Synopses & Reviews
Born in Sweetwater, West Virginia, with a mop of flaming red hair and a map of the world rendered in port-wine stains on every surface of her body, Garnet Ferrari is used to being an outcast. With her sharp tongue, she has always known how to defend herself against bullies and aggressors, but she finds she is less adept at fending off the pilgrims who have set up a veritable tent city outside her hilltop home, convinced that she is Saint Garnet, healer of skin ailments and maker of miracles.
Her grandmother, the indelible Nonna Diamante, believes that Garnets mystical gift can be traced back to the familys origins in the Nebrodi Mountains of Sicily, and now the Vatican has sent an emissary to Sweetwater to investigate. Garnet, wanting nothing more than to debunk this “gift” and send these desperate souls packing, reaches back into her familys tangled past and unspools for the Church a tale of love triangles on the shores of the Messina Strait; a sad, beautiful maidens gilded-cage childhood in blueblood Virginia; and the angelic, doomed boy Garnet could not protect.
Saint or not, Garnet learns that the line between reality and myth is always blurred, and that the aspects of ourselves we are most ashamed of can prove to be the source of our greatest strength, and even our salvation.
"Diffenbaugh's affecting debut chronicles the first harrowing steps into adulthood taken by a deeply wounded soul who finds her only solace in an all-but-forgotten language. On her 18th birthday, Victoria Jones ages out of the foster care system, a random series of living arrangements around the San Francisco Bay Area the only home she's ever known. Unable to express herself with words, she relies on the Victorian language of flowers to communicate: dahlias for 'dignity'; rhododendron for 'beware.' Released from care with almost nothing, Victoria becomes homeless, stealing food and sleeping in McKinley Square, in San Francisco, where she maintains a small garden. Her secret knowledge soon lands her a job selling flowers, where she meets Grant, a mystery man who not only speaks her language, but also holds a crucial key to her past. Though Victoria is wary of almost everyone, she opens to Grant, and he reconnects her with the only person who has ever mattered in her life. Diffenbaugh's narrator is a hardened survivor and wears her damage on her sleeve. Struggling against all and ultimately reborn, Victoria Jones is hard to love, but very easy to root for. (Sept.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
"Instantly enchanting.... [Diffenbaugh] is the best new writer of the year." Elle
"I would like to hand Vanessa Diffenbaugh a bouquet of bouvardia (enthusiasm), gladiolus (you pierce my heart) and lisianthus (appreciation). In this original and brilliant first novel, Diffenbaugh has united her fascination with the language of flowers — a long-forgotten and mysterious way of communication — with her firsthand knowledge of the travails of the foster-care system.... This novel is both enchanting and cruel, full of beauty and anger. Diffenbaugh is a talented writer and a mesmerizing storyteller. She includes a flower dictionary in case we want to use the language ourselves. And there is one more sprig I should add to her bouquet: a single pink carnation (I will never forget you)." Washington Post
"A fascinating debut.... Diffenbaugh clearly knows both the human heart and her plants, and she keeps us rooting for the damaged Victoria." O Magazine
"An unexpectedly beautiful book about an ugly subject: children who grow up without families, and what becomes of them in the absence of unconditional love...Jane Eyre for 2011." The San Francisco Chronicle
"(T)he first-time novelist and real-life foster mother masterfully mixes sweet and tart to create a story that is devastating, yes, and hopeful, but also surprisingly, satisfyingly real." Redbook
"A moving and beautifully written portrayal of the frailty — and the hardness — of the human spirit". The Daily Telegraph (UK)
"The language of flowers, as illuminated through Victoria's words and a special appendix, turns out to be an addictive preoccupation." NPR
"Marie Manillas novel is a boisterous dazzler, thick with humor and steeped in a rich mythology. The Patron Saint of Ugly
packs a hard emotional punch without ever losing its charm or its hopeful heart."
—Joshilyn Jackson, bestselling author of Someone Elses Love Story and Gods in Alabama
"The Patron Saint of Ugly is a vastly entertaining story of a reluctant saint, her indelible nonna, and their family's long history of love, trickery and transcendence. I can't imagine any reader not enjoying Manilla's sparkling tale, or the girl who tells it."
—Whitney Otto, author of How to Make an American Quilt
"With The Patron Saint of Ugly, Marie Manilla has written more than a novel: she's written what we used to call a tale. It's all here, folks, the whole world. How does Manilla write about God and history and love and loss and make it all so miraculously readable? How does she make this book so much fun, even as it breaks your heart? Beats me, but she did it. Plus which, anyone who can mention Buddy Holly and Pius XII in the same sentence is my hero."
