Synopses & Reviews
"In the first volume in Paolini's planned Inheritance trilogy, 15-year-old Eragon discovers an odd blue gemstone while exploring an infamous stretch of forest. It is a dragon egg, fated to hatch in his care. Eragon quickly develops a psychic connection with the female dragon that emerges, whom he names Saphira ('His emotions were completely open to her mind, and she understood him better than anyone else'). Eragon narrowly escapes doom with Saphira's help, but the uncle who raised him is killed, setting up a robust revenge/adventure tale. The scope quickly expands: Eragon turns out to be the first of a new generation of Riders, a lodge of legendary dragon-riding warriors killed by the evil King Galbatorix. As a result, he becomes the focal point in a war between Galbatorix's forces and the resistance efforts of the Varden. Paolini, who was 15 years old himself when he began this book, takes the near-archetypes of fantasy fiction and makes them fresh and enjoyable, chiefly through a crisp narrative and a likable hero. He carries a substantial Tolkien
influence fanciful spellings of geographical names, the use of landscape as character, as well as the scale and structure of the story itself. But his use of language dispenses with the floral, pastoral touch in favor of more direct prose. The likeness does not end there: the volume opens with a detailed map of Paolini's world, and ends with a glossary and pronunciation guide for his invented language. An auspicious beginning to both career and series." Publishers Weekly
(Copyright Reed Business Information, Inc.)
"An authentic work of great talent." The New York Time Book Review
"An impressive start to a writing career that's sure to flourish." Booklist (Starred Review)
"[A] solid, sweeping epic fantasy..." Kirkus Reviews
"Paolini manages to combine his own characters with prototypical plot developments in relatively original ways, and makes up for all the scene-setting with a rousing battlefield payoff. That should be enough to satisfy the insatiable appetites of hardcore fantasy readers..." Bulletin of the Center for Children's Books
"The empathetic characters and interesting plot twists will appeal to the legions of readers who have been captivated by the Lord of the Rings trilogy and are looking for more books like it." School Library Journal
"Paolini takes a little Tolkien, a little McCaffrey, a coming-of-age quest, and combines them with some wicked good storytelling....Fantasy buffs will find themselves immersed in a world of magic and sword fighting...eagerly awaiting Book Two." KLIATT
"Full praise to Eragon, and I want more! A winner...tip of the hat to young master Paolini." Anne McCaffrey, author of the Dragonriders of Pern series
"[A] vigorously written high fantasy epic....Legacies etched in stars and dreams guide his steps in this enchanting adventure. Eragon is highly recommended for dedicated fantasy enthusiasts." Midwest Book Review
"A promising new author finds his literary legs in this engaging story....Overwritten action sequences and occasionally forced dialogue do not detract too much from the interesting and entertaining tale." VOYA
"Christopher Paolini make[s] literary magic with his precocious debut." People
Praise for the Wereworld series by Curtis Jobling:
Rise of the Wolf “Joblings debut initiates a sure-to-be-long series of Wereworld tales, pure fantasy adventure with plenty of horror in the mix…this will find broad appeal among lovers of adventure fantasy, especially those mourning the end of John Flanagan's Rangers Apprentice.”—Kirkus Reviews
“[A] rousingly gory heroic fantasy…there are plenty of brutal fights for action lovers, and the quest has some stirring moments. Give this series opener to fans of Flanagans Rangers Apprentice series.”—Booklist
“In this thrilling middle-grade debut, first in the Wereworld series, British author/illustrator Jobling (the designer of the Bob the Builder TV series) creates a memorable new setting in which were-creatures rule…a thoroughly enjoyable adventure that makes particularly inventive use of its shape-shifter elements and mythology.”—Publishers Weekly (starred review)
“Even reluctant readers should enjoy Wereworld as the first in a new series…as a fantasy world it is superior to Eragon, and pure fun.”—The Times (London)
“The nail-biting pace and plot turns will keep the reader wondering exactly how Drew will resolve it all…there is enough romantic heat, girl power, and vulnerable tough guys to guarantee interest from the Twilight crowd.”—BCCB “This first book in the series hits all the bases for a fairy tale with fangs…this will be a popular book, particularly for the young sword and sorcery fan contingent.”—Library Media Connections
“Assured and lively enough to captivate with its strong world building and approachable language…will draw followers to the sequel like Drew to a damsel in distress.”—VOYA
“Can he write it? Yes, he can!...a good mix of the traditional pre-industrial society with shape-shifters, and looks like it could be the start of a very fun ride.”—Geek Dad on Wired.com
Rage of Lions “Give Jobling a… hand for crafting a sequel thats even more lurid and action packed than the opener.”—Kirkus Reviews
“Game of Thrones for the tween set.”—School Library Journal
Shadow of the Hawk “Plotlines and were-creatures proliferate …theres enough spilled blood and shape changing here to appease the most demanding fans of either.”—Booklist
Now in paperback!
