Synopses & Reviews
Since its initial release, Raging Bull has been called the greatest film of the 1980s, the greatest boxing film ever made, the greatest sports film ever made, and, indeed, one of the greatest films of all time. The introduction to this study tells the story of how the film came about, examining its inspirations and positioning the film within the history of cinema. Subsequent chapters, each written by contributors from different disciplines, critique the film from a variety of perspectives.
Synopsis
"Raging Bull": A Cambridge Film Handbook presents the fullest critical appreciation of Scorsese's film available. The introduction tells the story of how the film came about, examining its inspirations and positioning "Raging Bull" within the history of cinema. Subsequent chapters discuss the film from a variety of perspectives. Contributors to this volume have been issued a challenge: to write chapters that contain fundamental information for students, to include new information and ideas for seasoned film scholars, and to write in a jargon-free style that all readers can appreciate.
Synopsis
Raging Bull: A Cambridge Film Handbook presents the fullest critical appreciation of Scorsese's film available. The introduction tells the story of how the film came about, examining its inspirations and positioning Raging Bull within the history of cinema. Subsequent chapters discuss the film from a variety of perspectives. Contributors to this volume have been issued a challenge: to write chapters that contain fundamental information for students, to include new information and ideas for seasoned film scholars, and to write in a jargon-free style that all readers can appreciate.
Synopsis
Raging Bull explores all facets of the groundbreaking 1980 film directed by Martin Scorsese.
About the Author
November 14, 1959
Table of Contents
Introduction: the heritage and legacy of Raging Bull Kevin J. Hayes; 1. Art and genre in Raging Bull Leger Grindon; 2. Visual absurdity in Raging Bull Todd Berliner; 3. Raging Bull and the idea of performance Michael Peterson; 4. Women in Raging Bull: Scorsese's use of determinist, objective, and subjective techniques Peggy McCormack; 5. My victims, my melancholia: Raging Bull and Vincente Minnelli's The Bad and the Beautiful Mark Nicholls.