Synopses & Reviews
An important new work from one of our premier cultural historians. Houdini, Tarzan, and the Perfect Man considers the surprisingly complex evolution in representations of the white male body in late-nineteenth-century America, during years of rapid social transformation. John F. Kasson argues that three exemplars of physical prowess -- Eugen Sandow, an international vaudeville star and bodybuilder; Edgar Rice Burroughs's fictional hero Tarzan; and the great escape artist Harry Houdini -- represented both an ancient ideal of manhood and a modern commodity. They each extolled self-development, self-fulfillment, and escape from the confines of civilization while at the same time reasserting its values. This liberally illustrated, persuasively argued study analyzes the thematic links among these figures and places them in their rich historical and cultural context.
Review
". . . This is a page-turner of a book, with a surprise worth knowing on every beautifully written page." --Linda K. Kerber, University of Iowa
About the Author
John F. Kasson, who teaches history and American studies at the University of North Carolina at Chapel Hill, is the author of
Amusing the Million,
Rudeness and Civility, and
Civilizing the Machine.