—Daniel Wallace, author of Big Fish
"The Patron Saint of Ugly is steeped in magic — it will make you laugh, fill you with wonder and break your heart all at once. A rich and energetic tale of love, family, and the hazy lines between reality and myth."
—Zoe Ferraris, author of Finding Nouf
A July 2015 Indie Next Pick
“[A] beautifully written, harrowing novel…[Kallos’s] vivid descriptions create a cast of memorable characters. She also delivers a huge shocker of a plot twist, one that may send you back to the beginning of the book as you wonder how this development could be possible.”—The Seattle Times
"Kallos’ earlier novels, Broken for You (2004) and Sing Them Home (2009), have been widely praised, and her third deserves all of those kudos and more. This novel, masterfully plotted and written, is a wondrously beautiful story of love and loss, offering hope in the face of the harshest reality."—Booklist, starred review
“Touchingly humane and impressive in scope…A voluminous novel exploring words and expression, parenting and letting go.”—Kirkus Reviews
"A riveting read...Kallos moves back and forth in time, and among characters, in a story that deftly mixes family drama, neuroscience, mystery and an exploration of the dying art of handwriting that is far more intriguing than it sounds...You're likely to find yourself rereading it at least once to fully absorb what you may have missed the first time around."—Bookpage
“For me, it would be plenty if a novel was deeply felt, utterly absorbing, and full of wit. But in Language Arts, Stephanie Kallos goes further, throwing in a doozy of a twist that had me going back to page one to understand how she pulled off such dazzling sleight of hand. An all-around delight.” — Maria Semple, best-selling author of Where'd You Go, Bernadette?
“Language Arts was like yoga for my heart—my sentiments were stretched and strengthened, my imagination challenged and contorted, and when I finished, I felt grateful for this beautifully honest, lyrical journey. I loved this book.” — Jamie Ford, best-selling author of Hotel on the Corner of Bitter and Sweet“A deeply moving story of ex-spouses and their young-adult autistic son, and how their pasts and presents inform their independent and cooperative futures. It maintains the top-notch standard set by Kallos’ earlier books, Broken for You and Sing Them Home.”—Cynthia Baskin, EarlyWord.com
A mesmerizing, moving, and elegantly written debut novel, The Language of Flowers
beautifully weaves past and present, creating a vivid portrait of an unforgettable woman whose gift for flowers helps her change the lives of others even as she struggles to overcome her own troubled past.
The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it's been more useful in communicating grief, mistrust, and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings.
Now eighteen and emancipated from the system, Victoria has nowhere to go and sleeps in a public park, where she plants a small garden of her own. Soon a local florist discovers her talents, and Victoria realizes she has a gift for helping others through the flowers she chooses for them. But a mysterious vendor at the flower market has her questioning what's been missing in her life, and when she's forced to confront a painful secret from her past, she must decide whether it's worth risking everything for a second chance at happiness.
With its irresistible and irreverent blend of Southern Gothic and Sicilian "malocchio," a lush, exuberant tale of a reluctant saint, her unforgettable family, and the myriad difficulties (some real, some imagined) we all face when it comes to loving and being loved.
The new novel from the best-selling author of Broken for You spins the stories of a dedicated teacher, his enigmatic son, and a wartime survivor into an affecting tale of love, loss, and handwriting.
The new novel from the best-selling author of Broken for You
spins the stories of a dedicated teacher, his enigmatic son, and a wartime survivor into an affecting tale of love, loss, and handwriting.
Charles Marlow teaches his high school English students that language will expand their worlds. But linguistic precision cannot help him connect with his autistic son, or with his ex-wife, who abandoned their shared life years before, or even with his college-bound daughter who has just flown the nest. He’s at the end of a road he’s traveled on autopilot for years when a series of events forces him to think back on the lifetime of decisions and indecisions that have brought him to this point. With the help of an ambitious art student, an Italian-speaking nun, and the memory of a boy in a white suit who inscribed his childhood with both solace and sorrow, Charles may finally be able to rewrite the script of his life.
Sometimes the most powerful words are the ones you’re still searching for.
About the Author
To write The Language of Flowers, Vanessa Diffenbaugh found inspiration in her own experience as a foster mother. After studying creative writing and education at Stanford University, Vanessa taught art and writing to youth in low-income communities. She and her husband, PK, have three children and live in Cambridge, Massachusetts. This is her first novel.