Synopses & Reviews
In
Fair Sex, Savage Dreams Jean Walton examines the work of early feminist psychoanalytic writing to decipher in it the unacknowledged yet foundational role of race. Focusing on the 1920s and 1930s, a time when white women were actively refashioning Freudandrsquo;s problematic accounts of sexual subjectivity, Walton rereads in particular the writing of British analysts Joan Riviere and Melanie Klein, modernist poet H.D., the eccentric French analyst Marie Bonaparte, and anthropologist Margaret Mead.
and#9;Charting the fantasies of racial difference in these womenandrsquo;s writings, Walton establishes that raceandmdash;particularly during this periodandmdash;was inseparable from accounts of gender and sexuality. While arguing that these women remained notably oblivious to the racial meanings embedded in their own attempts to rearticulate feminine sexuality, Walton uses these very blindspots to understand how race and sex are deeply imbricated in the constitution of subjectivity. Challenging the notion that subjects acquire gender identities in isolation from racial ones, she thus demonstrates how white-centered psychoanalytic theories have formed the basis for more contemporary feminist and queer explorations of fantasy, desire, power, and subjectivity.
and#9;Fair Sex, Savage Dreams will appeal to scholars of psychoanalysis, literary and cinematic modernism, race studies, queer theory, feminist theory, and anthropology.and#9;
Review
andldquo;In this groundbreaking book Jean Walton subjects psychoanalysis to a sustained and highly illuminating ethnographic critique. She has isolated a periodandmdash;the 1920s and 1930s, the era of the great debates about femininityandmdash;in which there is a critical confrontation between questions of gender/sexuality and questions of race. Her incisive analyses of five women writers of this period are often fascinating, always provocative, and she demonstrates persuasively the inextricability of sexuality and race in their attempts to negotiate a andlsquo;speaking positionandrsquo; for themselves within a masculine domain.andrdquo;andmdash;Mary Anne Doane, author of Femmes Fatales: Feminism, Film Theory, Psychoanalysis
Review
andldquo;This intelligent and clear-thinking book provides a fascinating look into the racial fantasies of five modernist women. Focussing our attention on the evasions and displacements of both psychoanalysis and feminism, Walton demonstrates that race is never very far from twentieth-century cultureandrsquo;s founding narratives of sexual difference. A welcome and important investigation of white womenandrsquo;s racial imaginaries, a study as intellectually subtle as it is boldly original.andrdquo;andmdash;Diana Fuss, author of Identification Papers
Synopsis
A groundbreaking examination of racialized subtexts (and the subsequent priviligeng of whiteness) in foundational feminist critiques of psychoanalysis.
Description
Includes bibliographical references (p. [219]-225) and index.
About the Author
Jean Walton is Associate Professor of English, Womenandrsquo;s Studies, and Film Studies at the University of Rhode Island.