Synopses & Reviews
The gentrification of Brooklyn has been one of the most striking developments in recent urban history. Once considered one of the city's most notorious industrial slum districts in the 1950s, Brownstone Brooklyn by the 1980s had become home to new and expensive enclaves with hip bars, used bookstores, yoga studios, renovated townhouses, and invented historic names like Boerum Hill and Carroll Gardens.
In The Invention of Brownstone Brooklyn, Suleiman Osman examines the history of this unexpected transformation. While both proponents and critics of gentrification often point to the 1990s as the start of New York City's renaissance, Osman locates the roots of Brooklyn's revival much earlier in the social movements of the 1960 and 1970s. Rather than a scheme of downtown developers and bankers, gentrification in Brooklyn began as a grassroots movement led by young and idealistic white college graduates searching for authenticity. With ties to the New Left, the counterculture and the environmentalist movement, brownstone gentrification was rooted initially in a new type of middle-class romantic urbanism. Where postwar city leaders championed new highways and modern public housing, brownstoners (as they called themselves) championed a new urban ideal that celebrated historic architecture, traditional neighborhoods, ethnic heritage, and local folk culture. Lodged between the institutional space of Manhattan and the wilderness of the ghetto, Brooklyn's nineteenth-century townhouses represented a middle cityscape that offered an imagined refuge from an increasingly technocratic society. By the 1970s, a new neighborhood movement spearheaded by middle-class activists began to reshape city politics. As brownstoners migrated into areas with poorer residents, however, race and class tensions soon emerged. By the 1980s, as developers built postmodern skyscrapers draped in faux historic imagery, newspapers parodied yuppies, and anti-gentrification activists marched through unaffordable neighborhoods, brownstoners debated whether their search for authenticity had been a success or failure.
Osman offers a new perspective on the postwar American city, challenging the prevailing story of urban decline and showing how neighborhoods from Brooklyn to Georgetown, Haight-Ashbury to the Back Bay, were revitalized by new residents.
Review
"Osman has told the story with great insight and drama through an eclectic and well-selected set of historical sources and a felicitous writerly prose." --American Historical Review
"[B]rilliant...For those looking for an incredibly thought-provoking, detailed account of the motivations, confrontations, and at times hypocrisies, of the gentrification movement, Suleiman Osman's The Invention of Brownstone Brooklyn is a must-read." --Carolina Planning Journal
"Absorbing." --The New Yorker
"The most important current book on New York." --New York Post
"Leaves the reader deeply informed.... The story of Brooklyn's gentrification needed to be written, and Osman does it well." --Times Literary Supplement
"Insightful.... An exceptionally well-researched book that will retain validity for years to come." --Library Journal
"A timely and compelling history." --Buildings and Landscapes
"An impressive new book...a rich and refreshingly ambivalent account of how a new urban ideal--one riddled with contradictions--emerged in Brooklyn between the end of World War II and the late 1970s. The Invention of Brownstone Brooklyn is a first-rate work of history, especially for a debut effort by a young scholar. Osman impresses with sweeping ruminations on the meanings of modernism and what he dubs the 'literature of gentrification' while also remaining grounded in nuts-and-bolts archival research."
--Bookforum
"A brilliant study of an American 'pro urban ideal,' which opened up just after World War II, when it seemed all America was rejecting cities and their values. Suleiman Osman shows Brooklynites fighting each other for decades. Did anybody win? We can see now, decades later, how intellectually fruitful this fight has been, how it has 'blossomed into a postindustrial slow growth movement' that is still growing."--Marshall Berman, author of All That Is Solid Melts Into Air
"Finally we have a history of gentrification that isn't primarily an exercise in identifying good guys and bad guys. And what a history it is! In this superb study, Suleiman Osman gives us a highly readable and well balanced account of the complex forces at work in Brownstone Brooklyn in the 1960s and 70s, a pivotal era for America and its cities. By looking closely at one small part of the urban landscape, Osman has been able to give us one of the most satisfying accounts to date of some of the fundamental shifts in American life in an era when the industrial economy bottomed out, a venerable New Deal coalition collapsed, new activist groups appeared, a new conservatism was born, and American inner city neighborhoods became a crucible for new attitudes about architecture, urban life and the role of place and community activism. In the process we get incisive, often startling, insights into figures we thought we knew."--Robert Bruegmann, author of Sprawl: A Compact History
"Inventing Brownstone Brooklyn gives readers a rich and compelling story of competing urban visions. The power and inner contradictions of the gentrification impulse come alive in these pages."-Daniel T. Rodgers, author of Age of Fracture
"In this richly nuanced account, Suleiman Osman follows Brooklyn's gentrifiers-small in number but outsized in influence-as they reclaimed brownstones and remade urban space. Osman's discussion of the connections between gentrification, urban reform politics, and the 1960s counterculture is especially illuminating."-Thomas J. Sugrue, University of Pennsylvania
"This fine-grained history portrays gentrifiers as the first Moderns who are both rooted in the growth of big business and the professions and rebelling against the soulless city built by corporations and the state. Osman adroitly traces the paradoxes of gentrification from an elusive search for authenticity to the fears of the urban middle class."--Sharon Zukin, author of Naked City: The Death and Life of Authentic Urban Places
"Osman...sheds new light on the history of the Brownstone belt and how it began to convey the charm and authenticity gentrifiers admire so much. Although the story Suleiman tells is specific to the Western quadrant of one New York borough, the lesson is universal." --American Prospect
Synopsis
Considered one of the city's most notorious industrial slums in the 1940s and 1950s, Brownstone Brooklyn by the 1980s had become a post-industrial landscape of hip bars, yoga studios, and beautifully renovated, wildly expensive townhouses. In The Invention of Brownstone Brooklyn, Suleiman Osman offers a groundbreaking history of this unexpected transformation. Challenging the conventional wisdom that New York City's renaissance started in the 1990s, Osman locates the origins of gentrification in Brooklyn in the cultural upheavals of the 1960s and 1970s. Gentrification began as a grassroots movement led by young and idealistic white college graduates searching for "authenticity" and life outside the burgeoning suburbs. Where postwar city leaders championed slum clearance and modern architecture, "brownstoners" (as they called themselves) fought for a new romantic urban ideal that celebrated historic buildings, industrial lofts and traditional ethnic neighborhoods as a refuge from an increasingly technocratic society. Osman examines the emergence of a "slow-growth" progressive coalition as brownstoners joined with poorer residents to battle city planners and local machine politicians. But as brownstoners migrated into poorer areas, race and class tensions emerged, and by the 1980s, as newspapers parodied yuppies and anti-gentrification activists marched through increasingly expensive neighborhoods, brownstoners debated whether their search for authenticity had been a success or failure.
Synopsis
American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the ideaandmdash;still potent in city planning todayandmdash;that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class.
In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artistsandrsquo; enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the cityandrsquo;s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHoandrsquo;s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
About the Author
Aaron Shkuda is project manager of the Princeton-Mellon Initiative in Architecture, Urbanism, and the Humanities at Princeton University. He lives in New Jersey.
Table of Contents
Introduction
1. Urban Wilderness
2. Concord Village
3. The Middle Cityscape
4. The Two Machines in the Garden
5. The Highway in the Garden
6. Inventing Brownstone Brooklyn
7. The Neighborhood Movement
Conclusion: Brownstone Brooklyn Invented
Notes
Bibliography
Index