Synopses & Reviews
As with Fight Club and Survivor, the book is invested with a cinematic sweep, from the opening set piece, which takes off like a house afire (literally), to a host of filmic tics sprayed throughout the text: "Flash," "Jump back," "Jump way ahead," "Flash," "Flash," "Flash." You get the idea.
"Welcome to the world of perverse self-mutilation, insane coincidences and extreme makeovers speckled with violent acts and prescription drugs. After surviving a gunshot wound that destroyed half her face, Shannon meets the vivacious Brandy Alexander, whose glamorous nature seduces her into traveling cross-country in a delightful and ironic crime spree. In typical Palahniuk fashion, the story leaps about in an erratic and initially bewildering manner, but ultimately makes sense. Anna Fields executes a brilliant performance through Shannon's first-person narrative. Her smooth and stable tone leads listeners through this deliciously chaotic tale. When Shannon speaks, Fields proves both amusing and impressive. Her magnificent performance only adds to Palahniuk's story. Norton paperback (Reviews, July 5, 1999). (Feb.)" Publishers Weekly (Copyright Reed Business Information, Inc.)
When a freeway "accident" leaves a beautiful fashion model disfigured and incapable of speech, she seeks to reinvent herself and her world, along with her new friend, Brandy Alexander, a transvestite who is one operation away from becoming a real woman. Read by Anna Fields. Book available.