Synopses & Reviews
The technique of Hardstone mosaic was developed in the sixteenth century under the patronage of the Grand Dukes of Tuscany, in parallel with the revival of Roman mosaics made from tiny tesserae. Complex images were created from a matrix of coloured marbles and semiprecious stones, selected and cut with breathtaking craftsmanship. During the seventeenth century the technique was used in the production of some of the most magnificent luxury objects in Italy; in the eighteenth century, panels of landscapes, birds and flowers were incorporated into furniture and snuffboxes. This gave way in the nineteenth century to the production of pictures in extraordinarily convincing imitation of oil paintings.
Synopsis
This area of the Gilbert Collection encompasses an extraordinary quality and scope: from 17th century portrait miniatures by German, French and Swiss enamelists to late 19th century examples by Henry Bone and other English artists.
This scholarly book contains comprehensive information on the art of enamels in Europe and England. In addition, it examines the techniques and tools of enamelists and presents an overview of artists, patrons and sitters represented in this fine collection.
Synopsis
This lavishly illustrated book examines the magnificent collection of hardstone mosaics formed by Sir Arthur Gilbert and discusses the development of mosaics in semiprecious stones.
Synopsis
This volume examines the collection in detail, through essays discussing the origins and development of mosaics in semiprecious stones, and in individual entries covering works from all over Europe and even India.
About the Author
Anna Maria Massinelli specialises in sculpture and the decorative arts. She has contributed to a number of exhibition cstslogues, international conventions and specialist magazines. She has written several books including
Treasures of the Medici, published by Vendome Press in 1992. Between 1993 and 1996 she was Assistant Curator for the Department of Decorative Arts of the Los Angeles County Museum of Art. She is currently Professor of History of Art at the Academy of Fine Art in Palermo.