Synopses & Reviews
Four unforgettable characters beckon you into this spellbinding new novel from Sue Miller, the author of 2008s heralded best seller The Senators Wife
. First among them is WilhelminaBillyGertz, small as a child, fiercely independent, powerfully committed to her work as a playwright. The story itself centers on The Lake Shore Limited
a play Billy has written about an imagined terrorist bombing of that train as it pulls into Union Station in Chicago, and about a man waiting to hear the fate of his estranged wife, who is traveling on it. Billy had waited in just such a way on 9/11 to hear whether her lover, Gus, was on one of the planes used in the attack.
The novel moves from the snow-filled woods of Vermont to the rainy brick sidewalks of Boston as the lives of the other characters intersect and interweave with Billys: Leslie, Guss sister, still driven by grief years after her brothers death; Rafe, the actor who rises to greatness in a performance inspired by a night of incandescent lovemaking; and Sam, a man irresistibly drawn to Billy after he sees the play that so clearly displays the terrible conflicts and ambivalence of her situation.
How Billy has come to create the play out of these emotions, how it is then created anew on the stage, how the performance itself touches and changes the other characters livesthese form the thread that binds them all together and drives the novel compulsively forward.
A powerful love story; a mesmerizing tale of entanglements, connections, and inconsolable losses; a marvelous reflection on the meaning of grace and the uses of sorrow, in life and in art: The Lake Shore Limited is Sue Miller at her dazzling best.
From the Hardcover edition.
Meet Billy Gertz: a fiercely independent playwright, whose newest drama imagines the story of a man waiting to hear if his estranged wife has survived a cataclysmic event. As her life touches three other unforgettable characters, Billy’s play—the emotion behind its genesis and its powerful performance—forms the thread that binds them all together. A moving love story and a tale of connection and loss, The Lake Shore Limited is Sue Miller at her dazzling best.
About the Author
“Ms. Miller not only conveys the subjectivity of all experience but also succeeds in creating a haunting chamber-music piece with many different solos. . . . Its power grows from Ms. Miller’s intimate understanding of her characters . . . and from her Chekhovian understanding of missed connections, lost opportunities, and closely held memories that mutate slowly over time. . . . Ms. Miller gives us a knowing meditation upon the acts of alchemy and theft that constitute an artist’s work: a meditation that sheds light on her own craft, so meticulously showcased in this novel.”
—Michiko Kakutani, The New York Times
“Miller’s exquisite new novel, The Lake Shore Limited, is so sophisticated and thoughtful that it should either help redeem the term ‘women’s literature’ or free her from it once and for all. . . . Gorgeously drawn and told with stark honesty. . . . Intellectual and emotional . . . profound and unsettling. . . . [A] miracle.”
—Ron Charles, The Washington Post
“Quintessential Miller, touching on the themes that have animated her fiction for the past quarter-century: the potency of sex; the failure of men and women to understand each other; the hunger for a different life.”
—Ligaya Mishan, The New York Times Book Review
“Miller has written gripping novels that shrewdly tap the domestic zeitgeist. Lake Shore, set between snowy Vermont and brick-lined Boston, continues the trend, exploring the fragility of love—and life—in the post-9/11 era. . . . [A] play-within-the-novel adds a layer of complexity to Miller’s latest tale, another graceful, poignant romance that resonates with the times.”
—Joanna Powell, People
“With the surety of a master, Miller reveals the intersection of love and fate.”
“An ensemble novel about love, loss, and the discontents of middle age.”
—Elle (Fiction pick of the month, The Elle’s Lettres Readers Prize)
“An ambitious exploration of the interaction between choice and random chance in human relationships. . . . Miller raises tantalizing questions about the ethics of love.”
“Miller’s take on post-9/11 America is fascinating and perfectly balanced with her writerly meditations on the destructiveness of trauma and loss, and the creation and experience of art.”
“Expertly written, this novel plumbs the dark depths of grief and guilt but emerges into the light of self-forgiveness and freedom. Recommended.”
—Jyna Scheeren, Library Journal
“As the narrative among four different perspectives, Miller ever so slowly builds to a deeply affecting series of emotional revelations. Among the many heady themes Miller tackles—the joys and burdens of making art, the wish for a different, unencumbered life—is the relationships between men and women that elicit her most piercing insights and elegant turns of phrase. . . . An eloquent, layered meditation on the complexities of the human heart.”
—Joanne Wilkinson, Booklist
From the Hardcover edition.
Reading Group Guide
The questions, discussion topics, and reading list that follow are intended to enhance your reading group’s discussion of The Lake Shore Limited, bestselling author Sue Miller’s most satisfying and most ambitious novel yet.
1. Have you read any of Sue Miller’s other books? If so, does The Lake Shore Limited
share any themes?
2. What do we learn from the first sentence of this novel? Now that you know the character Leslie, what does it mean to you?
3. Who did you assume was the main character when you first started reading? Did you change your mind?
4. Do you consider this to be a 9/11 novel? Why?
5. On page 8, Leslie wonders, “But was [possibility] necessary? . . . Weren’t there people, everywhere, who lived without it? Who didn’t imagine anything other than what was?” Ultimately, which of the characters are open to possibility, and which aren’t?
6. Discuss the marriages in the novel. What do they have in common? In what ways are they different? Which seems healthiest to you?
7. On page 50, Leslie realizes that “she had been asking [Pierce] whether he would come with her into what she thought of as this new life—and that he was telling her no.” How does Leslie react to this? Why?
8. In the play, Gabriel says to Anita, “It’s what we all feel. We want. Then we want more. It’s the human condition” (page 53). Is this true for Leslie, Rafe, Billy, and Sam?
9. What do you think Miller is trying to say about the creation of art and its reflection of real life?
10. The notion of playing a role is a recurrent theme in the novel. Who is most true to his or her authentic self? Who has mastered his or her role? Whose changes most drastically?
11. Why is the Henry James reference in the play (page 54) so important? What was Billy trying to say?
12. When Rafe asks Billy if the play is based on her own life, she insists it isn’t autobiographical (page 91). Is she intentionally lying, or is there something else going on here?
13. Why does sleeping with Billy affect Rafe’s performance in the play?
14. Both Rafe and Sam see themselves in Gabriel. Which man do you think is more like him? Why?
15. What does Gus represent to Billy? To Leslie? What role does grief play in the novel?
16. Over the course of the novel, various characters note that Billy looks like a child. What does this signify?
17. Why do Sam and Leslie stop at just a kiss (page 224)? What do you think would have happened if they had had an affair?
18. What is the purpose of the scene between Sam and Jerry (pages 247–254)? How does it affect Sam?
19. Why is Billy so frosty when Sam brings his son to see the play (page 265)?
20. On page 278, Leslie thinks, “But that’s what the play was about. . . . At least in part. The wish to imagine what life could be, how it could change, if you were unencumbered.” What do you think the play was about? Which of the four main characters most wishes for an unencumbered life?
21. Reread the alternate endings Billy considered for the play (page 300). Why do you think she chose to end the play the way she did?
22. On page 319, Miller writes, “Now as Sam sits in his living room, holding the Christmas letter from Emma, thinking of Melanie Gruber, he realizes that he’s called her up in part because he feels the same way about Billy, about the accident of Billy’s arrival in his life—exactly that surprised.” Why does he feel this way? How does it change him?
23. Discuss the ending. Was it satisfying? What do you imagine happens next?
(For a complete list of available reading group guides, and to sign up for the Reading Group Center enewsletter, visit www.readinggroupcenter.com)