Synopses & Reviews
Jazz as an instrument of global diplomacy transformed superpower relations in the Cold War era and reshaped democracy's image worldwide. Lisa E. Davenport tells the story of America's program of jazz diplomacy practiced in the Soviet Union and other regions of the world from 1954 to 1968. Jazz music and jazz musicians seemed an ideal card to play in diminishing the credibility and appeal of Soviet communism in the Eastern bloc and beyond. Government-funded musical junkets by such jazz masters as Louis Armstrong, Dave Brubeck, Duke Ellington, Dizzy Gillespie, and Benny Goodman dramatically influenced perceptions of the U.S. and its capitalist brand of democracy while easing political tensions in the midst of critical Cold War crises. This book shows how, when coping with foreign questions about desegregation, the dispute over the Berlin Wall, the Cuban missile crisis, Vietnam, and the Soviet invasion of Czechoslovakia, jazz players and their handlers wrestled with the inequalities of race and the emergence of class conflict while promoting America in a global context. And, as jazz musicians are wont to do, many of these ambassadors riffed off script when the opportunity arose.
Jazz Diplomacy argues that this musical method of winning hearts and minds often transcended economic and strategic priorities. Even so, the goal of containing communism remained paramount, and it prevailed over America's policy of redefining relations with emerging new nations in Africa, Asia, and Latin America.
"Lisa E. Davenport persuasively argues for jazz diplomacy as an innovative factor in the U.S. Foreign Policy of Containment, which was effectively utilized during the Cold War era to interrupt the spread of communism. Davenport makes excellent use of an array of archival sources and interviews, notably in Russia, and offers new and intriguing insights on the United States' ability to prevail over the Soviets in its effort to maintain democracy's superiority over communism."
-Barbara P. Josiah, historian at John Jay College, City University of New York
How America used jazz musicians to carry the anti-communist message when politics failed
About the Author
Lisa E. Davenport is an independent scholar living in Los Angeles, California.