Fifteen-year-old Eragon believes that he is merely a poor farm boy until his destiny as a Dragon Rider is revealed. Gifted with only an ancient sword, a loyal dragon, and sage advice from an old storyteller, Eragon is soon swept into a dangerous tapestry of magic, glory, and power. Now his choices could save or destroy the Empire.
This deluxe edition of Eragon
includes an excerpt from Eldest
, the next volume in the Inheritance trilogy; an exclusive foldout map of Alagaesia; never-before-seen art by the author depicting Zar'roc, Eragon's sword; and an expanded pronunciation guide to the Ancient and Dwarf languages.
Includes 3 copies each of Inheritance (TR/9780375846311), Brisingr (TR/9780375826740), Eldest (TR/9780375840401), and Eragon (TR/9780375826696)
Now in paperback! Fifteen-year-old Eragon believes that he is merely a poor farm boy—until his destiny as a Dragon Rider is revealed. Gifted with only an ancient sword, a loyal dragon, and sage advice from an old storyteller, Eragon is soon swept into a dangerous tapestry of magic, glory, and power. Now his choices could save—or destroy—the Empire.
A New York Times Bestseller
A USA Today Bestseller
A Wall Street Journal Bestseller
A Book Sense Bestseller
Drew Ferran, Lyssia's last remaining Wolf and the rightful heir to the kingdom's throne, is held prisoner by an evil Lizardlord. But rebellion's always a possibility when Drew's around, and with the help of his cohorts, he overthrows the slavers and embarks on a quest to find the long-lost tribe of Hawklords so they can join his war against the evil Catlords. This third book in the Wereworld series features even more heart-pounding action, wild characters, and epic struggle between good and evil.
Picking up where Rise of the Wolf leaves off, the kingdom is in disarray and Drew Ferran is grudgingly being groomed for the throne. When a revenge plot by Prince Lucas is revealed, Drew seizes the opportunity to flee his obligations in pursuit of the renegade prince. But Drew and his allies are in trouble, as they encounter rogue militias of lawless Werelords and a nation of invading Catlords determined to wrest power from Drew's paws. With the odds stacked against him, Drew must face up to his kingship and embrace the Wolf or all of Lyssia will be lost.
The complete Inheritance cycle, available for the first time in a paperback boxed set!
Eragon, Eldest, and Brisingr each include a special full-color foldout poster!
The Inheritance cycle is the unforgettable, worldwide bestselling saga of one boy, one dragon, and a world of adventure. When Eragon finds a polished blue stone in the forest, he thinks it is the lucky discovery of a poor farm boy. But when the stone brings a dragon hatchling, Eragon soon realizes he has stumbled upon a legacy nearly as old as the Empire itself. Overnight his simple life is shattered, and he and his dragon, Saphira, are thrust into a perilous new world of destiny, magic, and power. Can Eragon take up the mantle of the legendary Dragon Riders? The fate of the Empire may rest in his hands. . . .
Fifteen-year-old Eragon believes that he is merely a poor farm boy—until his destiny as a Dragon Rider is revealed. Gifted with only an ancient sword, a loyal dragon, and sage advice from an old storyteller, Eragon is soon swept into a dangerous tapestry of magic, glory, and power. Now his choices could save—or destroy—the Empire.
