Synopses & Reviews
Synopsis
A hobby backed by centuries of tradition, amateur gem cutting remains popular today. Once a completely unskilled beginner himself, Captain John Sinkankas never forgot his struggles in learning how to cut and polish gemstones without the benefit of an instructor. With his own experience in mind, he wrote Gem Cutting to make it possible for others to teach themselves how to do every type of lapidary work without having to attend classes.
For over half a century, Gem Cutting has served as the go-to guide for beginners and experts alike. Offering a wealth of information for everyone, it starts with the fundamentals and leads logically to techniques and projects that will challenge even the most advanced cutter. Every step is described in detail and illustrated with drawings and photographs. Sinkankas covers common pitfalls and, wherever possible, offers hints on how to take money-saving shortcuts. Incorporating tips on operating equipment for greatest efficiency, he explains how to make or choose equipment for sawing, grinding, sanding, and other basic operations. Special chapters describe how to cut and polish cabochons, faceted gems, spheres and beads; how to tumble gems; and how to make carvings, engravings, inlays, and mosaics.
Sinkankas also advises on selecting and buying rough gemstones. A section on the description and treatment of gemstones has been expanded in this second edition to include more species and accommodate recent information on each.
With its comprehensive guidance, Gem Cutting is an essential addition to the library of any lapidary.
Captain John Sinkankas (1915-2002) dedicated his life to the study of earth sciences after his retirement from the US Navy. Winner of the Desert Magazine Literature Premium Award, Sinkankas authored a number of books on gemstones and published over 100 articles on lapidary subjects. He was a certified gemologist of the American Gem Society with memberships to the Mineralogical Society of America, New York Mineralogical Club, San Diego Mineral & Gem Society, and several other regional gem and mineral groups.
Synopsis
Charles Reid says you don't have to be a botanist to paint flowers beautifully. Rather than produce anatomical paintings, it's far more important to capture the quality, the feeling, and the spirit of the flowers. In this book, Reid turns his skillful eye and clear, helpful teaching methods to painting flowers in oil paints.
Beginning with a detailed discussion of materials and palettes, you will go on to learn a bit about flowers and flower parts in general, as well as brush techniques like drybrushing, scumbling, and pointillism. Then, with plenty of examples and guided assignments, you will learn to paint a wide variety of leaf forms before moving on to specific flower types and arrangements. As the chapters progress, you'll learn to properly mix values and colors for specific effects; compositional lessons about boundaries, lessons on subject placement and horizons; and how to uses edges, lighting, and patterns to bring your flower paintings to life.
From formal still-life arrangements to wildflower landscapes, this book has everything you need to know about painting flowers. Accessible to students of all skill levels, Flower Painting in Oil is ideal for intermediate or advanced students who are interested in studying the forms, colors, and textures of flowers. By learning to truly "see" flowers, you'll learn to paint them like never before.
Readers interested in related titles from Charles Reid will also want to see: Painting by Design (ISBN: 1626543216), Painting What (You Want) to See (ISBN: 162654378X), Pulling Your Paintings Together (ISBN: 1626543844), The Natural Way to Paint (ISBN: 1626543828).