Synopses & Reviews
Brilliantly uniting the personal and the critical, French Lessons
is a powerful autobiographical experiment. It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning. Kaplan begins with a distinctly American quest for an imaginary France of the intelligence. But soon her infatuation with all things French comes up against the dark, unimagined recesses of French political and cultural life.
The daughter of a Jewish lawyer who prosecuted Nazi war criminals at Nuremburg, Kaplan grew up in the 1960s in the Midwest. After her father's death when she was seven, French became her way of "leaving home" and finding herself in another language and culture. In spare, midwestern prose, by turns intimate and wry, Kaplan describes how, as a student in a Swiss boarding school and later in a junior year abroad in Bordeaux, she passionately sought the French "r," attentively honed her accent, and learned the idioms of her French lover.
When, as a graduate student, her passion for French culture turned to the elegance and sophistication of its intellectual life, she found herself drawn to the language and style of the novelist Louis-Ferdinand Celine. At the same time she was repulsed by his anti-Semitism. At Yale in the late 70s, during the heyday of deconstruction she chose to transgress its apolitical purity and work on a subject "that made history impossible to ignore:" French fascist intellectuals. Kaplan's discussion of the "de Man affair" — the discovery that her brilliant and charismatic Yale professor had written compromising articles for the pro-Nazi Belgian press—and her personal account of the paradoxes of deconstruction are among the most compelling available on this subject.
French Lessons belongs in the company of Sartre's Words and the memoirs of Nathalie Sarraute, Annie Ernaux, and Eva Hoffman. No book so engrossingly conveys both the excitement of learning and the moral dilemmas of the intellectual life.
"Alice Kaplan beautifully describes the intricate mixture of lust and embarrassment and voyeurism and submission and pride involved in immersing oneself in another language. . . . This girl's own story---of a daughter, a spy in the house of French, a teacher and scholar-is imbued with a sense of the multiplicity of identity, and it gracefully tells us what Kaplan says French has taught her: 'There is more than one way to speak.' " Lisa Cohen
"An uncommonly forthright and concise piece of autobiography. Kaplan has shown that university professors, too, can have a past worth telling, that the subjects they teach may mean far more to them than any student could begin to guess." Voice Literary Supplement
"This original, artful, engaging book belongs to an evolving genre of postmodern intellectual autobiography. Telling her story about a girl from the midwest who learned to speak perfect French, a student of deconstruction who became intrigued by fascism, Alice Kaplan writes insightfully also about language, memory, politics, and writing. Kaplan's father was a lawyer at the Nuremberg trials who died when she was only seven: she recalls the frightening photographs of concentration camp victims she found among his papers. The glamour of otherness and the allure of evil-as well as the characters of various mentors, meals, lovers, and students- are the subjects of this witty and insightful memoir." John Sturrock - London Review of Books
"Born a Jewish daughter of the American Midwest, Alice Kaplan became a professor of French and an expert on the literature of French fascism. French Lessons is the story of her cultural odyssey, a brave attempt to articulate the compulsions that drove her to embrace foreignness in order to become truly herself. . . . Told in a 'staccato Midwestern style,' her story of becoming French is arrestingly all-American." Rachel M. Brownstein, author of Becoming a Heroine
"Alice Kaplan has written a wonderful book, as accessible as light fiction and as polished and layered as poetry. . . . The precision and intensity of Kaplan's presentation of self in everyday life makes for an extraordinary literary achievement." Arthur Goldhammer - Washington Post Book World
"A lovely book. . . . From the childhood learning of words from her siblings, to her professorship at Duke, she has catalogued her desire to speak a foreign language and thereby to become something foreign and alluring herself." Graham Fraser - Toronto Globe and Mail
"French Lessons captures the excitement Kaplan experienced as she fell into the French language: mastering the difficulties of French pronunciation, the forms of the French verb, the forms of French politeness." Fred Turner - Boston Phoenix
"This is the most engaging new bildungsroman I have read in years-and especially because the bildung in question, the learning of French by a young American woman, brings with it such an amazing range of personal drama of modern and contemporary political and cultural history." Thomas McGonigle - Chicago Tribune
About the Author
Alice Kaplan is the author of French Lessons: A Memoir, The Collaborator, The Interpreter, and Dreaming in French: The Paris Years of Jacqueline Bouvier Kennedy, Susan Sontag, and Angela Davis, and the translator of OK, Joe, The Difficulty of Being a Dog, A Box of Photographs, and Palace of Books. Her books have been twice nominated for the National Book Critics Circle Awards, once for the National Book Award, and she is a winner of the Los Angeles Times Book Prize. She holds the John M. Musser chair in French literature at Yale. She lives in Guilford, Connecticut.
Table of Contents
Part One. Before I Knew French
The Last Summer at Wildhurst Road
Part Two. Getting It
Boarding School in Switzerland
Spring Break in France
Part Three. Getting It Right
Part Four. Revisions
In Search of the French "R"
Guy, de Man, and Me
The Trouble with Edna
Note on the Text