A New York Times Bestseller
A USA Today Bestseller
A Wall Street Journal Bestseller
A Book Sense Bestseller
Jake lives at the Makepeace Institute of Integrated Dragon Studies in Smokehill National Park. There are five million acres of the Smokehill wilderness, and the endangered dragons rarely show themselves. Jake's never seen one except at a distance. But then, on his first overnight solo in the park, he meets a dragon - and she is dying. More than that, she has just given birth, and one of the babies is still alive. . . .
The exhilarating fourth installments in this thrilling epic for middle graders!
The kingdom of Lyssia remains ravaged by war. Drew, the rightful heir to the werelord throne, is locked in battle against Ratlords and Crowlords, when the unexpected return of the evil wereserpent, Vala, throws the war into an entirely new direction. As the battle lines change, so does Drews friend Hector, who embraces his powers of dark magistry and transforms into Drews most dangerous enemy yet. The Wolf and his allies have never been in graver peril.
"Game of Thrones for the tween set." School LIbrary Journal
About the Author
Christopher Paolini began writing Eragon
when he graduated from high school at 15. He is now at work on Eldest
, a #1 New York Times
bestseller, is being translated into more than 30 languages.
Reading Group Guide
1. History and Beliefs
- Compare the different historic traditions of Alagaësia as they are explained in Eldest. Why do the dwarves, the elves, and the humans all have such different mythologies? What do their stories tell us about each of their races?
- What does Saphira tell Eragon about the dragons beliefs in Eldest? Compare what the dragons believe with what the dwarves and elves do.
- After reading Eldest, explain the origins of the animosity among the races of dragons, elves, dwarves, and humans. What are the effects of those ancient wars on the present day situation in Alagaësia?
- Why are the elves vegetarians? Why does Eragon become a vegetarian after living with them and studying with Oromis in Eldest?
- Compare the ways the different races live-the elves in the forest, the dwarves in their caves, the humans in cities and towns. How does the habitat of each of these peoples affect their way of life and their connection with their environment?
2. Family and Home
- Discuss who his parents might be. Why is his fathers identity a mystery, and why did his mother bring him to her brother to raise and then disappear? How does the readers understanding change after reading Eldest?
- What was Eragons life like before he found the dragons egg in the Spine in Eragon? How did his discovery of the egg change his life?
- Why was Eragon comfortable exploring the Spine when everyone else in his village was afraid of the place? What does the Spine represent to the other inhabitants of Carvahall? How does Roran convince them to overcome those fears in Eldest?
- Is it hard for Roran to convince the villagers to leave their homes in Eldest? What does he hope to find for them when they do leave? Why do some insist on staying behind?
- Does Nasuada take control of the Varden because she is Ajihads daughter or because she has special qualities of leadership? Compare Nasuadas relationship with her father in Eragon with Aryas relationship with Islanzadí in Eldest.
- Why does Hrothgar make Eragon a member of his clan before he leaves Farthen Dûr in Eldest? What does this mean to Eragon?
- What feelings do Eragon and Roran experience when they meet again at the end of Eldest? Why is Roran so angry with Eragon? Can he forgive Eragon for Garrows death?
- When Murtagh tells Eragon who he really is at the end of Eldest, what effect does it have on him? Do you think what Murtagh tells him is true? What does it mean for Eragons future?
- In the last chapter of Eldest, Eragon thinks: “Fathers, mothers, brothers, cousins . . . It all comes down to family.” What does he mean? Who is Eragons true family? Where has he found his greatest sense of belonging?
3. Destiny and Responsibility
- The first line of Eragon reads: “Wind howled through the night, carrying a scent that would change the world.” What does this opening tell you about the meaning of destiny in the tale? What does the author mean by a “scent that would change the world”?
- Discuss the importance of names in Christopher Paolinis novels. How does it affect Eragon to learn that his name was also the name of the first dragon rider? How does he choose Saphiras name in the first book? In Eldest, how is Eragon affected by others calling him “Shadeslayer”? How has Galbatorix gained control over Murtagh and why is that control so complete?
- What does Saphira mean in Eragon when she says, “It is our destiny to attempt the impossible, to accomplish great deeds regardless of fear. It is our responsibility to the future.” Is this true for everyone? What is the responsibility of each of us to the future?
