Synopses & Reviews
Dana Clarke has always longed for the stability of home and family—her own childhood was not an easy one. Now she has married a man she adores who is from a prominent New England family, and she is about to give birth to their first child. But what should be the happiest day of her life becomes the day her world falls apart. Her daughter is born beautiful and healthy, but no one can help noticing the African American traits in her appearance. Dana’s husband, to her great shock and dismay, begins to worry that people will think Dana has had an affair.
The only way to repair the damage done is for Dana to track down the father she never knew and to explore the possibility of African American lineage in his family history. Dana’s determination to discover the truth becomes a poignant journey back through her past and her husband’s heritage that unearths secrets rooted in prejudice and fear.
Barbara Delinsky’s Family Tree is an utterly unforgettable novel that asks penetrating questions about race, family, and the choices people make in times of crisis—choices that have profound consequences that can last for generations.
"When Dana and Hugh Clarke's baby is born into their wealthy, white New England seaside community, the baby's unmistakably African-American features puzzle her thoroughly Anglo-looking parents. Hugh's family pedigree extends back to the Mayflower, and his historian father has made a career of tracing the esteemed Clarke family genealogy, which does not include African-Americans. Dana's mother died when Dana was a child, and Dana never knew her father: she matter-of-factly figures that baby Lizzie's features must hark back to her little-known past. Hugh, a lawyer who has always passionately defended his minority clients, finds his liberal beliefs don't run very deep and demands a paternity test to rule out the possibility of infidelity. By the time the Clarkes have uncovered the tangled roots of their family trees, more than one skeleton has been unearthed, and the couple's relationship not to mention their family loyalty has been severely tested. Delinsky (Looking for Peyton Place) smoothly challenges characters and readers alike to confront their hidden hypocrisies. Although the dialogue about race at times seems staged and rarely delves beyond a surface level, and although near-perfect Dana and her knitting circle are too idealized to be believable, Delinsky gets the political and personal dynamics right." Publishers Weekly (Copyright Reed Business Information, Inc.)
When a white couple gives birth to a baby with distinctly black features, a family is thrown into turmoil.
After a life of uncertainty, Dana Clarke has finally achieved the stability she has craved in her marriage to a man who can trace his lineage back to the Mayflower, but her world is shattered when her daughter is born with African-American traits in her appearance, sending Dana on a poignant quest in search of a possible African-American lineage in her husband's family. 200,000 first printing.
About the Author
BARBARA DELINSKY is a New York Times bestselling author with more than thirty million copies of her books in print. She lives with her family in New England.
Reading Group Guide
Raising provocative questions about how we define family, how we view ancestry, and whether racism still lurks in even the most open minds, Family Tree
offers book clubs a variety of compelling topics to explore.
From beloved, bestselling author Barbara Delinsky, this is the story of Dana and Hugh Clarke, a wealthy, white East Coast couple whose beautiful newborn child clearly has African ancestors.
Dana never knew her father, and her mother died when she was young. Dana had always craved the stability of a home and family, and she made these dreams come true when she fell in love with Hugh. Unlike Dana, he could trace his ancestors back to the Mayflower. His father even built a successful career as a historian and author, carefully researching the Clarke lineage to the last detail. Or so they thought.
The newest addition to the family, infant Lizzie, raises accusations and doubt among all of her parents’ relatives. To Dana’s dismay, her husband greets the birth of their daughter with alarm and tinges of shame. To Hugh’s dismay, Dana is reluctant to track down her father and isn’t concerned about what people are saying regarding Lizzie’s heritage. As they gradually piece together the facts, a shocking truth emerges that will forever change this family–while opening their eyes to the real meaning of identity and unconditional love.
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1. What were your initial theories about Lizzie’s ancestors? Did you ever doubt Dana’s fidelity?
2. How would you have reacted if you had experienced Dana and Hugh’s situation? How would your circle of friends and coworkers have reacted?
3. Discuss the parallel stories woven throughout the novel, including Dana’s painful reunion with her father, Ellie Jo’s secret regarding her husband’s other marriage, and Crystal’s paternity case against the senator. What are the common threads within these family secrets? What ultimately brings healing to some of the parties involved?
4. Crystal’s dilemma raises timely questions about the obligations of men who father children out of wedlock. Are Senator Hutchinson’s obligations to Jay the same as Jack Kettyle’s obligations to Dana? Should men always be financially obligated to their children, regardless of the circumstances? If so, what should those financial obligations be?
5. Why is it so difficult for Dana to feel anything but anger toward her father? In your opinion, did he do anything wrong? How does she cope with the shifting image of her mother?
6. What is the root of Hugh’s reaction in the novel’s initial chapters? Is he a racist? Is he torn between loyalties? Does he trust his wife?
7. Is your own ancestry homogenous? If not, what interesting or ironic histories are present in your ancestry? Do you believe it’s important to maintain homogeneity in a family tree? If you were to adopt a child, what would be your main criterion in selecting him or her?
8. Discuss the many differences between Dana’s and Hugh’s families. What drew Dana and Hugh to each other? To what extent is financial power a factor in shaping their attitudes toward the world? What common ground existed despite their tremendous differences in background?
9. What accounts for the universal fascination with genealogy? Should a person be lauded for the accomplishments of an ancestor, or snubbed for the misdeeds of one? Is genealogy a predictor?
10. In chapter 23, Eaton voices his frustration by shouting questions at the portraits of his parents. How might they have responded to his questions had they lived to see the arrival of Lizzie?
11. What should Dana and Hugh learn from the experience of Ali’s parents? What would the ideal school for Lizzie be like? What does Ali’s story indicate about integration?
12. Recent developments in DNA mapping have made it possible to discover not only lineage (as was the case for the biracial descendents of Thomas Jefferson) but also many general geographic details about one’s ancestry. If you were to undergo such testing, what revelations would please you? What revelations would disappoint you?
13. Discuss Eaton’s “reunion” with Saundra Belisle. Were their youths marked by any similarities, despite the fact that they lived in distinctly different worlds?
14. What role does location play in Family Tree? Would the story have unfolded differently within the aristocracy of the South, or in a West Coast city?
15. What does Corinne’s story reveal about the false selves we sometimes construct? Who are the most authentic people you know? Who in your life would stand by you after a revelation like Corinne’’s?
16. Does Eaton’s history demonstrate the ways in which racism has waned in recent generations, or the ways in which very little has changed?
17. Consider whether the issues at the center of Family Tree manifest themselves in your life. Is your neighborhood racially integrated? How many people of color hold executive positions at the top companies in your community? Is there a gulf between the ideal and the reality of a color-blind society in 21st–century America?