Synopses & Reviews
In 1967 the magazine Ramparts
ran an exposé revealing that the Central Intelligence Agency had been secretly funding and managing a wide range of citizen front groups intended to counter communist influence around the world. In addition to embarrassing prominent individuals caught up, wittingly or unwittingly, in the secret superpower struggle for hearts and minds, the revelations of 1967 were one of the worst operational disasters in the history of American intelligence and presaged a series of public scandals from which the CIA's reputation has arguably never recovered.
CIA official Frank Wisner called the operation his "mighty Wurlitzer," on which he could play any propaganda tune. In this illuminating book, Hugh Wilford provides the first comprehensive account of the clandestine relationship between the CIA and its front organizations. Using an unprecedented wealth of sources, he traces the rise and fall of America's Cold War front network from its origins in the 1940s to its Third World expansion during the 1950s and ultimate collapse in the 1960s.
Covering the intelligence officers who masterminded the CIA's fronts as well as the involved citizen groups--émigrés, labor, intellectuals, artists, students, women, Catholics, African Americans, and journalists--Wilford provides a surprising analysis of Cold War society that contains valuable lessons for our own age of global conflict.
"Well before the beginning of the Cold War, the Soviet Union achieved a series of propaganda successes by using 'front' organizations that ostensibly served independent purposes but were orchestrated by Moscow. In the late 1940s, Frank Wisner, chief of political warfare for the newly created CIA, proposed a U.S. version: a 'mighty Wurlitzer' that like its namesake would play the music America desired. California State Long Beach professor Wilford describes the 'Wurlitzer' as most successful in supporting Western Europe's noncommunist leftist unions, students and intellectuals during the 1950s. As the Cold War spread, the CIA organized programs in the Third World combining development with anticommunism. The CIA was more a source of funding and fine-tuning than the master player its organizers intended; few of its front groups were unaware of the connection. What made the system work was a shared, principled and intense anticommunism combined with trust in America's intentions and capabilities. As these eroded during the Vietnam era, the Wurlitzer's music grew discordant, then ceased altogether. Wilford's conclusion that winning hearts and minds is best left to overt processes and organizations is predictable and defensible. Still, Wisner's Wurlitzer helped level the playing field at a crucial period of the Cold War." Publishers Weekly (Copyright Reed Business Information, Inc.)
About the Author
Hugh Wilford is Associate Professor of History, California State University, Long Beach.
Table of Contents
1. Innocents' Clubs: The Origins of the CIA Front
2. Secret Army: Émigrés
3. AFL-CIA: Labor
4. A Deep Sickness in New York: Intellectuals
5. The Cultural Cold War: Writers, Artists, Musicians, Filmmakers
6. The CIA on Campus: Students
7. The Truth Shall Make You Free: Women
8. Saving the World: Catholics
9. Into Africa: African Americans
10. Things Fall Apart: Journalists