Synopses & Reviews
The poems that make up A Map of the Lost World range from tightly-wrought shorter lyrics to longer autobiographical narratives to patterns of homage (in several forms) of poets that Hilles admires and emulates (including Richard Hugo, James Wright, James Merrill and Larry Levis) to extended voice-driven meditations, one in the voice of a German Jewish woman, a prisoner who would escape a French concentration camp and go on to fight in the French resistance, to other efforts to confront history and not be devoured by history, and to locate, even resuscitate, friends lost to death, if only provisionally; though each poem in A Map of the Lost World is highly crafted and diversely rendered, in this collection, each poem finds its unifying impulse in it’s maker’s desire to span vast distances to reach loved ones, beloved others, the various families of friends, fueled by an almost gymnastic imagination that vaults itself into almost any space—going to almost any length—sustained by the various forms of love, which, after all, may be as close as any of us has come (in this or any life) to knowing and warming ourselves, if not also at times being scalded by, the immortal fires of the Infinite.
If it’s largely true that all poets are love poets, then the poems of Rick Hilles’s A Map of the Lost World find their unifying power in the love of friendship, testing the bonds by which the family “we get to choose” may keep us whole, even beyond death.
About the Author
Rick Hilles is assistant professor of English at Vanderbilt University and is the author of the poetry collection Brother Salvage, winner of the Agnes Lynch Starrett Poetry Prize. He has been the Amy Lowell Poetry Traveling Scholar, a Wallace Stegner Fellow at Stanford University, and a Ruth and Jay C. Halls Fellow at the University of Wisconsin–Madison. Hilles is the recipient of a Whiting Writers’ Award and the Larry Levis Editor’s Prize in Poetry from The Missouri Review. He and his wife, the fiction writer Nancy Reisman, live in Nashville.