Synopses & Reviews
The New York Times and # 1 international bestselling author Jussi Adler-Olsen returns with another shocking cold case in his exhilarating Department Q series.
Detective Carl Mørck holds in his hands a bottle that contains old and decayed message, written in blood. It is a cry for help from two young brothers, tied and bound in a boathouse by the sea. Could it be real? Who are these boys, and why werent they reported missing? Could they possibly still be alive?
Carls investigation will force him to cross paths with a woman stuck in a desperate marriage- her husband refuses to tell her where he goes, what he does, how long he will be away. For days on end she waits, and when he returns she must endure his wants, his moods, his threats. But enough is enough. She will find out the truth, no matter the cost to her husbandor to herself.
Carl and his colleagues Assad and Rose must use all of their resources to uncover the horrifying truth in this heart-pounding Nordic thriller from the #1 international bestselling author Jussi Adler-Olsen.
Praise for A Conspiracy of Faith
“A shattering parable of honest individuals caught up in the corruption of our times.”
— Publishers Weekly (starred review)
"VERDICT Adler-Olsen's cast might seem like stock crime-fiction characters at first glance - the curmudgeonly detective, the flighty secretary, the suspiciously resourceful assistant - but in his hands they are unpredictable and entertaining. This series has enough twists to captivate contemporary mystery readers and enough substance and background to entertain readers with historical and literary tastes."
—Library Journal (starred review)
“[T]his mix of offbeat departmental politics, puzzling clues, and pulse pounding pursuit delivers the goods.”
Praise for The Absent One:
“Adler-Olsen, Denmarks leading crime fiction author, outdoes his outstanding debut, The Keeper of Lost Causes, with his second Department Q novel.” —Publishers Weekly (starred review)
“Adler-Olsen has created a wonderful addition to the detective fiction genre in his sleuth….While the book can be read as a stand-alone novel, readers will be unable to resist seeking out and devouring the first and subsequent series titles.” — Library Journal (starred review)
Praise for The Keeper of Lost Causes
“The pages fly by as the twisty puzzle unfolds. Stieg Larsson fans will be delighted.” —Publishers Weekly (starred review)
“[An] absorbing psychological thriller.” — Library Journal (starred review)
“Comparisons [to Stieg Larsson] are inevitable and, while he may lack a Salander, Adler-Olsens prose is superior to Larssons, his tortures are less discomfiting, and he has a sense of humor.”— Booklist (starred review)
“Plan on putting everything else in your life on hold if you pick up this book.” — The Oregonian
The stunning third and final novel in Stieg Larssons internationally best-selling trilogy
Lisbeth Salander—the heart of Larssons two previous novels—lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. Shes fighting for her life in more ways than one: if and when she recovers, shell be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge—against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life.
Once upon a time, she was a victim. Now Salander is fighting back.
From the Hardcover edition.
In the concluding volume of Stieg Larsson's Millennium trilogy, Lisbeth Salander lies in critical condition in a Swedish hospital, a bullet in her head.
But she's fighting for her life in more ways than one: if and when she recovers, she'll stand trial for three murders. With the help of Mikael Blomkvist, she'll need to identify those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she'll seek revenge--against the man who tried to killer her and against the corrupt government institutions that nearly destroyed her life.
About the Author
JUSSI ADLER-OLSEN is Denmark's #1 crime writer and a New York Times bestseller. His books routinely top the bestseller lists in Europe, and he's won many prestigious Nordic crime-writing awards, including the Glass Key Award—also won by Henning Mankell, Jo Nesbø, Stieg Larsson, and Peter Høeg. He lives in Denmark.
Reading Group Guide
The questions, discussion topics, and reading list that follow are intended to enhance your reading group’s discussion of The Girl Who Kicked the Hornet’s Nest, the final novel in Stieg Larsson’s sensational Millennium trilogy.
1. Have you read the two previous novels in the trilogy, The Girl with the Dragon Tattoo
and The Girl Who Played with Fire
? Which of the three did you find the most compelling, and why?
2. What is the “hornet’s nest” of the title?
3. Each part of Hornet’s Nest begins with a brief history lesson about women warriors. What was Larsson trying to say? Is Salander a modern-day equivalent of these women? Is Berger?
4. What are some of the major themes of this novel? Of the trilogy?
5. How does Larsson’s background as an expert in right-wing extremist organizations inform this novel, and the trilogy as a whole?
6. How does Larsson’s background as an expert in right-wing extremist organizations inform this novel, and the trilogy as a whole?
7. After everything that happened in the first two novels, why does Salander still distrust Blomkvist? How would you describe their relationship?
8. On page 134, Clinton describes the Section: “What you have to understand is that the Section functions as the spearhead for the total defence of the nation. We’re Sweden’s last line of defence. Our job is to watch over the security of our country. Everything else is unimportant.” Aside from Clinton, who else believes this? Why are they so convinced?
9. Can you imagine a group like the Section operating in this country? Why, or why not?
10. On Berger’s first day at her new job, the departing editor in chief offers his theory about why she was hired (page 152). Do you agree with his assessment? How does this notion play out?
11. Armansky tells Blomkvist, “For once you’re not an objective reporter, but a participant in unfolding events. And as such, you need help. You’re not going to win on your own” (page 159). Why is this situation different from those in the previous two novels? How does becoming a participant change Blomkvist’s behavior? Does Blomkvist cross any ethical lines?
12. On page 168, Larsson writes about Salander, “She wondered what she thought of herself, and came to the realization that she felt mostly indifference towards her entire life.” What has made her feel this way? Do her feelings change by the end of the novel?
13. Again and again, men underestimate Salander because of her size. Why do they make these assumptions? How does she turn this into an advantage?
14. What is the significance of Borgsjö’s involvement with a company that uses child labor? How does this tie in to Larsson’s overall themes?
15. On page 295, Salander discovers a gruesome fact about Teleborian. “She should have dealt with Teleborian years ago. But she had repressed the memory of him. She had chosen to ignore his existence.” How does this jibe with Salander’s behavior in the present day? When did she decide to stop letting people get away with things?
16. Discuss the notion of revenge in this novel, and throughout the trilogy. Who, besides Salander, exacts revenge? What motivates them?
17. What role does Annika play in the novel? And Ekström?
18. On page 359, Salander reaches out to Berger and offers to help. Why?
19. What is the significance of the subplot about Berger’s stalker?
20. During his interview with She, Blomkvist agrees with the host’s suggestion that the Section’s behavior is akin to mental illness. Do you agree with that idea? How are accusations of mental illness wielded elsewhere in the trilogy?
21. “When it comes down to it, this story is not primarily about spies and secret government agencies; it’s about violence against women, and the men who enable it.” So says Blomkvist on page 514. What else is it about?
22. If she’s not in love with Miriam, why does Salander go to Paris?
23. When deciding what to do about Niedermann, Salander thinks of Harriet Vanger. Where do their stories diverge?
24. The very last sentence of the trilogy is, “She opened the door wide and let him into her life again.” How do you imagine things proceed from here for Salander? For Blomvkist?