Synopses & Reviews
Ma'luf is an Arabic word meaning 'familiar' or 'customary'. In Tunisia, it is the term used for the indigenous Arab Andalusian musical tradition. Like the related musical traditions of Morocco, Algeria, and Libya, the ma'luf originated in the Islamic courts and cities of medieval Iberia (Al-Andalus) and is associated with the migrations of Muslim and Jewish refugees into North Africa in the wake of the Christian reconquest. This is the first English-language book on Tunisian music or any national tradition of Arab Andalusian music, and it is the only book in any language to survey the recent history of the ma'luf since its modern revival in the early 20th century. Drawing from and expanding upon her extensive body of published writings, this book presents key aspects of Davis's original research on the ma'luf, including its musical aesthetics, personalities, institutions and myths, through a century of modernization and change from the early twentieth century to the present day. The text is enriched by original photographs, musical examples, and song texts in Arabic and English translation, including a complete transcription of a twenty-minute performance of a nuba - the principal genre of Arab Andalusian music.
Synopsis
This is the only book in the English language on Tunisian music, or on any national tradition of Arab Andalusian music, and it is the only book in any language to survey changes in the ma'luf since its modern revival in the early 20th Century within the framework of social, political, and musical developments in Tunisia and the wider Middle East. The author explores topics such as Arab music theory, modernization, westernization, and Egyptianization; the use of notation in oral tradition; and cultural policy. The relations between traditional music and the mass media are also considered, and the conclusions of this study have a significance that will extend beyond Tunisian and Middle Eastern music to ethnomusicology as a whole.