Synopses & Reviews
In a fresh, modern take on the remarkable Louisa May Alcott, Harriet Reisens vivid biography explores the authors life in the context of her works, many of which are to some extent autobiographical. Although Alcott secretly wrote pulp fiction, harbored radical abolitionist views, and served as a Civil War nurse, her novels went on to sell more copies than those of Herman Melville and Henry James. Stories and details culled from Alcotts journals, together with revealing letters to family, friends, and publishers, plus recollections of her famous contemporaries provide the basis for this lively account of the authors classic rags-to-riches tale. In Louisa May Alcott, the extraordinary woman behind the beloved American classic Little Women is revealed as never before.
“At last, Louisa May Alcott has the biography that admirers of Little Women might have hoped for.” —The Wall Street Journal's Best 10 Books of the Year
“A magnificent new biography . . . a classic.” —The Washington Times“Fans will adore Harriet Reisen's sympathetic biography. . . .With charming verve, she details Alcott's remarkable if difficult life.” —USA Today “Superb . . . punctuates the myths of the Alcott family, rendering Louisa May with nuance.” —Chicago Tribune “A biography as vibrant as its subject.” —Vogue
“Reisens lifelong fascination with Little Women and the woman who wrote it has produced an absorbing narrative, in many ways the best ever, of Alcotts own life. . . . The utterly compelling force of Alcotts personality has never been better described. I found the book compulsively readable; I couldnt put it down.” —Robert Richardson, author of Emerson: The Mind on Fire and Henry Thoreau: A Life of the Mind
“Brilliantly researched. . . . Her biography will occupy an essential place on any Alcott bookshelf.” —John Matteson, Pulitzer Prize-winning author of Edens Outcasts: The Story of Louisa May Alcott and Her Father
“A beautifully written, significant, and fascinating work. Harriet Reisen does with this biography what Alcott did with her writing—gives us a memorable and inspiring gift full of humanity, heart, and soul.” —Winona Ryder, producer and star of Little Women (1994)
In this probing look at the woman behind "Little Women," Reisen explores Alcott's life in the context of her works, all of which are to some extent autobiographical.
About the Author
Harriet Reisen has written dramatic and historical scripts for PBS and HBO, including a recent PBS documentary on Louisa May Alcott. She lives in Massachusetts with her husband and son.
Reading Group Guide
1. What was your first experience with Little Women? How old were you? Who introduced you to the story? Which of the sisters did you relate to the most? What scenes do you remember most vividly today?
2. Louisa May Alcott describes the realization of her artistic ambitions as “a long-held dream.” Reisen borrows the phrase to describe her own passion for literary biography. Do you believe that Louisa completely fulfilled her long-held dream, or is her work unfinished? Does Reisen fulfill her dream? Can a biography of someone as complex and influential as Louisa ever be finished?
3. In what ways is Louisa a quintessential American figure?
4. In what ways was Louisa far ahead of her time?
5. What traits did Louisa adopt or inherit from her mother? How do those traits contribute to her survival and success? See her mother's letter to her on page 118. How does her advice become central to Louisa's lifelong “creed” on page 332:“Work is such a beautiful & helpful thing & independence so delightful”?
6. Reisen portrays the relationship between Louisa and Bronson as the most complicated of her life, beginning with their shared birthdays and ending with their near-simultaneous deaths. See Bronsons birthday letters to the child Louisa (52, 79) — how does Reisen characterize Bronson? Does Louisas desire to remain unattached stem from her view of her parents marriage? Do Reisens speculations about Bronsons likely mental illness affect your impression of him? Do your feelings about him change throughout the book?
7. Under the pen name and alter ego A. M. Barnard, Louisa wrote work that is a far cry from the sweet, domestic stories for which she was popularly known. Is it possible to write well about subjects or places one has never experienced, as when Louisa writes about prostitutes, murder, and sexual relationships? Did she in fact have dark knowledge to draw upon as inspiration?
8. Thoreau and Emerson were ever-present forces in Louisas life. How might she have fared without their help and influence? What are some of the roles they played for her and Bronson?
9. In what ways do the Marches live a rosier life than the Alcotts? Did Louisa create the Little Women version of her family in order to explore and work out negative feelings about her childhood? Do you think the book would have been as commercially successful if it were more closely autobiographical?
10. Louisa worked on Moods at different times throughout her career, but seems never to have been happy with it (234). Why did she return to it again at the age of 50 rather than starting a new project? Why did she feel the need to write a great “adult” novel, after achieving such honor and success with Little Women?
11. Louisas poems reveal much about her various emotional and mental states throughout her life. Yet, her response to the publication of the heartfelt “Thoreaus Flute” (226) was that she was a “mercenary creature” who enjoyed the 10 dollars it brought. Does Louisa seem to take refuge in art perhaps as the only place where she can reveal her vulnerabilities?
12. Would Louisa have been happier had she chosen to be more “selfish” after her success, choosing relaxation and pleasure like May? Why does Louisa believe that Mays near-perfect happiness after her marriage was too good to last? Was Mays untimely death a symbolic blow for Louisa as well in terms of her view of life?
13. Louisa moved countless times in her life, hardly staying in the same place for longer than a year. Why was it so difficult for her to settle in any location? What were the effects of her vagabond lifestyle?
14. Money was Louisas greatest motivation for her relentless pace of writing, but fame was an inevitable consequence. Was she ever able to truly enjoy the fruits of her labors? Why did she either dismiss or hide from her fans - with the exception of the Lukens sisters (322)? Why did she wish all her letters to be burned after her death? And why do you think she was so especially careful not to disclose the nature of her relationship with Laddie?
15. Louisa seems to take solace in work and a sense of sacrifice for her family. Was she justified in thinking of herself as a martyr for her family, beginning with Reisens oft-mentioned incident with the plumcakes? Does Louisa take up this role independently, or is it forced upon her? Why does it especially bother her not to receive presents for Christmas or birthdays? Consider the tragedy that she died utterly alone on her sickbed.
16. How does this biography affect your previous impressions of Louisa? Of mid-19th century America? Of your own attitudes toward familial responsibility and independence?