Synopses & Reviews
Prepare yourself for a miraculous journey with Newbery Medalist Kate DiCamillo.
Someone will come for you, but first you must open your heart...
Once, in a house on Egypt Street, there lived a china rabbit named Edward Tulane. The rabbit was very pleased with himself, and for good reason: he was owned by a girl named Abilene, who treated him with the utmost care and adored him completely.
And then, one day, he was lost.
Kate DiCamillo takes us on an extraordinary journey, from the depths of the ocean to the net of a fisherman, from the top of a garbage heap to the fireside of a hoboes' camp, from the bedside of an ailing child to the bustling streets of Memphis. And along the way, we are shown a true miracle that even a heart of the most breakable kind can learn to love, to lose, and to love again.
A timeless tale by the incomparable Kate DiCamillo, complete with stunning full-color plates by Bagram Ibatoulline, honors the enduring power of love.
"Although Edward Tulane resents being referred to as a toy, much less a doll, most of us would regard him as such. He is, in fact, a rabbit made mostly of china, jointed with wire at the elbows and knees, so that he has quite a range of motion. His ears are bendable wire, covered with rabbit fur, so that they can be arranged to suit his mood 'jaunty, tired, full of ennui.' He has a lovely, fluffy rabbit fur tail, as well. He prefers not to think about his whiskers, as he darkly suspects their origin in some inferior animal. Edward, thanks to his owner's grandmother, has more clothes, and certainly more elegant clothes, than most children. He even has a little gold pocket watch that really tells time. But the most important thing that Edward has in his pampered life is the love of a 10-year-old girl named Abilene Tulane. Surely, Edward Tulane is a rabbit who has everything everything that is, but what he most needs. There will be inevitable comparisons of Edward Tulane to The Velveteen Rabbit, and Margery Williams's classic story can still charm after 83 years. But as delightful as it is, it can't match the exquisite language, inventive plot twists and memorable characters of DiCamillo's tale. Edward, unlike Rabbit, has never thought of himself as less than real, he just hasn't caught on to what it means to love anything or anyone beyond his own reflected image. Until, that is, he is rudely set off on the miraculous journey of the title a journey that begins when Abilene's grandmother tells her and Edward a strange fairy tale of a princess who does not know how to love, and whispers in Edward's ear, 'You disappoint me.' And the journey ends, as any true fairy tale should, with a happily ever after. But it is the journey from pride through humiliation, heartbreak and near destruction that brings Edward to that joyful ending. Even in the galley stage, this is a beautiful book. Ibatoulline's illustrations are simply wonderful, and the high quality of the design incorporates luxurious paper and spaciously arranged blocks of text. But a story for today about a toy rabbit? Okay, I thought, Kate DiCamillo can make me cry for a motherless child and a mongrel stray. She can wring my heart following the trials of two lonely children and a caged tiger, and bring tears to my eyes for a brave little lovesick mouse, but why should I care what happens to an arrogant, over-dressed china rabbit? But I did care, desperately, and I think I can safely predict you will, too." Publishers Weekly (Copyright Reed Business Information, Inc.)
"[T]he story soars because of DiCamillo's lyrical use of language and her understanding of universal yearnings. This will be a pleasure to read aloud." Booklist (Starred Review)
"This achingly beautiful story shows a true master of writing at her very best....This superb book is beautifully written in spare yet stirring language....An ever-so-marvelous tale." School Library Journal (Starred Review)
"DiCamillo spins the tale of Edward, transformed by the lives he touches. The reader will be transformed too. Sumptuous gouache illustrations complement the old-fashioned, dramatic narrative. Keep the tissues handy for this one." Kirkus Reviews
"The prose is spare and considered, and the characters are fully drawn and complete. A further treat is Bagram Ibatoulline's artwork throughout the text. Lush and elegant, it lends Edward the dignity he so richly deserves." Children's Literature
The Miraculous Journey of Edward Tulane is a timeless story told by Newbery-Award winning author Kate DiCamillo. Stunning full-color plates by fine artist Bagram Ibatoulline complement this powerful story about the enduring power of love.
The Newbery Medal-winning author of "The Tale of Despereaux" returns with this story about a toy rabbit named Edward Tulane. When he becomes lost, Edward takes an extraordinary journey and shows readers a true miracle. Illustrations.
Once, in a house on Egypt Street, there lived a china rabbit named Edward Tulane. The rabbit was very pleased with himself, and for good reason: he was owned by a girl named Abilene, who adored him completely. And then, one day, he was lost. . . .
Kate DiCamillo takes us on an extraordinary journey, from the depths of the ocean to the net of a fisherman, from the bedside of an ailing child to the bustling streets of Memphis. Along the way, we are shown a miracle -- that even a heart of the most breakable kind can learn to love, to lose, and to love again.
Miraculous Journey of Edward Tulane, 12 copies,
About the Author
Kate DiCamillo has received accolades for all of her previously published books: The Tale of Despereaux
, which received the Newbery Medal; Because of Winn-Dixie
, which received a Newbery Honor; The Tiger Rising
, which was named a National Book Award Finalist; and Mercy Watson to the Rescue
, the first of the Mercy Watson books for young readers.
Bagram Ibatoullineis the illustrator of Crossing by Philip Booth; The Nightingale by Hans Christian Andersen, retold by Stephen Mitchell; The Animal Hedge by Paul Fleischman; Hana in the Time of the Tulips by Deborah Noyes; and The Serpent Came to Gloucester by M. T. Anderson.