Synopses & Reviews
In discussions of postcolonial nationhood and cultural identity, Taiwan is often overlooked. Yet the islandandmdash;with its complex history of colonizationandmdash;presents a particularly fascinating case of the struggle to define a andldquo;nation.andrdquo; While the mainland Chinese government has been unequivocal in its resistance to Taiwanese independence, in Taiwan, government control has gradually passed from mainland Chinese immigrants to the Taiwanese themselves. Two decades of democratization and the arrival of consumer culture have made the island a truly global space. Envisioning Taiwan
sorts through these complexities, skillfully weaving together history and cultural analysis to give a picture of Taiwanese identity and a lesson on the usefulness and the limits of contemporary cultural theory.
Yip traces a distinctly Taiwanese sense of self vis-andagrave;-vis China, Japan, and the West through two of the islandandrsquo;s most important cultural movements: the hsiang-tandrsquo;u (or andldquo;nativistandrdquo;) literature of the 1960s and 1970s, and the Taiwanese New Cinema of the 1980s and 1990s. At the heart of the book are close readings of the work of the hsiang-tandrsquo;u writer Hwang Chun-ming and the New Cinema filmmaker Hou Hsiao-hsien. Key figures in Taiwanandrsquo;s assertion of a national identity separate and distinct from China, both artists portray in vibrant detail daily life on the island. Through Hwangandrsquo;s and Houandrsquo;s work and their respective artistic movements, Yip explores andldquo;the imagining of a nationandrdquo; on the local, national, and global levels. In the process, she exposes a perceptible shift away from traditional models of cultural authenticity toward a more fluid, postmodern hybridityandmdash;an evolution that reflects both Taiwanandrsquo;s peculiar multicultural reality and broader trends in global culture.
andldquo;June Yip forcefully argues why and how modern Taiwanese literature and cinema matter for our understanding of an array of modern and postmodern issues ranging from national identity to cultural politics and from an indigenous search for roots to global circulation of cultural and economic capital.andrdquo;andmdash;David Der-wei Wang, author of The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China
andldquo;A splendid book on Taiwan, its culture, and its unique situation in the world.andrdquo;andmdash;Fredric Jameson, Duke University
Traces the growth and evolution of a Taiwan's sense of itself as a separate and distinct entity by examining the diverse ways a discourse of nation has been produced in the Taiwanese cultural imagination.
About the Author
June Yip is an independent scholar living in Los Angeles. She has a Ph.D. in Comparative Literature from Princeton University and an M.A. in Cinema Studies from the University of California, Los Angeles, where she has taught Chinese film.