Synopses & Reviews
In the eagerly anticipated follow-up to Miles's bestselling "Guenevere: Queen of the Summer Country", the fate of the glorious realm of Camelot stands vulnerable to the dark designs of Arthur's half-sister, Morgan, and the irresistible power of the love shared by Guenevere and her young knight, Lancelot.
About the Author
Rosalind Miles is a well-known and critically acclaimed English novelist, essayist, and broadcaster. Her novels, including Guenevere, Queen of the Summer Country and I, Elizabeth, have been international best-sellers.
Reading Group Guide
Guenevere -- last in a line of proud queens elected to rule the fertile lands of the West, true owner of the legendary Round Table, and guardian of the Great Goddess herself -- is a woman whose story has never been told. Long relegated to a passive role on the arm of King Arthur, Guenevere finally springs to life in this lavish retelling of one of the richest and most enduring epic tales of Western culture: the Arthurian legend. Rosalind Miles's bold, magical interpretation re-creates the stirring pageant of love, war, heartbreak, jealousy, revenge, and desire from Guenevere's perspective, capturing as never before her formidable power as a queen and her full-blooded passion as a woman. Rich in historical detail, the Guenevere Trilogy draws us into the inner life of a courageous and beautiful heroine, torn between the fires of her own heart and her devotion to her husband and her people. This guide is designed to help direct your reading group's discussion of Rosalind Miles's new perspective on a woman you only thought you knew.
1. The Guenevere Trilogy
The pervasive subtext of the Arthurian legend tells the story of Christianity's hostile attack on an older, female-centered religion. In fact, the Christians are as much Guenevere's enemies as is Morgan, if not more so, as they attempt to destroy the succession of queens and usurp Avalon's sacred relics for their own use. How does this underlying battle affect your reading of the story? Does Miles do a good job of setting the historical record straight? Why or why not? What do you make of the Lady?
2. Throughout the Trilogy, we watch the fascinating and terrifying development of Morgan's character: the defenseless, frightened creature sobbing in Arthur's arms; the evil, hypererotic seductress; the havoc-wreaking shape-shifter, who appears at various times as a cat, a raven, a snake, a murderous knight, and a nefarious nun; and the bodiless, tormented spirit hovering in the trees, endlessly torturing Merlin. Are you ever able to sympathize with Morgan? Which is her most frightening guise? Are you able to accept her radical transformation at the end?
3. Greed is a powerful motivating force for many characters in the story. The Abbess Placida covets an authoritative position at Canterbury; Sylvester lusts for Arthur's soul and Avalon's treasures; Malgaunt wants control over Guenevere; Mordred wants to be king; Agravain wants undue power and recognition; Merlin wants his Pendragon bloodline to rule the world. Is Arthur greedy? Is Guenevere? Is greed a punishable offense in the universe of this story?
4. The theme of children separated from their parents seems to run throughout this story: Morgan and Morgause are wrested from Igraine; Arthur is taken from Igraine and Uther; Amir is lost by Guenevere and Arthur; Mordred is removed from Morgan; and Galahad is hidden from Lancelot. How do these separations, some more painful than others, mold each character? Why are they necessary? Do you think this theme symbolizes a larger issue?