Synopses & Reviews
From the award-winning author of Half in Love
and Liars and Saints
, a riveting story of love, sex, secrets, guilt, and forgiveness.
Maile Meloy's debut novel, Liars and Saints, captured the hearts of readers and critics alike. Now Meloy returns with a novel even more dazzling and unexpected than her first. Brilliantly entertaining, A Family Daughter might also be the most insightful novel about families and love that you will read this year.
It's 1979, and seven-year-old Abby, the youngest member of the close-knit Santerre family, is trapped indoors with the chicken pox during a heat wave. The events set in motion that summer will span decades and continents, change the Santerres forever, and surprise and amaze anyone who loved Meloy's Liars and Saints.
A rich, full novel about passion and desire, fear and betrayal, A Family Daughter illuminates both the joys and complications of contemporary life, and the relationship between truth and fiction. For everyone who has yet to meet the Santerres, an unmatched pleasure awaits.
"In evanescent scenes distinguished by clean, wry prose, Meloy observes the Santerre family, whom readers met in 2003's Liars and Saints, from a crafty new angle. The book opens as the deeply Catholic Yvette Santerre frets over her granddaughter, Abby, who has the chicken pox and has been deposited in Yvette's care while her mother, Clarissa, tries to remember what it's like to feel happy. Yvette and Teddy's eldest daughter, Margot, is repressed by her own Catholicism and veering into adultery; Clarissa thinks of her husband, Henry, and daughter, Abby, as 'captors' keeping her from realizing her true potential; and happy-go-lucky son Jamie has little ambition beyond his next girlfriend. With Abby at the story's center, the narrative moves forward years in effortless leaps, revealing the secrets and dissatisfactions of all. From Abby's rocky childhood to her bruising young adulthood (her parents divorce; her father is killed in a car accident), she finds solace with Jamie, 12 years her senior. When Abby is 21, uncle and niece fall into an affair, until Jamie is lured away by the bored, rich, chronically unfaithful Saffron, who suffers her own difficult mother crisis in Argentina. Clarissa takes up with a lesbian and confronts her mother with recovered memories; Jamie becomes convinced he's actually Margot's daughter; and dreamy, conflicted Abby writes a roman à clef (Liars and Saints!) about them all. Meloy shifts point of view fluently, and though her characters weather all sorts of melodrama, the novel itself feels light poignant and affecting, meaningful yet somehow weightless." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"[A] dazzling second novel....Riveting and engrossing, Meloy's tale of a family struggling with guilt and forgiveness spans decades and crosses continents, proving her status as one of the best literary observers of contemporary American life." Booklist (Starred Review)
"A thoroughly original, undeniably brilliant companion piece to Liars and Saints. Each stands alone; together they pack a seismic wallop." Kirkus Reviews (Starred Review)
"[Meloy] pads the sequel with soapy subplots and an ever-expanding web of random new characters....She may have rigged up a mighty clever postmodern game, but she's written a mediocre sudsy melodrama. (Grade: B-)" Entertainment Weekly
"[A] big book as well as a swift, slender, graceful one. And if the speed and gloss of Ms. Meloy's first novel suggested that she might be better suited to short stories, this new book has the deep ramifications of more ambitious fiction." Janet Maslin, The New York Times
"[A] seductive, absorbing read. With ease and fluidity, Meloy gracefully pirouettes from...narrative summary to slice-of-life vignettes that provide scope and immediacy. The tone is by turns wry, ironic, affectionate and consistently engaging." Philadelphia Inquirer
"Fast-moving and compelling...ambitious and playful and clever."
-- The Washington Post
"The Santerre family...includes so many appealing personalities, with all the dreams, hopes, and foibles of people we have loved at one time or another."
-- Los Angeles Times
"Wise and astonishing."
-- The New Yorker
"A seductive, absorbing read."
-- The Philadelphia Inquirer
"[Meloy] may be the first great American realist of the twenty-first century....The Santerres aren't real but they feel like they are, and the reader will not soon forget them."
-- The Boston Globe
"Meloy's Santerres may just be the most fascinating, engrossing American family since the Louds."
-- Los Angeles Times
"Upends popular notions of American fiction...A spectacular first novel."
-- The New York Times Book Review
"A big book as well as a swift, slender, graceful one."
