Synopses & Reviews
A triptych of beautifully crafted novellas make up Anita Desais exquisite new book. Set in modern India, but where history still casts a long shadow, the stories move beyond the cities to places still haunted by the past, and to characters who are, each in their own way, masters of self-effacement.
In ‘The Museum of Final Journeys an unnamed government official is called upon to inspect a faded mansion of forgotten treasures, each sent home by the absent, itinerant master. As he is taken through the estate, wondering whether to save these precious relics, he reaches the final - greatest - gift of all, looming out of the shadows.
In ‘Translator, Translated, middle-aged Prema meets her successful publisher friend Tara at a school reunion. Tara hires her as a translator, but Prema, buoyed by her work and the sense of purpose it brings, begins deliberately to blur the line between writer and translator, and in so doing risks unravelling her desires and achievements.
The final story is of Ravi, living hermit-like in the burnt-out shell of his family home high up in the Himalayan mountains. He cultivates not only silence and solitude but a secret hidden away in the woods, concealed from sight. When a film crew from Delhi intrude upon his seclusion, it compels him to withdraw even further until he magically and elusively disappears…
Rich and evocative, remarkable in their clarity and sensuous in their telling, these stories remind us of the extraordinary yet delicate power of this pre-eminent writer.
"In eight beautifully crafted, interconnected stories, Mueenuddin explores the cutthroat feudal society in which a rich Lahore landowner is entrenched. A complicated network of patronage undergirds the micro-society of servants, families and opportunists surrounding wealthy patron K.K. Harouni. In 'Nawabdin Electrician,' Harouni's indispensable electrician, Nawab, excels at his work and at home, raising 12 daughters and one son by virtue of his cunning and ingenuity — qualities that allow him to triumph over entrenched poverty and outlive a robber bent on stealing his livelihood. Women are especially vulnerable without the protection of family and marriage ties, as the protagonist of 'Saleema' learns: a maid in the Harouni mansion who cultivates a love affair with an older servant, Saleema is left with a baby and without recourse when he must honor his first family and renounce her. Similarly, the women who become lovers of powerful men, as in the title story and in 'Provide, Provide,' fall into disgrace and poverty with the death of their patrons. An elegant stylist with a light touch, Mueenuddin invites the reader to a richly human, wondrous experience." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"A stunning achievement....Such is its narrative power that I couldn't stop turning the page." Mohsin Hamid, author of The Reluctant Fundamentalist
"Daniyal Mueenuddin takes us into a sumptuously created world, peopled with characters who are both irresistible and compellingly human. His stories unfold with the authenticity and resolute momentum of timeless classics." Manil Suri
A stunning achievement....Such is its the page. --G. Xavier Robillard, author of
"Under Daniyal Mueenuddin's gaze, Pakistan is lit up as though by a lightning flash, clear, sharp-edged. This is a debut as auspicious as something arresting, beautiful, or wise (as opposed to clever) on every single page. I can remarkable, I admire it so deeply." Nadeem Aslam
A stunning achievement....Such is its the page. Mohsin Hamid, author of < em=""> The Reluctant Fundamentalist < m="">
"[Q]uiet, meticulous, unflinching meditations on the trajectories of three contemporary lives, and on the Indian cultures and landscapes that helped shape them." --San Francisco Chronicle "[A] collection of three superb novellas…. deceptively subtle, slightly surreal and profoundly insightful fiction of a world-class writer...These evocative stories about art and culture are sewn deeply into the fraying fabric of modern-day India. The only thing little about this book is its size." --The Washington Post "...eloquent and understated...[Desai's prose is] distinguished by its sober, often bracing prose, its patient eye for all-telling detail and its humane but penetrating intelligence..." --The New York Times Book Review "'[Desai] proves you can go home again...stirring..." --Marie Claire "In three ensnaring novellas of consummate artistry and profoundly disquieting perceptions, master storyteller Desai reflects on the transforming power and devastating limitations of art... Desais provocative and mysterious tales of displacement trace the reverberations when the dream of art collides with crushing reality." --Booklist, starred "...poignant and wry...a deft exploration of the limits people place on themselves by trying to cling to the past." --Kirkus Reviews "This collection leaves an indelible impression of the conflicts and ambitions found in a region riddled with conflict." --Publishers Weekly
Passing from the mannered drawing rooms of Pakistan's cities to the harsh mud villages beyond, Daniyal Mueenuddin's linked stories describe the interwoven lives of an aging feudal landowner, his servants and managers, and his extended family, industrialists who have lost touch with the land. In the spirit of Joyce's and Turgenev's , these stories comprehensively illuminate a world, describing members of parliament and farm workers, Islamabad society girls and desperate servant women. A hard-driven politician at the height of his powers falls critically ill and seeks to perpetuate his legacy; a girl from a declining Lahori family becomes a wealthy relative's mistress, thinking there will be no cost; an electrician confronts a violent assailant in order to protect his most valuable possession; a maidservant who advances herself through sexual favors unexpectedly falls in love. Together the stories in make up a vivid portrait of feudal Pakistan, describing the advantages and constraints of social station, the dissolution of old ways, and the shock of change. Refined, sensuous, by turn humorous, elegiac, and tragic, Mueenuddin evokes the complexities of the Pakistani feudal order as it is undermined and transformed.
