Synopses & Reviews
For the Colleys of southeastern Missouri, the War between the States is a plague that threatens devastation, despite the family's avowed neutrality. For eighteen-year-old Adair Colley, it is a nightmare that tears apart her family and forces her and her sisters to flee.
The treachery of a fellow traveler, however, brings about her arrest, and she is caged with the criminal and deranged in a filthy women's prison. But young Adair finds that love can live even in a place of horror and despair. Her interrogator, a Union major, falls in love with her and vows to return for her when the fighting is over. Before he leaves for battle, he bestows upon her a precious gift: freedom.
Now an escaped "enemy woman," Adair must make her harrowing way south buoyed by a promise ... seeking a home and a family that may be nothing more than a memory.
Review
"[A] spirited first novel....Jiles's strengths include a sure command of period vernacular and knowledge of the social customs among backwoods people, as well as a delicate hand with the love story. Sure to be touted as a new Cold Mountain, this stark, unsentimental, yet touching novel will not suffer in comparison." Publishers Weekly (Starred Review)
Review
"As a love story, this one quickly loses steam, but it becomes obvious that Jiles is a gifted Missouri historian who brings to light many overlooked Civil War facts and acutely portrays Missouri's logistic misfortune as a hotbed of both Union and Confederate violence." Elsa Gaztambide, Booklist
Review
"While the novel's imagery often is poetic, the dialogue sometimes falls flat. Adair's relationship with her horse Whiskey is written with more conviction and passion....Her journey home is sometimes comic and all the more compelling because free of the awkward dialogue." Eileen McClelland, The Houston Chronicle
Review
"[H]aunting....In [Jiles's] hands, what might sound like an esoteric dissertation topic is transformed into a lyrical and bloody tale....Enemy Women is not the Ozarks' answer to Gone With the Wind, and Jiles affords no sentimentality to the unlikely relationship, sparing a remarkable book a Hollywood ending." Russell Cobb, The Austin Chronicle
Review
"[R]ich with evocative language and fascinating historical detail....The reader who enjoys discovering new historical territory will love Enemy Women, which combines a little-known chapter of the Civil War with a fresh, unsentimental, yet age-old romance in the love story of Adair and Neumann." Mary Carol Moran, BookPage
Review
"A well-told historical novel....Magical, lyrical, and hauntingly beautiful, this title is a must read for its strong female protagonist and a side of the Civil War not usually dealt with in history books." School Library Journal
Synopsis
The Colley family are modest farmers in the Missouri Ozarks. Although Southerners, the Colleys try to remain neutral, a fact ignored by the Union militia who confiscate their livestock, burn their farm, and arrest their daughter, Adair, on charges of "enemy collaboration."
Yet as Adair soon discovers, fate can be double edged. While imprisoned she falls in love with her interrogator, a Union major who helps her escape. Transferred to the front lines, he vows to survive and marry her. And Adair, now an escaped convict, must begin her own harrowing journey through the wilderness and enemy territory to find the family she left behind.
Synopsis
For the Colleys of southeastern Missouri, the War between the States is a plague that threatens devastation, despite the family's avowed neutrality. For eighteen-year-old Adair Colley, it is a nightmare that tears apart her family and forces her and her sisters to flee.
The treachery of a fellow traveler, however, brings about her arrest, and she is caged with the criminal and deranged in a filthy women's prison. But young Adair finds that love can live even in a place of horror and despair. Her interrogator, a Union major, falls in love with her and vows to return for her when the fighting is over. Before he leaves for battle, he bestows upon her a precious gift: freedom.
Now an escaped "enemy woman," Adair must make her harrowing way south buoyed by a promise ... seeking a home and a family that may be nothing more than a memory.
About the Author
Paulette Jiles was born and raised in the Missouri Ozarks, and now has dual citizenship with Canada. A critically acclaimed poet, she is a past winner the Canadian Governor General Award, Canada's highest literary honor. Her previous books are North Spirit (1995) and Cousins (1992). She lives with her husband in San Antonio, Texas. Enemy Women is her first novel.
