Synopses & Reviews
Norman Mailer said that George Plimpton was the best-loved man in New York. For more than fifty years, his friends made a circle whose circumference was vast and whose center was a fashionable tenement on New York's East Seventy-second street. Taxi drivers, hearing his address, would ask, "Isn't that George Plimpton's place?" George was always giving parties for his friends. It was one of the ways this generous man gave back.
This book is the party that was George's life and it's a big one–attended by scores of people, including Peter Matthiessen, Robert Silvers, Jean Stein, William Styron, Maggie Paley, Gay Talese, Calvin Trillin, and Gore Vidal, as well as lesser-known intimates and acquaintances, each with candid and compelling stories to tell about George Plimpton and childhood rebellion, adult indiscretions, literary tastes, ego trips, loyalties and jealousies, riches and drugs, and embracing life no matter the consequences.
In George, Being George people feel free to say what guests say at parties when the subject of the conversation isn't around anymore. Some even prove the adage that no best-loved man goes unpunished. Together, they provide a complete portrait of George Plimpton. They talk about his life: its privileged beginnings, its wild and triumphant middle, its brave, sad end. They say that George was a man of many parts: "the last gentleman"; founder and first editor of one of our best literary magazines, The Paris Review; the graceful writer who brought the New Journalism to sports in bestsellers such as Paper Lion, Bogey Man, and Out of My League; and Everyman's proxy boxer, trapeze artist, stand-up comic, Western movie villain, and Playboy centerfold photographer. And one of the brave men who wrestled Sirhan Sirhan, the armed assassin of his friend Bobby Kennedy, to the ground.
A Plimpton party was full of intelligent, funny, articulate people. So is this one. Many try hard to understand George, and some (not always the ones you would expect) are brilliant at it. Here is social life as it's actually lived by New York's elites. The only important difference between a party at George's and this book is that no one here is drunk. They just talk about being drunk.
George's last years were awesome, truly so. His greatest gift was to be a blessing to others not all, sadly and that gift ended only with his death. But his parties, if this is one, need never end at all.
"This superb, exuberant oral biography of editor-author-actor Plimpton (1927 2003) is described by Aldrich as 'a kind of literary party, George's last.' As the subtitle makes clear 'George Plimpton's Life as Told, Admired, Deplored, and Envied by 200 Friends, Relatives, Lovers, Acquaintances, Rivals and a Few Unappreciative Observers' this is modeled after the cut-and-paste technique employed in Edie, Plimpton and Jean Stein's book about actress-model Edie Sedgwick. In addition to Plimpton family members, the 200 voices that speak here include David Amram, Harold Bloom, Christopher Cerf, Jules Feiffer, Norman Mailer, Peter Matthiessen, William Styron, Gay Talese and Gore Vidal. The chronological coverage spans Plimpton's life, from his privileged childhood, education at Exeter and Harvard and life in the U.K. at King's College, Cambridge, to his books, movies and legendary parties. His five decades editing the Paris Review and the inner workings of that publication are detailed in depth. When one scans any page at random in this appealing assemblage of anecdotes, it becomes difficult to stop reading. Plimpton's colorful personality emerges in a high-definition prismatic portrait. B&w photos." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"The overriding quality that emerges from George, Being George is enthusiasm: Mr. Plimpton's infectious joie de vivre....He did his best to treat life as a nonstop party. Mr. Aldrich does his best to keep that party alive on the page." New York Times
"[I]s it literature? Not by my definition....But is it a fun read? Absolutely." Providence Journal
"The stories are revealing, humorous, and evocative of the exuberance of Plimpton himself and the company of writers in a fascinating era in American literature." Booklist
About the Author
Nelson W. Aldrich, Jr. is a freelance writer and editor. Formerly Paris editor of The Paris Review, a senior editor at Harper's Magazine, and a reporter for The Boston Globe, he is a frequent contributor to such publications as The Atlantic, Harper's, The Nation, New England Monthly, and Vogue.
Review A Day
"In the summer of 1963, while most of his companions were toiling in sundry Manhattan offices, George Plimpton spent many a weekday alone in Central Park tossing a football. 'Without someone to throw to,' he later remembered, 'it was a melancholy practice to throw a ball in a park meadow and then walk to it, and throw it again and I did it in a sort of dull, bored way.' Plimpton hoped that his nonchalant bearing would convince the elderly men flying kites that he was merely awaiting the arrival of friends caught in a traffic jam...." Scott Sherman, The Nation
(read the entire Nation review