Finalist for the 2009 National Book Award in Fiction: 'The rural rootedness and gentle humour of R.K. Narayan with the literary sophistication and stylishness of Jhumpa Lahiri."Financial Times
Advance Praise for In Other Rooms, Other Wonders: "Astonishing . . . reveals a writer who seems to combine the intimate rural rootedness and gentle humour of R.K. Narayan with the literary sophistication and stylishness of Jhumpa Lahiri. . . . is quite unlike anything recently published on the Indian side of the border, and throws the gauntlet down to a new generation of Indian writers. For the first time in this part of Asia, there is serious competition out there."--William Dalrymple, "A stunning achievement. This superb collection ranges across a vast swath of contemporary Pakistan--from megacities to isolated villages, from feudal landlords to servant girls--and such is its narrative power that I couldn't stop turning the page. Daniyal Mueenuddin is a writer of enormous ambition, and he has the prodigious talent to match."--Mohsin Hamid, author of "A blazingly good writer. He brings to vivid and compelling life a country and its people."--David Davidar, author of The Solitude of Emperors "Daniyal Mueenuddin's Pakistanis are like Chekhov's Russians, so fully realized that we never wonder over what motivates them. They are living, breathing presences--sometimes brought so close that, I daresay, you hear the sounds of their breathing and the roll of gravel under their feet. In Other Rooms, Other Wonders brings us a new way of seeing the world, and it is one that we could not have anticipated."--Elizabeth Evans, author of
Short-listed three times for the Booker Prize, Anita Desai explores time and transformation in these artful novellas
Award-winning, internationally acclaimed author Anita Desai ruminates on art and memory, illusion and disillusion, and the sharp divide between lifes expectations and its realities in three perfectly etched novellas. Set in India in the not-too-distant past, the stories dramas illuminate the ways in which Indian culture can nourish or suffocate. All are served up with Desais characteristic perspicuity, subtle humor, and sensitive writing.
Overwhelmed by their own lack of purpose, the men and women who populate these tales set out on unexpected journeys that present them with a fresh sense hope and opportunity. Like so many flies in a spiders web, however, they cannot escape their surroundingsas none of us can. An impeccable craftsman, Desai elegantly reveals our human frailties and the power of place.
Award-winning novelist Anita Desai explores time and transformation in these three artful novellas
About the Author
ANITA DESAI is the author of Fasting, Feasting, Baumgartners Bombay, Clear Light of Day, and Diamond Dust, among other works. Three of her books have been shortlisted for the Booker Prize. Desai was born and educated in India and now lives in the New York City area.
Table of Contents
The Museum of Final Journeys
The Artist of Disappearance
Review A Day
"In these stories, love...is not a vice, but it can be dangerous. It can ruin a powerful man's position in society or create in someone such an inner torment that the love affair is drained of all of its initial passion and excitement usually after that love has been officially consummated by a marriage, locking the participants into their self-made prison. In Mueeenuddin's frequently haunting tales, love can also be a tool to aid the rise of inveterate manipulators as most are, must be even, if they are to survive in this unforgiving world. But to Mueenuddin's credit, he does not attempt to communicate a moral in depicting these dangers, only outlining the perils inherent in giving one's self over to an emotion that could run afoul of a society that depends on decorum, reputation, and discretion." Jacob Silverman, Bookslut
(read the entire Bookslut review