- In Eragon, Angela the fortuneteller says, “To know ones fate can be a terrible thing.” Would you want to know your future if someone could tell you? Why does Eragon decide to hear her predictions? What does she mean when she says, “That freedom [to choose your fate] is a gift, but it is also a responsibility more binding than chains”? Which of her predictions (in the chapter titled “The Witch and the Werecat”) actually come true as the story continues in Eldest?
- How does it affect Roran when people start to call him “Stronghammer” in Eldest? Why does Roran take most of the village of Carvahall with him in his quest to rescue Katrina?
- How does Eragon change in the course of his studies with Oromis in Eldest? Which of his new powers are the result of hard training and which are the result of learning more about the use of magic? Is he, indeed, fulfilling a destiny or responding to his sense of duty and responsibility-or both?
4. Trust and Fear
- In Eragon, how does Eragon know that he can trust Brom enough to travel with him? Why does he leave his home and all that is familiar to him?
- Who are the Razac and what do they represent to Eragon when he first encounters them in Eragon? Why do the Razac return to Carvahall in Eldest? Why do they take Katrina away with them? Is it trust or fear that makes the people of Carvahall follow Roran into the wilderness?
- In the first book, when Eragon realizes that Arya is an elf, does it change his feelings about her? Why does he rescue her from the prison even though it puts his own safety in jeopardy? What is it that keeps Arya from returning Eragons affection in Eldest?
- When Eragon finds the stronghold of the Varden in the first book he is challenged and his mind probed by the Twins. Why did Ajihad trust the Twins? Are there clues in Eragon to indicate that the Twins were actually working for Galbatorix, as we discover in Eldest?
- How does Eragon feel when he learns about Murtaghs parentage in Eragon? Does the fact that Murtaghs father was Morzan affect Eragons trust of him? Does it affect your feelings about his character? What does Eragon feel when he realizes who he is fighting at the end of Eldest? Will he ever be able to trust Murtagh again?
- What is Eragons greatest fear? What is Rorans greatest fear? Do their fears affect the way they act and interact with others? Discuss their reunion in the last chapter of Eldest. Why does Roran strike Eragon? How do they regain their trust for each other?
5. Use and Abuse of Power
- In Eldest, Oromis says: “As Galbatorix has demonstrated, power without moral direction is the most dangerous force in the world.” What does he mean by this? By the end of Eldest what other characters have “power without moral direction”?
- Discuss the connection of magic to power in this story. Why does Eragon have to learn the use of magic so slowly, first from Brom (in Eragon) and then from Oromis (in Eldest)? Who are the other characters that can use magic and what are the limits on their magical powers?
- Why does the use of magic drain the energy of the person performing the magic? What are the ways that Eragon learns to control his use of magic and his energy in Eldest?
- In Eldest, is Murtagh able to use magic more effectively than Eragon? Why do you think this is so?
6. Good and Evil
- Many fantasy novels deal with the struggle between forces of good and evil. Discuss the ways in which the Inheritance books explore this theme and which characters represent good and which represent evil. Are there some characters that you are still not sure about by the end of Eldest?
- Eragon begins with the Shade and his ruthless ambush of the elf we later learn is Arya. How did this Prologue affect your anticipation of the story to come? Why is the Prologue titled “Shade of Fear”? What do we learn of the Shades past when he is killed at the end of Eragon?
- How did Galbatorix establish his rule of Alagaësia? According to the history Brom shares in Eragon, what experiences turned Galbatorix into a cruel and feared ruler?
- The Urgals seem to be completely ruthless, yet Eragon is hesitant to kill them with his magic in Eragon. In the chapter called “A Costly Mistake,” why does he only use his magic to stun them? Why is he so upset when Murtagh kills Torkenbrand, the slave trader? By the end of Eldest, Eragon has different feelings about the Urgals. What has changed his mind?
- In Eldest Roran commits crimes in his efforts to save the people of Carvahall who have placed their trust in him; he kills, steals, and uses trickery to get what he needs. Can he justify what he has done in the name of helping others? How does he feel about the men he has killed?