-- The New York Times
A continuation of the story that began with Liars and Saints finds a young woman from the Santerre clan accompanying her family to Argentina, where their lives become entwined with an uninhibited rich girl, an aging French playboy, a young Eastern European prostitute, and an orphaned child. Reprint. 35,000 first printing.
One of the most insightful novels about families to appear in recent years, A Family Daughter
revisits the Santerre clan from Maile Meloy's highly acclaimed debut novel Liars and Saints.
It opens in 1979, when seven-year-old Abby, the youngest member of the close-knit family, is trapped indoors with chicken pox during a heat wave.
The events set in motion that summer span decades and continents -- irrevocably changing the lives of the Santerres and those around them.
About the Author
Maile Meloy is the author of the story collection Half in Love and the novel Liars and Saints, which was shortlisted for the 2005 Orange Prize. Meloy's stories have been published in the New Yorker, and she has received the Paris Review's Aga Khan Prize for Fiction, the PEN/Malamud Award, the Rosenthal Foundation Award, and a Guggenheim Fellowship. She lives in California.
Reading Group Guide
Reading Group Guide for A Family Daughter
1. A Family Daughter is the story of four generations of Santerres. Discuss the evolving parent-child relationships within each generation.
2. Discuss the themes of resurrection and resilience in the novel. Consider incidents such as Abby and Jamie's relationship, Saffron's baby, Margot's affair, and the family reunion at the end of the novel. What drives each character to overcome tragedy and adversity?
3. Why do you think the focus of the book, with the exception of Jamie, is on the women of the Santerre family? What is Yvette's role as family matriarch?
4. When thinking of the photographer, Yvette realizes that although they never had an affair, she and Teddy "had used him to make each other unhappy, and they were still using him." Do other characters use similar devices to hold grudges against each other?
5. Discuss the theme of sex and physical attraction in the novel. How does it influence each character in life-altering ways? Which characters use sex for comfort, and which use sex for power?
6. Following her father's death, Abby doesn't want contact with any of her family members except Jamie. Is this because he's closer to her age, or does she not feel comfortable with the rest of her family? Are they the only two members of the family who truly know and understand each other?
7. What do you think of Abby's decision to move from one "taboo" relationship to another? Is Abby drawn to older authority figures because her father died, or does she really love Peter? Abby tells Peter "I'm a different person with you and with my family . . ." Is this true? When do you think Abby is happiest?
8. Why does Abby decide to write a novel so similar to her own story? Is this merely a cathartic exercise, or does she want her family to know about her affair with Jamie? Why doesn't the family seem too concerned about the incestuous relationship in Abby's book? Do they think it's fictional, or are they too afraid to ask if it's true? How does each character react to the way they're portrayed in the book?
9. Each character has a personal secret they keep from the others. Which characters do this to protect their family, and which characters keep secrets to protect themselves?
10. What role does guilt play in each character's life? Consider the Abby-Jamie relationship, Margot's adultery, Clarissa and Henry's divorce, and Yvette's decision to leave her family in Canada.
11. Yvette and Teddy raised their three children Catholic, but only Margot grew up to raise her children Catholic, as well. Why do you think this is? How would Clarissa and Jamie be different if they were religious? How would their children differ?
12. How are the members of the Santerre family affected by the various outsiders -- Saffron, Martin, Fauchet, Katya -- who pass in and out of their lives? What qualities do these supporting characters have that the Santerres lack?
13. How does the novel's unusual structure -- alternating chapters told from many different points of view -- strengthen the story? Why is it so important for this particular novel that we read almost every character's point of view?
If you've read both Liars and Saints and A Family Daughter:
1. A Family Daughter presents a different version of the Santerre family's history. How do these two versions differ? What are the differences between the Liars and Saints version of the truth and the A Family Daughter version of the truth (i.e., the identity of Jamie's mother; the details of Margot's family life; the deaths of Abby, Henry, Yvette, Teddy)? What reasons do you think the author had for presenting two different versions of this core story?
2. Are some of the characters' personalities different from book to book? If so, why do you think that is? Are their personalities different because the events in their lives are different, or are the events in their lives different because their personalities are different?
3. What truths and relationships are constant between the two books? How is their constancy significant to your reading of the two books?
4. Reading the two books together raises interesting questions about the nature of "truth" and its relationship with fiction. Do you think of one of these stories as the "real" story and one as made up? If so, why do you think that is, considering that, as novels, both stories are clearly fiction? Is your answer influenced by the order in which you read the two books?