Reading Group Guide
About This Book
The Civil War Era was one of the most divisive and heart-rending in our nation's
history. For eighteen-year-old Adair Colley it brought about intense personal
change as well. Although the Colley family was neutral on the issues of secession
and slavery, many men from their area in Missouri Ozarks had joined the Confederate
army. One day in November 1864 the Union Militia swept in on their mission to
rout Confederate sympathizers. They set the Colley homestead on fire, and arrested
Adair's father, a mild-mannered justice of the peace. Adair and her two younger
sisters gathered together what they could and set off to find shelter. Along the
way, however, Adair herself is arrested on charges of "enemy collaboration" and
sent to a women's prison in St. Louis. There she meets a Union major, William
Neumann, who is to be her interrogator, and the two fall in love. Before he is
sent back to the front, Neumann helps Adair plan an escape and, not long after
he leaves, she makes her break. Weakened and alone, Adair must now travel through
dangerous territory as she makes her way home -- not knowing who or what she will
find there.
Discussion
Questions
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The first chapter of the book paints the Civil War in the Ozarks with a very broad brush. It is a short chapter, and yet the emotional tone of the chapter shifts between the beginning and the end. How does the tone change, and what techniques does the author use to change it? What is the tone in the beginning of the chapter; what is it at the end of the chapter?
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The scope of the novel is larger than Adair's personal relationships with her family and the Major. There are battle scenes and long journeys, depictions of the city of St. Louis and its wartime waterfront. What technical choices does the author make to distinguish the "larger picture" scenes from the narratives that deal exclusively with personal relationships?
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Although Enemy Women is a novel, many of the historical events it describes are real, and the author includes snippets from letters, journals, newspapers, and military dispatches at the beginning of each chapter. Do you like this technique of mixing the actual with the imagined? How does it affect your reading and/or enjoyment of the narrative? Is there a thread or ongoing story unfolding through the historical quotes themselves?
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Do you think the author has succeeded at portraying 19th century personalities and attitudes through her characters? Or do you feel she has simply transposed late 20th century attitudes and behavior onto the Civil War era? What's the difference?
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The author goes against convention by not using quotation marks throughout the book. How did this unusual technique make you feel? Were you immediately comfortable, or did it take you a while to get used to it? How did it affect your experience of the dialogue?
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Adair, and other characters in the book, reveal their inner lives through their actions rather than through devices such as interior monologue or omniscient description or flashbacks to childhood. How is this different from methods usually employed in other novels? Does the author use dialogue to reveal character?
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There are no flashbacks in the novel. Where and how does Adair impart some information about the Colley family's life before the war? The author then doubles back and casts doubt on the authenticity of the information. How and why does the author do this?
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At one point, the Major says to Adair, "Had you met me at a social gathering, you would probably not even have spoken to me, because I am a Yankee officer. "Had Adair and the Major met under other circumstances, would she have ignored him?
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Enemy Women has a rich array of minor characters. Among them are Christopher Columbus Jones (the ostler at the Major's boardinghouse), Lt. Brawley, Mr. and Mrs. Greathouse (the couple who argue over the hat), Greasy John, the "botanical steam doctor" in the town of Valles Mines, Jessie Hyssop, Colonel Timothy Reeves (who only appears at the very end of the book, although we hear about him from the beginning). Who are your favorite minor characters, and why?
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Rivers play an important role in Enemy Women, both as symbols and as actual barriers. In the 19th century, rivers were far more than symbols; they were dangerous crossing points that had to be negotiated at some risk. What significance is there in the name of each river? Does a change occur to the hero or heroine as he or she meets new tests or enemies on the far side?
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Adair changes over the course of the book, from an audacious, outspoken, fearless young woman to someone more inner-directed, cautious, quiet, even frightened. Where are the crucial scenes that demonstrate this transformation?
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When Adair finally returns home, she finds a family of traveling players has occupied her empty house. What purpose does this serve in the narrative? Is the author being lightly satiric through the player's explanation of the roles of the "aristocratic girl" and the "saucy girl"?
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At the end of the book, when the Major stands before the empty Colley homestead and calls out to Adair, saying he has kept his promise, what famous early 20th century poem do these lines evoke?
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In the beginning of the book, Adair seems dubious about marriage, and reluctant to give up her freedom. By the end of the book, though, she has apparently changed her mind. How do we know that Adair has fallen in love with the Major, despite her doubts and confusions?
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At the end of the story, Adair is weak, in many ways as faded and ragged as the Confederacy itself. What small, sneaky symbol at the very end gives the reader hope that Adair may recover and flesh out to become her old self again? (Hint, hint: It's up in the sky.)