Synopses & Reviews
Ranging from France to Russia to America in the throes of world war and revolution,
Medieval Roles for Modern Times investigates how critics and creators made medieval culture a part of their modern world through theatrical role-playing. On both the Left and the Right across Europe, partisans used drama to express the ideological struggles dividing them. Helen Solterer explores the case of the Théophiliens, a Parisian youth group in the 1930s and 1940s whose members included Roland Barthes and Alain Resnais. The performances of the troupe—from the
Adam Play to the
Mystery of the Passion—captured the paradoxes of the French Republic as it was breaking apart.
The book focuses on two key figures of the Théophilien troupe: founder Gustave Cohen and actor Moussa Abadi. Under Vichy, Cohen went into exile in America, while Abadi went underground. He established a network for refugee families and taught Jewish children role-playing skills to help them evade detection by the Gestapo. Abadi helped save hundreds of children from deportation, and his story of theater and Jewish resistance has never before been published.
Review
“Interviews along with numerous illustrations make this a work of exceptional interest to a broad audience.”
—C. B. Kerr, Choice
Synopsis
Examines the performances of a Parisian youth group, Gustave Cohen's Th ophiliens, and the process of making medieval culture a part of the modern world. Explores the work of actor Moussa Abadi, and his clandestine resistance under the Vichy regime in France during World War II.
About the Author
Helen Solterer is Professor of French at Duke University. She is the author of The Master and Minerva: Disputing Women in French Medieval Culture (1995).
Table of Contents
ContentsList of Illustrations
Prologue
1. French Mysteries and Russian Miracles: Role-Playing, the Great War, and Bolshevik Revolution, 1905–1925
2. Gustave Cohen and the Drama of Belonging to France: Paris, 1933–1934
3. The Théophilien Troupe’s Coming of