Synopses & Reviews
In 1990 the Department of Graphic Arts at the Louvre made their holdings available to guest curators for a program called
Parti Pris, or "Taking Sides". In this program, major cultural figures outside of the discipline of art history organized exhibitions based on the department's collection. Within its first several years, this novel collaboration produced exhibitions curated by philosopher Jacques Derrida and filmmaker Peter Greenaway.
Jean Starobinski, noted literary critic and intellectual historian from the University of Geneva, was selected as the third curator in the program. In his exhibition and accompanying essay, Starobinski explores the theme of largesse in its broadest sense. Arguing that gift giving and receiving are fundamental human gestures, he examines graphic and textual representations from the offering of the apple to Eve to Salome's gift of the head of John the Baptist, from the giving of laws to the gift of death. Charity, the poetic gift, and the benefits of Fortune all play aand#160;role in Starobinski's extended meditation on the act of donation. Lavishly illustrated and
dazzling in its scope and imagination, Largesse is an exemplar of the rich intellectual work that can result from crossing disciplinary boundaries and considering history as a dense network of themes and allusions.
Synopsis
In 1990 the Department of Graphic Arts at the Louvre made their holdings available to guest curators for a program called Parti Pris, or "Taking Sides".
Jean Starobinski, noted literary critic and intellectual historian from the University of Geneva, was selected as the third curator in the program. In his exhibition and accompanying essay, Starobinski explores the theme of largesse in its broadest sense.
Synopsis
Parti Pris, To What End? A first series of exhibits at the Louvre, entitled Parti pris, concludes with Jean Starobinski, exegete of the gift, under the expansive title Largesse. Parti pris is a common enough expression, but it speaks volumes. It points out the partisan--in the best sense of the term--nature of any reading. It forcefully reminds us that a reader is never neutral, that is, dead; never impartial, that is, utopian, or no place.
About the Author
Jane Marie Todd has translated a number of books, including Conversations with Picasso by Brassaï, Largesse by Jean Starobinski, and The Forbidden Image by Alain Besançon.
Table of Contents
Parti Pris, To What End?
Preliminaries
Ch. 1: The Ostentatious Gift
Ch. 2: Fortune
Ch. 3: Charity
Ch. 4: Poetry
Ch. 5: New Children's Battles
Ch. 6: Envois
Appendix: Texts on the Gift
Illustrations
Edited by: Regine Bonnefoit