Directing an overflowing cast with wry wisdom and a rollicking prose style, Clark delights readers with her exploration of the forces that strain and sustain a family, and the ties that bind.
Nancy Clark is a native of Massachusetts and a graduate of Trinity College. This is her first novel, and she is currently at work on her next novel about the Hill family. She lives in West Wilton, New Hampshire.
“A graceful, intelligent and very funny chronicle of a large, extended family beneath one capacious roof.” —The New York Times Book Review
When the Hills take over their family home in Towne, Massachusetts in The Hills at Home, it feels as though Nancy Clark has reworked a Jane Austen novel. In this delightful first novel, she captures precisely and unsparingly the manners, mores, and idiosyncrasies of an extended New England family. We hope your book group will find that the following introduction, discussion questions, suggested reading list, and author biography enhance and enliven a discussion of this entertaining and deftly observed novel.
1. Do any of the family members share characteristics or personality traits? For example, do Alden and Ginger bear any resemblance to each other? What about Lily and Harvey? Betsy and Ginger? Are Glover, Brooks, and Rollins just chips off the old block? Is there anything that all the Hills have in common? Are these common traits what make them a family? If not, what is it that binds them together?
2. How do each of the family members relate to Lily? Can Lily be properly called the matron of the family? Is there a central character in the novel, and, if so, is it Lily or someone else? How does Clark balance the different viewpoints of the characters while keeping the novel centered and focused?
3. Do the family members communicate well? Do they like, or simply tolerate, each other? The whole family, including Lily, seems nonplussed by the fact that nearly an entire extended family is living under one roof. Is this a reasonable reaction? Is the situation believable? What is the significance of the novel’s epigraph, “I should have called it/Something you somehow haven’t to deserve” from the poem “The Death of the Hired Man” by Robert Frost?
4. From her easy acceptance of her sudden lifestyle change to the tissues she perpetually keeps up her sleeve, Becky is portrayed as the perfect wife and mother. Is Becky too good to be true or is she believable? Are William’s opinions of Becky and her marriage and family fair assessments [e.g., p. 368]? The character of Ginger invites comparison to Becky—how is each woman portrayed? Is either character more fully developed than the other? Are any aspects of Becky’s or Ginger’s character less developed, and if so, why might Clark have chosen to emphasize certain aspects of their characters and not others?
5. In what ways do the physical location and description of the room to which each family member has been assigned suit its inhabitant(s)? [See for example, pp. 6–7 (Harvey’s room), pp. 42–5 (Ginger’s room), pp. 46–7 (Betsy’s room), pp. 49–52 (Becky’s and Alden’s room), and p. 58 (Rollins’ and Brooks’ room)].
6. Betsy is “struck by the way in which life at Aunt Lily’s house has been pared down to mere essences, like the four inches of warmish bath water, the forty-watt lightbulbs, the good-night kisses addressed to the air and not to her cheek” [p. 47]. What was Betsy’s life like before? How is each Hill forced to adapt as a result of his or her move to Towne? Are these changes for the worse, or do their lives actually improve in any way? Does Lily’s lifestyle change, or do the family members conform to her way of life?
7. Upon being interviewed by the FBI, Lily’s first reaction is: “Oh, what would people think, official inquiries being made in the village, and Hill family heirlooms going unquietly on sale for all to see” [p. 405]. Is this a typical reaction by the longtime resident of a small town? How does Clark paint small-town life? How is it contrasted with Ginger’s life in Kansas, or Alden’s and Becky’s life in New York City? Is Towne like every other small town, or is it a uniquely New England town? What was it about small-town life that attracted the scattered Hills?
8. What statement might Andy’s thesis make about the Hill family? Does the fact that the family accepts Andy so readily signify anything about their nature? How does Andy’s presence help emphasize the family’s similar traits and their ties to each other? How is the reader’s view of the Hill family influenced by Andy’s observations?
9. Clark writes, “For Andy had, in his extended academic past, been labeled a Romantic. He had been warned against employing too novelistic an approach. . . . Data did not develop along the lines of character, theme, plot, conflict, and resolution. His various mentors called for more statistics. . . . Andy had been accused of inserting too much of himself into his research” [p. 146]. Does Andy’s behavior refute or confirm these accusations?
10. What does the reader learn about the family through the description of the Hill home (the furniture and other antiquities, the food served and the dishes upon which it is served, etc.)? What do these items reveal about the family’s customs and traditions? Are these accoutrements essential to a New England upper-middle-class family, and how would the Hills be defined without them? How might a New Englander feel about Clark’s portrait?
11. One of the stereotypical characteristics of White Anglo-Saxon Protestants in New England is emotional restraint and reticence. Does Clark depict the Hills in this way? How does the tone of the novel itself mirror this emotional restraint? What is Clark’s view of this emotional restraint? How does this characteristic of the family affect their parenting styles? For example, is the family’s reaction to Betsy’s announcement of her wedding [pp. 420–24] portrayed as comic or serious? Is it realistic? What about Glover’s joining the Army [pp. 386]? Are Becky, Ginger, and Alden good parents?
12. Why do things seem to work out so well for each of the Hills? Are they a charmed family? What kind of world is it where all someone has to do in order to solve any problem is to “make a few calls” [p. 385]?
13. Of the significant world events in 1989, FBI agent Cadmus Stewart observes, “We have to think about the future. . . . There seems to be more future now than there formerly was. We have to decide what we’re going to do about all those places and people who previously didn’t figure, as far as we were concerned” [p. 402]. Do the Hills share Stewart’s America-centric view of the world? How does each character benefit from the fall of Communism? How might this resolution resonate with today’s readers in view of America’s current role in world politics? Why might Clark have chosen this year in American history in which to set her portrait of the Hill family, and is the novel still timely today?
14. What is the role of nature and the outdoors for each of the Hills? How do the seasons chart the plot of the book?
15. To what genre of literature does The Hills at Home belong? Is it a comedy? A comedy of manners? Does the novel have a satirical tone? Does the resolution of the novel beg comparison to an Austen novel or even a Shakespearean play?
16. What is the significance of all the water imagery in the novel? Is there any relationship between the Noah’s Ark reference in the last paragraph and the only other biblical image in the novel of “all of the Hills standing about Jerusalem,” which appears in Betsy’s imagination [p. 99]?
17. The Hills at Home is the first of three novels devoted to the Hill family. Are there any threads of the story that seem unresolved? What might happen to Lily and her family next?