Synopses & Reviews
“Andrew Porter is a born storyteller . . . He makes his own space instantly and invites you in. Hats off!” —Barry Hannah
From a commanding new voice in fiction comes a novel as perceptive as it is generous: a portrait of an American family trying to cope in our world today, a story of choices and doubts and transgressions.
The Hardings are teetering on the brink. Elson—once one of Houston’s most promising architects, who never quite lived up to expectations—is recently divorced from his wife of thirty years, Cadence. Their grown son, Richard, is still living at home: driving his mother’s minivan, working at a local coffee shop, resisting the career as a writer that beckons him. But when Chloe Harding gets kicked out of her East Coast college, for reasons she can’t explain to either her parents or her older brother, the Hardings’ lives start to unravel. Chloe returns to Houston, but the dangers set in motion back at school prove inescapable. Told with piercing insight, taut psychological suspense, and the wisdom of a true master of character, this is a novel about the vagaries of love and family, about betrayal and forgiveness, about the possibility and impossibility of coming home.
About the Author
Andrew Porter is the author of the story collection The Theory of Light and Matter. A graduate of the Iowa Writers’ Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O’Connor Award for Short Fiction. His work has appeared in One Story, The Threepenny Review, and on public radio’s Selected Shorts. Currently, he teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas.
Reading Group Guide
The introduction, discussion questions, and suggested further reading that follow are designed to enliven your group’s discussion of Andrew Porter’s engaging first novel, In Between Days.
1. Andrew Porter’s title, In Between Days,
is an evocative one. What do you think the “in between days” are? Does the phrase resonate differently for each character?
2. What do you think went wrong in Cadence and Elson’s marriage? Do you think they would have gotten back together if Lorna hadn’t been pregnant?
3. Richard is afraid of school because it would mean that “he’d have to acknowledge to the world, and to himself, that he had something to say, and that he had something to say that he wanted other people to hear” (p. 53). What do you think compels him to accept the offer at Michigan? Have the experiences of prostituting himself and of his sister’s disappearance taught him that he has “something to say”?
4. When Chloe first starts dating Raja, the narrator says, “It was impossible to explain, but she felt drawn to Raja in a way that she had never felt drawn to another human being before. And it didn’t seem to have anything to do with logic” (p. 97). Later, when the couple is in Houston together, the narrator observes, “It was the first time in her life that she’d felt that someone else was actually depending on her” (p. 136). Upon what foundation is Raja and Chloe’s relationship built? It is a relationship that withstands enormous pressures—what do you imagine their future will bring?
5. What do you make of Elson and Lorna’s relationship? Does it surprise you that Lorna stays with Elson after she learns she’s pregnant? How do the different relationships in the book compare to one another: Raja and Chloe’s, Elson and Cadence’s, Cadence and Gavin’s, Elson and Lorna’s?
6. What role do some of the secondary characters play in the novel? What do you make of Simone’s conversations with Chloe and later with Cadence? What do you think Michelson wanted from Richard? What themes does Gavin’s relationship with his disabled son represent?
7. What kind of people do you think Chloe and Raja are? Chloe remains loyal to Raja, but leaves her family. Raja won’t turn on his friend Seung, but will abandon his family and have Chloe abandon hers. Do you admire them for their decisions?
8. Imagine yourself in the role of each character: Would you have behaved the same way or differently in the situation if you were a parent? A sibling? A girlfriend/boyfriend?
9. Cadence asks herself how she can “blame her daughter for doing the exact same thing she had done?” (p. 158). Do you think her early marriage to Elson clouds her judgment in deciding what to do when Chloe is missing? She says that she trusts her daughter, but do you think that trust goes too far?
10. What role does betrayal play in the book? Who betrays whom? Does the idea of betrayal mean the same thing to every character?
11. In referring to Seung, Raja says, “If I truly believed myself to be innocent, then I would protest, you’re right, I’d testify against him, but I don’t” (p. 244). What does innocence mean for Raja? Do you think Chloe has the same belief? What is your own opinion about Raja’s guilt or innocence? Would your opinion have changed if Tyler had died instead of recovering?
12. What do you make of Cadence’s, Richard’s, and Elson’s reactions to Chloe’s final disappearance? Why does Cadence hire the private investigator? Why does Richard suggest that “maybe we should just let her be lost for a while . . . Maybe she’s just not ready to be found” (p. 312). Do you think Elson is right to believe that Chloe “thought so little of them. That she hadn’t even bothered to call” (p. 316)? How do anger, guilt, sadness, perhaps even jealousy play a role in their reactions?
13. At the heart of the book is a family, one that is tested and breaks apart. In thinking about her family’s past, Chloe believes, “It had been the greatest hypocrisy of all. These family meals. The greatest charade” (p. 22). What is Porter saying about families in the novel? Does it seem as if the Hardings were a charade from the beginning?
14. At the end, Chloe wonders, “Was it possible that the only true way to escape your past was to erase it, to erase yourself, to invent a new identity, to sever all ties from your family and friends, your country of origin? And if this was true, then how long could it last?” (p. 320). What do you make of her questions? Has she succeeded in escaping her past? Is it possible to even do so?