Synopses & Reviews
The Swiss painter Félix Vallotton (1865-1925) and his artworks were uniquely poised to embrace both the dawn of modernism and the fading light of the post-impressionist and symbolist movements. Lavishly illustrated,
Félix Vallotton traces the artists life from his early days as a portraitist and printmaker to his later work as painter who prefigured European modernism.
Linda Schädler and Christoph Becker reveal Valloton to be not only the most important Swiss symbolist, but an intelligent observer of his tumultuous times, highly critical of bourgeois convention. His sometimes eerie naturalism, the authors argue, links him to literary fashions of the day as well as reflecting the inception of psychoanalysis. This stunning volume forges a new understanding of landmark paintings from an especially fertile period in art history and the fascinating artist behind them.
About the Author
Linda Schädler is a research assistant and curator at the Kunsthaus Zürich and a freelance art critic for the
Neue Zürcher Zeitung.
Christoph Becker is director of the Kunsthaus Zürich.
Table of Contents
Foreword
The Distant Observer. Biography
Discrete Glimpses
Rendezvous, Denudations, Adultery: The Interior Paintings
Sub-Zero Distance
Portraits of Unerring Precision
Painterly Sensation
Working out the Materiality
Unsparing Perspective
Alienating Aspects in Depictions of Nudes
Melancholic Expanse
Between Topography and Imagination
“grandes machines”
Irony and Skepticism on a Large Scale
Appendix
Notes
Catalogue of Exhibited Works
Selected bibliography
Credits