a cop-out answer? What do you think foreigners can or should do to help Africa?