- Why is Oromis so angry about the blessing that Eragon gave to the child in Farthen Dûr? What is the place of Elva in the story by the end of Eldest? Is her blessing/curse a force for good or for evil? How can it work both ways?
7. Character Study
- Compare Eragon and his cousin Roran. How do Eragons and Rorans journeys in Eldest parallel each other and how are they different? Describe the changes in each of them from the beginning of Eragon to the end of Eldest. What influences are most important on their growth? Which people and events are most important to their development?
- Compare Brom (in Eragon) and Oromis (in Eldest). How are they similar and how are they different? What does each of them contribute to Eragons training? Which of them, do you think, has the most influence on Eragons growth as a Rider?
- How would you describe Arya? Why does Arya reject Eragons romantic feelings in Eldest? What aspects of her personality contribute to their friendship and what keeps them from having a romantic relationship? How does Arya feel about being the daughter of the queen?
- Compare the magical qualities of Angela and Elva as we see them in Eldest. What do we know about each of them and how do their magical abilities contribute to the story? How do you feel about these characters-in terms of their trustworthiness?
- Compare the leadership styles of Nasuada and Orrin, the king of Surda, in Eldest. Why do the Varden go to Surda, and what help do they expect from Orrin?
- Describe the character of Saphira. How has she grown from the time she was a hatchling? What does she learn from Glaedr and how does she grow during her training? What are some of the difficult feelings and pain that Saphira and Eragon share? What are some of the joys that they share?
8. One Step Beyond: Predictions
- Do you think Eragon will ever be able to return to the Palancar Valley and Carvahall? He longs for his home in the midst of his adventures, but will he and Roran be able to return to the farm when their adventures are over?
- At the end of the first book, Eragon hears a voice in his head, someone helping him to escape the horrors of Durzas memories. In Eldest, we learn that person is Oromis, who will become Eragons trainer. What foreshadowing comes at the end of Eldest? Predict some of the plot of Book Three of Inheritance. What do you expect to happen?
- Who are the characters that might play a major role in the next book? Will Eragon come face-to-face with Galbatorix? Will he fight Murtagh again? Will Eragon and Roran be able to rescue Katrina? Who will provide the most assistance to Eragon?
- Why do you think Galbaltorix continues to gain strength, and how is he able to make Murtagh stronger than Eragon? How do you think Eragon and Saphira can develop the strength to combat the evil powers of Galbatorix?
9. Connecting Fantasy to Real Life
- What kinds of good and evil do you hear about in the news of our world? Discuss examples from news stories that report events representing the good and evil in our society and in international news.
- What circumstances can bring people together to become friends and what can make those friendships grow and develop? What circumstances can hurt a friendship? What are some of the ways people have difficulty with family members?
- Do you feel that some people have a destiny to fulfill or a special reason for living? Name people in history who had a strong responsibility to a cause for good or evil. (Possibilities might be Abraham Lincoln, Gandhi, and Martin Luther King for good causes and Attila the Hun, Adolf Hitler, and Josef Stalin for evil.)
- Name some characters from legend, literature, or film who represent the causes of good or evil. (Possibilities might be Luke Skywalker, King Arthur, Frodo for good; Darth Vader, Mordred, Sauron for evil.)
Guide prepared by Connie Rockman, Childrens Literature Consultant, adjunct professor of literature for youth, and editor of the Junior Authors and Illustrators series (H.W. Wilson).
Fantasy is a form of literature that presents psychological realities in an imaginative or fantastical way. Using myth and folklore as a background, modern writers of fantasy set their stories in an imagined world or in a real-life setting where magical events take place. Ask the group to discuss folktales and myths they remember hearing or reading in the past. Who were the characters who fought for good, and who were the evil characters? Ask them to describe to each other scenes they remember from those stories. How was magic used? What emotions did the stories evoke? What do they remember of dragons in those early tales? Make a list of character traits exhibited by heroes and villains from folktales and myths. Which of these traits are most important in real-life situations?
WARNING: This guide includes key plot points from both Eldest and Eragon. Should you wish to avoid spoilers, please read both books before this readers guide!