Synopses & Reviews
The House at Riverton is a gorgeous debut novel set in England between the wars. It is the story of an aristocratic family, a house, a mysterious death and a way of life that vanished forever, told in flashback by a woman who witnessed it all and kept a secret for decades.
Grace Bradley went to work at Riverton House as a servant when she was just a girl, before the First World War. For years her life was inextricably tied up with the Hartford family, most particularly the two daughters, Hannah and Emmeline.
In the summer of 1924, at a glittering society party held at the house, a young poet shot himself. The only witnesses were Hannah and Emmeline and only they -- and Grace -- know the truth.
In 1999, when Grace is ninety-eight years old and living out her last days in a nursing home, she is visited by a young director who is making a film about the events of that summer. She takes Grace back to Riverton House and reawakens her memories. Told in flashback, this is the story of Grace's youth during the last days of Edwardian aristocratic privilege shattered by war, of the vibrant twenties and the changes she witnessed as an entire way of life vanished forever.
The novel is full of secrets -- some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier. It is also a meditation on memory, the devastation of war and a beautifully rendered window into a fascinating time in history.
Originally published to critical acclaim in Australia, already sold in ten countries and a #1 bestseller in England, The House at Riverton is a vivid, page-turning novel of suspense and passion, with characters -- and an ending -- the reader won't soon forget.
"This debut page-turner from Australian Morton recounts the crumbling of a prominent British family as seen through the eyes of one of its servants. At 14, Grace Reeves leaves home to work for her mother's former employers at Riverton House. She is the same age as Hannah, the headstrong middle child who visits her uncle, Lord Ashbury, at Riverton House with her siblings Emmeline and David. Fascinated, Grace observes their comings and goings and, as an invisible maid, is privy to the secrets she will spend 'a lifetime pretending to forget.' But when a filmmaker working on a movie about the family contacts a 98-year-old Grace to fact-check particulars, the memories come swirling back. The plot largely revolves around sisters Hannah and Emmeline, who were present when a family friend, the young poet R.S. Hunter, allegedly committed suicide at Riverton. Grace hints throughout the narrative that no one knows the real story, and as she chronicles Hannah's schemes to have her own life and the curdling of younger Emmeline's jealousy, the truth about the poet's death is revealed. Morton triumphs with a riveting plot, a touching but tense love story and a haunting ending." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
This gorgeous debut novel is set in England between the two World Wars. The story of an aristocratic family, a mysterious death, and a vanishing way of life is told in flashback by a woman who witnessed it all and kept secrets for more than 50 years.
About the Author
Kate Morton, a native Australian, holds degrees in dramatic art and English literature. She lives with her family in Brisbane, Australia.
Table of Contents
The Drawing Room
Waiting for the Recital
All Good Things
Saffron High Street
In the West
Until We Meet Again
The Twelfth of July
The Fall of Icarus
A Suitable Husband
The Ball and After
Down the Rabbit Hole
In the Depths
The Beginning of the End
Slipping Out of Time
Reading Group Guide
1. Do you think of The House at Riverton
as a tragic novel? How are the characters' tragic outcomes caused by the incompatibility of what they want and who they are?
2. How important to the novel's outcome is Grace's longing for a sister? When Grace finds out about her true parentage, why does she choose not to tell Hannah? Is it the right decision? Would things have ended differently had she done otherwise?
3. Kate Morton has said that the novel's setting is as important to her as its characters, that Riverton Manor is as much a character of the book as its inhabitants. Do you agree? Does Riverton mirror the fates of the Hartford family and the aristocracy in general? If so, in what ways?
4. The First World War was a catalyst for enormous social and cultural change. Not a character in The House at Riverton is left untouched by this. Whose life is most altered? Why?
5. Is there a heroine in The House at Riverton? If so, who is it and why?
6. Grace and Robbie are both illegitimate children of upper-class parents; however, their lives and opportunities are vastly different. Why?
7. Duty is very important to the youthful Grace. Did Grace's sense of duty contribute to the novel's conclusion? If so, how? Would things have turned out better for the characters if Grace had made different decisions?
8. One of the main themes of The House at Riverton is the haunting of the present by the past. In what ways does the novel suggest that the past can never be escaped? Do you agree that our pasts are inescapable?
9. Grace has resisted ever telling anyone about the events at Riverton. Why? What makes her change her mind? Is Grace a reliable narrator? Given her motive for recording her memories, can we trust her?
10. The twentieth century was a period of great and accelerated social change. In particular, the historical years that make up the bulk of Grace's memories comprised a time of enormous transition. In what ways does Grace's life exemplify these social changes?
11. Despite their differences, how might Grace and Hannah be seen as "doubles"? How does Grace's relationship with Alfred mirror Hannah's relationship with Robbie?
12. Another theme in The House at Riverton is that of inheritance -- the way we are bound to our families through various items that are passed between the generations. Along with material inheritances, we are also subject to physical, social and psychological legacies. These inheritances are important in making us who we are, and are not easily escaped. In what way is this notion explored in The House at Riverton? How do these various types of inheritance influence the lives of Hannah, Frederick, Teddy, Robbie, Grace, Jemima and Simion?