Synopses & Reviews
Published by the Center for Literary Publishing at Colorado State UniversityMountain West Poetry Series
These poems are intent on calling out the migratory beauty of this world, in a neighbor-voice: friendly, from the yard nearby, pointing out stuff we might not have noticed. They frequently employ that most ancient of forms, the list, to show us what we shine a light on, what we look past, what we reflect, what we miss. In that way, they speak like the meadowlark who says, See you! See you! These poems are for when we shall no longer fear the ecstatic, because well know that ecstasy too is quotidian, as daily as a meadowlarks shopping list.”
Eleni Sikelianos In her second collection, Rebecca Lindenberg turns her scrutiny to the American West without forgetting the many layers of sediment and memory there and in other elsewheres. From grocery stores in Utah to a synagogue in Rome to cloud-gazing everywhere, in poems at turns laconic and lush, wistful and wry, Lindenberg shows how beauty and absurdity can and will persisteven, or especiallyin the loss of our multiple loves and multiple selves.” Tarfia Faizullah Recursive and elliptical, the poems in Rebecca Lindenbergs The Logan Notebooks are as difficult to depict as they are to forget. Like clouds (themselves, so omnipresent and imperative that Lindenberg confronts them on the first page), these poems shift, then settle into shape, then shift once again. More usual iterations of poetry give way to paragraphs of unimpeachable prose, itemized narratives in which whole, epic plots are cached. Lists run left to right as if they actually listed, like boats off-ballast or stand-alone willows in windstorms. Catalogues are first climactic then cathartic. What she does not write, she has somehow written. Aphorisms become offerings. Almost every line is a sutra. If anyone who feels they have to lie is a thing that has lost its power, then Rebecca Lindenberg need not worry. Neither these poems nor the poet who conceives them flinches at gut-punch truth.”
Jill Alexander Essbaum The American West, in its mythical and real-time complexity, is itched out of reverie and brought into the deep groove of the present in Rebecca Lindenbergs The Logan Notebooks. The grotesquerie of capitalism hangs in the background, sometimes the foreground, but her lines dont flinch as they attend to these/details that might later/divert you. Above all this is a book about relationshipsto a beloved, a family, a landscape, a country, and language itself. Somewhere between the sayable and the unsayable, Lindenbergs poems startle life from a fractured world. The Logan Notebooks is a balm and an anomaly.” Joseph Massey
Clouds, mountains, flowering trees. Difficult things. Things lost by being photographed. Things that have lost their power. Things found in a rural grocery store. These are some of the lists, poems, prose poems, and lyric anecdotes compiled in The Logan Notebooks, a remix and a reimagining of The Pillow Book of Sei Shonagon, a collection of intimate and imaginative observations about placea real place, an interior landscapeand identity, at the intersection of the human with the world, and the language we have (and do not yet have) for perceiving it.
Review
"Despite their beauty, Lindenberg's poems do not shy away from humor or pain, as shown through her students, friends, and lovers. A constant is her fascination with sound and the meaning(s) of words. . . . Lindenberg has crafted a collection that is immediately striking, yet thought-provoking beyond its pages—a recipe to rouse even the most callous reader. "
—Publisher's Weekly
Review
"
The Logan Notebooks has a rough draft feel whilst simultaneously seeming delicately ordered and crafted as a collection. It’s a neat and difficult trick and Lindenberg achieves it via her clever linguistic attunement. Her poetry is casual (notebookesque), but also open to deeper modes of knowing and understanding. . . .
The Logan Notebooks is a book lightened by its fervency, by its deceptive buoyancy. To wit, Logan is a town in Utah, near Salt Lake City; per the volume’s back cover, Lindenberg holds a Ph.D. in literature and creative writing from the University of Utah, a school located in Salt Lake City. Lindenberg’s poetry thus adheres to the old adage write what you know. Only she knows what we don’t and as readers our pleasure derives from her willingness to share such enlightenment."
—Jeff Alessandrelli, The Rumpus
Synopsis
Clouds, mountains, flowering trees. Difficult things. Things lost by being photographed. Things that have lost their power. Things found in a rural grocery store. These are some of the lists, poems, prose poems, and lyric anecdotes compiled in The Logan Notebooks, a remix and a reimagining of The Pillow Book of Sei Shonagon, a collection of intimate and imaginative observations about placea real place, an interior landscapeand identity, at the intersection of the human with the world, and the language we have (and do not yet have) for perceiving it.
About the Author
Rebecca Lindenberg earned a BA from the College of William and Mary and a PhD in literature and creative writing from the University of Utah. She has published poems in Poetry, the Believer, Conjunctions, 32 Poems, Mid-American Review, Colorado Review, Denver Quarterly, Gulf Coast, and elsewhere. Her essays and criticism have appeared widely, and she has been a guest blogger for the Best American Poetry Blog. Her first collection of poetry, Love, an Index, focuses on her relationship with her partner, the late poet Craig Arnold. Lindenbergs honors include a grant from the National Endowment for the Arts, a MacDowell Colony Residency, a fellowship at the Provincetown Fine Arts Work Center, and an Amy Lowell Poetry TravellingScholarship.