Synopses & Reviews
Old Earth has nothing left for us, and so it is time for a new beginning. Cross galaxies, traverse light years and find yourself in a world where you can be the centre of your own universe. Welcome to New Earth. Never look back. Vela, the revered and celebrated architect of this new society, has recently been avoiding her public duties in favour of visiting the Old Earth Museum and the company of its Security Guard. As the final migrants arrive, she is becoming increasingly obsessed by her memories, and questions are growing about her sanity.
Leaving Planet Earth is a site-responsive promenade production on anepic scale. Tracing the story of humanitys first migration into space, it asks fundamental questions about our connection to this planet. Should we leave this world, and if so, who will endure and at what cost?
A haunting sci-fi epic that purports to take us on a journey from our own, ravaged planet to the paradisiacal colony of New Earth.' - Time Out
Part of the beauty of Catrin Evans's and Lewis Hetherington's production is the way it suggests how little we learn from our past behavior.' - Guardian
The audience of Leaving Planet Earth
have left behind an environmentally exhausted planet, bringing with them a hope for the future as well as fond memories of the old place.' - Theatre Scotland
Leaving Planet Earth is a wonderful concept that is meticulously executed.' - The Stage
Synopsis
A site-responsive promenade production on an epic scale, fusing live interactive performance with innovative digital and new media technologies.
Synopsis
The revered architect of a new society has been avoiding her public duties in favor of visiting the Old Earth Museum and the company of its Security Guard. As the final migrants arrive, she is becoming increasingly obsessed by her memories, and questions are growing about her sanity. A daring new play from award-winning Scottish theatre company Grid Iron.
About the Author
Lewis Hetherington is an associate artist of Analogue having co-written and performed in their first three shows:
Mile End and
Beachy Head, and
2401 Objects. He is an associate artist with Imaginate, which has afforded him the chance to undertake research with Sense Scotland, exploring the creative possibilities of making theatre with and for young deaf blind adults. Lewis has lots of experience making theatre for and with young people, through working with companies including Starcatchers, Visible Fictions, RSAMD Dramaworks, Traverse and National Theatre of Scotland.
Catrin Evans writing credits include Demons and the Jean-Jacques Rousseau show at A Play, A Pie and A Pint, and We Had Song which was supported to a rehearsed reading at The Traverse through Stella Quines. She has also co-written and directed all of the shows created by A Moments Peace Theatre Company, for whom she is the Artistic Director. She is currently directing AJ Taudevins Some Other Mother, which will be touring Scotland in 2013.